#1
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How it all began...
Arguably the most important electric guitar ever - we just might be looking at a seven-figure hammerdown here...
https://guitar.com/news/les-pauls-number-one-auction/
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#2
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I can't wait to see what the final bid is for this one...
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Ray Gibson SJ200 Taylor Grand Symphony Taylor 514CE-NY Taylor 814CE Deluxe V-Class Guild F1512 Alvarez DY74 Snowflake ('78) |
#3
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Same here. I have no idea of the final bid.
I read the article yesterday. I didn't realize Les had #1. |
#4
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I´d route it for humbuckers and make a great Burst off it
Seriously - many idiots had done just that... from whatever 52 53 they could lay their hands on... |
#5
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Gene Paul (Les's son): “In my opinion, this instrument belongs in the Smithsonian next to Neil Armstrong’s boot from the Moon landing. It is a national treasure.”
OK, so why don't you donate it to the Smithsonian?
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Patrick 2012 Martin HD-28V 1984 Martin Shenandoah D-2832 2018 Gretsch G5420TG Oscar Schmidt Autoharp, unknown vintage ToneDexter Bugera V22 Infinium |
#6
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It should be interesting to see what it fetches, as well as who gets it.
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"It's only castles burning." - Neil Young |
#7
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Can’t wait for that NGD post.
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#8
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Quote:
Is there any discussion on what it will be listed at? |
#9
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Back in the day I played in a group with Brian Ray. He played a '57 goldtop. Still has it. Worth a BUNDLE. Here's a story about it in guitar.com.
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2018 Guild F-512 Sunburst -- 2007 Guild F412 Ice Tea burst 2002 Guild JF30-12 Whiskeyburst -- 2011 Guild F-50R Sunburst 2011 Guild GAD D125-12 NT -- 1972 Epiphone FT-160 12-string 2012 Epiphone Dot CH -- 2010 Epiphone Les Paul Standard trans amber 2013 Yamaha Motif XS7 Cougar's Soundcloud page |
#10
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Non-original, it's been modded. Condition indicates the owner might have been irresponsible and not taken good care of it. And what kind of nut takes as a stage name a name that's the same as a famous guitar model?*
I'll pass. * Though if Steve ever wants to perform as "White Penguin," that'd be cool.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#11
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Then I think about how I can get a new maxed-out Les Paul for about $10,000 that would blow the doors off #1. It wouldn't have the cachet of #1 but would be a better guitar.
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Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 |
#12
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Thinking that a Les Paul Studio or Tribute would play and sound better than #1... but that cachet (I can hear Kramer saying that word; "But that cachet Jerry, that cachet!"). Sometimes it's about the history.
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#13
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Quote:
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"It's only castles burning." - Neil Young |
#14
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Quote:
After greeting me he apologized for not mentioning that he had a guitar, and would have been happy to let me use it - I learned in my teens that when a card-carrying AARP member says "I've got a guitar..." it's worth at least a look... Goes to his bedroom closet, pulls out an early-60's Sano 1x12" combo and a small, very heavy, well-kept, familiar-looking brown case: contents of latter being a rare early '58 darkback goldtop w/PAF's, in solid excellent-minus condition (very slight greening on the lower bass bout, all plastic parts/binding 100% original and intact, minimal finish checking, original nickel hardware heavily oxidized but not pitted/rusted, no nicks/chips/buckle rash/neck wear, original narrow frets in good condition), with a whole bunch of period case candy (picks, pitch pipe, skinny Bobby Lee strap, and two unopened boxes of '50s New Brunswick Black Diamond strings) - worth a very conservative $70-80K then, and I didn't hesitate to advise him of its value... He hadn't played it in well over 40 years, still had a set of those bridge-cable Black Diamonds on it so it was essentially unplayable... Next visit I set it up and restrung it with a set of flatwound 12's (as it would have come from the factory in '58), plugged it into his Sano amp, checked to see that everything was functional (it was, and the neck was no worse for wear - a testament to the high construction/materials standards of the day), and handed it over to him... The almost childlike expression of joy on his face was priceless - even with the extended hiatus and arthritis in his left hand, he was able to execute a few barre chords and jazz riffs with no issues... He passed a couple weeks short of his 100th birthday - as of this writing the instrument remains in possession of his family, as a justly treasured heirloom...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#15
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Steve, I hope the family realizes what they have (or contact you first, if/when they decide to sell).
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"It's only castles burning." - Neil Young |