#16
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I have too but I compensated by going to heavier strings. I beginning to think this wasn't really necessary. Did you stay with the same string gauge or go heavier?
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#17
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Gonna try open G tunning for some Rolling Stones songs like Wild Horses, can I use my electronic tuner still? is there a trick way when you fret strings on the 12 fret to tune that string down to new tunning? cheers.
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Yamaha FG700s & Taylor 114e (Walnut) |
#18
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The problem I have with alternate tunings is that if I play a lot of songs in different tunings it kind of ruins the mood when playing for others. Nothing bores an audience faster than sitting waiting for you to tune your guitar.
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#19
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I've used Drop D for a couple of songs that called for it; Bad Company's Bad Company is 1/2 step down (and! Drop D along with it) to match the recording. Their live performance is... well, I don't know what it is.
Now, Ozark Mountain Daredevil's (remember them?) Jackie Blue is in Gb to start, then switches key to C and back and forth (yes, I'm going somewhere with this)... The Gb sections use Ebm7 and Abm7, which are admittedly a little hard for me to switch quickly at this point in my skill. So I tuned down 1/2 step for those and play Em7 and Am7. So far so good to match the recording. But when the song changes key to C, I can't play the regular G, C, Cmaj7, and Dm7 chord shapes. Sounds like cats fighting. So, do I play G#, C#, C#maj7 and D#m7? I may keep the guitar tuned down and just capo @ 1st fret to play standard. Hey, then I can get another guitar to keep in standard, and another one to keep in Drop D! |
#20
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Right, one of many reasons why the most I tend to do is drop the bass string to D. If there's a (rare) song that requires more than that, I put it at the end of the set. If you are into altered tunings, you either need to bring multiple instruments to the gig, or come up with a patter you can employ during retuning.
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#21
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Well, Richard Thompson does a lot of tuning changes and he's never bored me...
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#22
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I can only speak for myself but the performances I enjoy the most are the ones that seem to seamlessly go from one song to the next. There can be talking in between songs to hold the audience's attention but not everyone is good at talking and doing something else at the same time. I've noticed that too much preparation time in between songs makes the performance seem rather choppy instead of a smooth experience.
Last edited by acou57; 01-23-2011 at 11:28 AM. |
#23
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I like "double" dropped D - both E's to D, and I am also working in Open G (for slide).
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Will |
#24
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In answer to original question, "No, I do not like drop tuning my acoustics" I do, however, like the sound of many drop tuning or alternate tuning pieces, but usually I stick with the EADGBE tuning -
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Grant 2010 Simon Fay German Spruce/ EIR OM 2010 Taylor NS24ce Nylon 2006 Cordoba 55R Nylon 2008 Takamine Nylon Crossover TC135SC 1978 Takamine Nylon C128 2006 Miranda Nylon (My Motorcycle Guitar) 1973 Guild G37 Sitka/Maple |
#25
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If I wish to change my tuning, I revert to one of my older, less expensive guitars. My Atkin will either be in standard or in drop D. Nothing else.
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Current Gear -Atkin AA -Fender American Stratocaster -Cort SFX6R, signed by Tommy Emmanuel FOR SALE! -Epiphone Les Paul FOR SALE! |
#26
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I can't stand drop tuning my acoustic. I'm always afraid all the back and forth between it and standard tuning, (sometimes two or three times a day), will eventually cause me to break a string when playing in front of people, although I never have. That said, probably half the stuff I play, or most of the music I play outside of worship band music is in drop or alt tuning. I haven't gotten my sound as I would like it but I'm really drawn to a CCDGAD tuning for the songs I've written so far. The sound has been extremely addictive... unfortunately I own only one guitar.
-jay
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'22 Gretsch Falcon 6136PE (Midnight Sapphire) '16 Lowden F35c (Mountain Rosewood) (For Sale) '07 Bashkin OM (Cedar/Mahogany) '98 SRV Fender Stratocaster |
#27
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How abiout "drop tuning" your guitar as part of the song itself?
I'm thinking Peter Gunn and Dirty White Boy. You strum the open low E string and, with your left hand, tune up (and down) from (about Eb) to an E. I think. You can get the "effect" even if you aren't in exact tune. However, continuing the rest of the song, with others whe ARE in tune, requires "sharpness." This trick should not be tried by real guitarists, only show-offs! |
#28
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I have mediums on the 6 string so I have kept that gauge, but I am thinking of going to light-mediums for the 12 string.
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Liam F. 👽🖖🏼👑 🎶 |