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My $0.02... I played an Egnater Rebel 30 for a few years. Was okay, especially through the dirty channel, but it never really gave me that satisfying full bodied clean tone. Traded it for a Fender Hot Rod Deluxe III.
This amp is incredible -- Wonderful when clean when playing Strat and Tele, nice and rich with a humbucker loaded guitar. For dirt, I use a Fulltone OCD pedal, and a Seymour Duncan Pickup Booster in front of the OCD when I need a little extra push. The Duncan pedal also helps out when playing the lower output pickups in my 50's Classic Tele. If you're looking for versatility and you're playing Fender guitars, I would go with the Fender amp. YMMV...
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"Music is a moral law. It gives soul to the universe, wings to the mind, flight to the imagination, and charm and gaiety to life and to everything." - Plato | '02 814c Custom (Coco/Sitka) | '03 912ce Custom (Coco/Engelmann)| '06 K65ce | '17 J45 Std. | '10 Breedlove Revival OM DLX (EIR/Adi) | Lots of electrics... |
#17
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Fender or Marshall Tube amps!
Don't overlook a Vox AC15. Great versatile amp that does well with my Strat & LP. Takes a blues driver & OD well. But the clean with my strat is pretty amazing.
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[email protected] Martin D-35 Taylor 314ce Fender Classic Series 60's Epi LP Tribute Plus Vox AC15 Vox VT40+ Fishman Loudbox Mini |
#18
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But...NOTHING I've owned gives me the clean tone I got out of the Fender.
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Soundcloud sounds |
#19
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Musically, I grew up in the 1960's. Most of the musicians I listened to were playing Fender tube amps, or Marshall tube amps, and Fender or Gibson electric guitars. I think those early influences predicate what you think sounds good or great. I started playing in 1968, and got a 1964 Fender Deluxe Reverb, which I still play almost daily. I also have a 69 Fender Twin. To my ears, these amps have the best sound, but that's just me. I recently got a fantastic new amp called a Carr Skylark, based on an old Fender Harvard amp. Finally a new amp that sounds better than the old! But it's because of who I listened to and what equipment they were using as I grew up.
I suggest you try several amplifiers, there are so many choices. That endeavor should be a pleasurable one, and good luck! |
#20
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Some might call me a "Webber Guitars enthusiast". |
#21
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With that i think a Blues Jr and a good pedal or 3 will do the trick. Thanks again all who have posted on this thread, great advice from everyone involved!
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Current offerings: Wood. 2015 Martin D-18 E-Retro Stamped "Made in USA" 2014 Martin GPCPA4-Natural Stamped "Made in USA" Fishman Loudbox Artist Amp. 120 Watts |
#22
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I'm biased towards Fender myself. Years ago I finally settled in on a Twin so I could have loads of clean head room and use pedals to get the dirt I want. If I really crank the Twin it will start to get nasty but that can only be reserved for an isolation room. I also have a low watt Mesa with it's own over drive channel to get that good amp sound as well.
But over all imho a good clean amp is the way to go. |
#23
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#24
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Tried a VOX yesterday it was a Tube powered/solid state amp. 40 watts and it sounded very good clean, but not as good as the Blues JR. So I think it's going to be a Fender Blues JR. Is there any big issue with only 1 input jack? Should I buy a mixer to plug more than 1 instrument, Mic, and pedal?
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Current offerings: Wood. 2015 Martin D-18 E-Retro Stamped "Made in USA" 2014 Martin GPCPA4-Natural Stamped "Made in USA" Fishman Loudbox Artist Amp. 120 Watts |
#25
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I use 2 tweed deluxes: a 1958 Fender and a 2002 Victoria. My most recent discovery is the Hughes and Kettner Bluesmaster.
I play a Strat with a Tele bridge pickup. |
#26
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A tube guitar amp isn't meant to have a microphone plug in to it, and doesn't sound good doing so. The amp and speaker are not tuned to the frequency ranges for it. The only exception is blues harmonica, which sounds great through a tube amp with a "bullet" mic. You just don't amplify vocals with a guitar amp.
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Some might call me a "Webber Guitars enthusiast". |
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#28
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They were the best band, with the best sound, I'd ever heard up to that point in my life. But they were also so hot they were on fire.
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Taylor 512...Taylor 710B...Blueridge BR163...Blueridge BR183a...all with K&K's & used w/RedEye preamps Seagull CW w/Baggs M1 pickup...National Vintage Steel Tricone...SWR California Blonde Amp |
#29
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There's pics out there of Elvis singing through a tweed Bandmaster. Back then, that was the norm. It can still be done today in a pinch, but won't sound nearly as good as an acoustic amp or PA. You'd need a high-Z, unbalanced mic too.
Sent from my SM-G920V using Tapatalk
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"You don't have to be great to start, but you have to start to be great." -Zig Ziglar Acoustics 2013 Guild F30 Standard 2012 Yamaha LL16 2007 Seagull S12 1991 Yairi DY 50 Electrics Epiphone Les Paul Standard Fender Am. Standard Telecaster Gibson ES-335 Gibson Firebird |
#30
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I usually don't pay much attention to how 'hot' a performer is, with some exceptions... still I'm guessing they're better groomed than Jethro Tull? |