#1
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Something I can't do....
But I'm going to even if I wear my fingers down to stubs in the process.
This is Stephen Wake playing the beginning of one of his arrangements. The strum at about 1.8 seconds isn't a strum I think, but a quick arpeggio. I don't hear any kind of delay caused by skipping over the muted 5th and 4th strings. It's just "BAM" and its done. (CGDGCD capo 4 0xx002 {grace note open hammer on the 1st string} and then 223000) I'm practicing 0 (thumb) and then i m a and back again just for punishment, lol
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#2
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Why don't you provide a link to it? Saves the rest of us a google search.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#3
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Quote:
https://stephenwake.bandcamp.com/alb...ab-pdf-booklet The third tune in the Celtist CD "Night in That Land"
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Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#4
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I haven't heard Stephen Wake before and I'm really enjoying his playing so thanks for that. Good luck with mastering "Night In That Land." That's well above my level of play so I cannot offer any advice.
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#5
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Just sounds like a downward arpeggio if he is skipping a string. I just listened for a second and did not retune my
guitar so I am not sure if a string (probably 5th) was skipped. Otherwise it's a simple strum. For a reliable and quick such five string arpeggio plant your thumb and all four fingers on their individual string (say strings 1-2-3-4-6) and then peel them off from thumb to pinky.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#6
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Quote:
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Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#7
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He's excellent, isn't he?
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Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#8
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Quote:
The third chord is trickier: 5550xx followed immediately by 7th fret 4th string, while others are ringing. Not a hammer-on I don't think, probably picked with the thumb: -------------- ------------- ------0---------- ----5---7--------- --5------------ 5------------- p i m a p I.e. all three chords are played the same way: p-i-m-a on the 4 strings in question (no muting required). In open position the chords would be C, Em, Fadd9. Capo 4 makes them E, G#m, Aadd9
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#9
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Quote:
The second, 4xx045 in the notation is a 16th note 4xx04x then the eighth note 5, but it does sound like another arpeggio. I can do backwards arpeggios faster than forward ones, I'm sure that's the same for everyone I'll keep working at it. I have a ton of his music and I like to write my own so there will be a lot of benefits from getting more proficient at this, even though it is probably a trivial thing to accomplished players.
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#10
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Quote:
A strum would certainly work with the last one, but personally I find the p-i-m-a-p cleaner, easier to control. I tried it with the hammer-on, it didn't sound quite the same, and I find picking it easier anyway.
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |