#16
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There isn't a store tech in my area whom I'd let touch a good instrument. There are at least three first-rate techs who work from home. You can guess where mine go.
Bob
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"It is said, 'Go not to the elves for counsel for they will say both no and yes.' " Frodo Baggins to Gildor Inglorion, The Fellowship of the Ring THE MUSICIAN'S ROOM (my website) |
#17
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Thanks again to all who have taken the time to respond. Much appreciated!
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Taylor GS mini spruce top, walnut back and sides 1959 Gibson LG-0 ("'ol Brownie") Gretsch Gin Rickey 2 Kala baritone ukuleles 1 Kala baritone uke/tenor guitar hybrid, steel strings Oh, and a Z*#&$=#@, Travel size |
#18
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By the way, I'm really enjoying your website!
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Taylor GS mini spruce top, walnut back and sides 1959 Gibson LG-0 ("'ol Brownie") Gretsch Gin Rickey 2 Kala baritone ukuleles 1 Kala baritone uke/tenor guitar hybrid, steel strings Oh, and a Z*#&$=#@, Travel size |
#19
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But, this post sets me off as a manner of principle regarding new guitars in retail stores. First off, no guitar hanging in a store for public sampling is, technically speaking, new. I have a hard time paying full price for a guitar with the DNA of countless hands on it. That guitar is a demo and should either be discounted as such or not for sale, period. But, no store will hear that argument and that's where principles are subjugated to store policy (profiteering). And, should the buyer return the guitar immediately after the return policy has lapsed it's considered used and refused by the store. It will buy it back or take it on a trade for a hefty discount - the same discount it won't give a buyer of it's own used/demo guitars. Double standards. Regarding the preference for the demo guitar versus new (unplayed), I would expect the store to set up a new guitar identical to the demo guitar, gratis. You want what you played and you aren't getting it just because it's the same make/model. It has to play the same. I would make the store throw that in and detail it on the sales receipt as gratis. |
#20
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I recently traveled 80 miles to a GC store to buy a guitar that the local store did not have. GC has a 45-day return policy. I tried it for a few days, but returned it for disatisfaction with the action. I was not the first to buy and return this guitar, as the wound strings over the hole were darkened and laden with skin. I eventually ordered the same guitar new, with a set up, from Sweetwater.
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https://soundcloud.com/user-871798293/sets/sound-cloud-playlist/s-29kw5 Eastman E20-OM Yamaha CSF3M Last edited by vintage40s; 02-23-2019 at 07:44 PM. |
#21
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Speaking of set ups, in 1969 I traded a Hummingbird with a perfect action for a new D35 with a high action, and attempted a set up in the shop of the navy ship I was living on. My filings on the nut were helped with drops of epoxy. It was OK, but did not get a proper set up until I took it to a luthier ten years ago for a check up. Holy cow, look what it needed: Repair 3 loose back braces. Heat press neck. Shave bridge top. Install bridge plate patch. Level fretboard, fill cracks and worn areas. Do complete refit. Repair binding. Shim and recut nut. Cut and fit saddle. Buff body, restring and adjust.
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https://soundcloud.com/user-871798293/sets/sound-cloud-playlist/s-29kw5 Eastman E20-OM Yamaha CSF3M |
#22
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Like it or not, solid wood acoustic guitars are all individuals to an extent. They don't all sound alike, and never will. Your approach might be a smart way to shop for, say, golf clubs, but it's counterproductive for musical instruments. In any event, with rare exceptions what you see on the floor is what the store will have in stock. Demanding a discount because other people have played the guitar is not a reasonable expectation, not with acoustic guitars, anyway. Wade Hampton Miller |