#16
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This video should give you an answer to your question(s).
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#17
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That said, do they really sound that great? |
#18
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I have an Audio Technica AT 2020 mic. It is reasonably priced condenser mic and sounds good for my ears. I only have this one mic which for me does a good job picking up my Martin D-28 and my voice. I have been thinking about getting a separate dynamic mike to track my guitar. I would probably get a Shure SM 58.
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Martin D-28 Taylor 814 CE |
#19
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Warm Audio WA87. Recording my next album with a lot of WA gear.
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http://acousticcountryblues.com/ |
#20
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A high end mic won't sound as good as it could if you listen through computers speakers, iPhone, or typical earbuds, if the mic was plugged into a low end preamp or D/A converter, arguably even cheap cables can degrade the sound. This poses a dilemma for buyers. If you're not a millionaire do you split up your limited budget so each link in the chain is of similar quality? Or you can do what I did, splurge at the beginning of your journey on forever-keeper mics but cheap-out on everything else since it will gradually be upgraded. If you take care of them good mics last many decades. Besides all the gear choices the room, it's acoustic treatments, and your recording knowledge and techniques make a huge difference in the sound you get. Nice mics are just one tool for a very complex job. Last edited by Tico; 09-02-2017 at 01:50 PM. |
#21
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does this stuff apply to guitars ? - of course not
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I play an 'evolved' (modified) Cowboy guitar Not sent from my iPhone using Tapatalk |
#22
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So interesting. Had to break it up this morning with all the business around here, but I did watch the whole thing. Thanks for finding that!
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Don't chase tone. Make tone. |
#23
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It is hard. There are so many.
Bob
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"It is said, 'Go not to the elves for counsel for they will say both no and yes.' " Frodo Baggins to Gildor Inglorion, The Fellowship of the Ring THE MUSICIAN'S ROOM (my website) |
#24
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Still, like every other aspect of the recording game, it's a tradeoff along the cost/convenience/performance graph. Fran
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E ho`okani pila kakou ma Kaleponi Slack Key in California - www.kaleponi.com My YouTube clips The Homebrewed Music Blog |
#25
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Just got a matched pair of Josephson C42's, and I'm currently very smitten with them in a vertical X/Y. I should have a few new youtube videos from my kitchen in about a month with them. Very very happy.
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#26
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1" condenser, built in D/A 24 bit / 96 kHz converter from Apogee. Plugs directly into your computer/iPad/iPhone. No preamp or Interface needed. Might be a great product for those wanting simplicity but with good sound. https://en-us.sennheiser.com/usb-stu...g-mk-4-digital Lots of reviews all over the Internet. |
#27
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Dustin Furlow -Award-winning songwriter/guitarist, Visual storyteller -D’Addario, G7th and K&K Sound Artist -Music on Spotify, Apple Music and YouTube: www.youtube.com/dustinfurlow -New album "Serene" (Oct '23) and tablature available at www.dustinfurlow.com |
#28
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Like whose demos do I consider better? Ear Trumpet Labs, for instance. And they're not even supposed to be intended for studio use so much. |
#29
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I would like the one that makes me sound like Sammy Hagar.
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#30
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Selective hearing and industry parroting acknowledged, I heard no differences in the audio this presentation pointed out. Of course, I was motivated not to by the underscored message of the presentation which was, ironically, the very thing the presentation was attempting to tell people not to do. Subliminally motivated aural searching can block out complete bass lines when focused on another frequency.
I did enjoy the audio correcting jar of rocks for $130.00. And, he's right when he frustratingly admits that the audio carpet baggers selling audio elixirs can hide behind the subjectivity of audio. If people claim they hear something then the sellers of that stuff have free advertising from unwitting shills that qualifies their asking prices for the placebos they hawk. There was a $20,000.00 audio cable in that product mix I found a very saddening example of predatory marketing behavior. Last, when the room response was corrected for the compared microphones, showing them to be basically mirrors of each other, one has to admit that no two responses from a single microphone will be the same, either. So, the message here is a 1-inch condenser mic of one stripe is still a 1-inch condenser mic by another. |