#16
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I enjoyed that a lot! Very well done! Beautifully played!
For me, I thought the reverb level was just about right. As Doug Young commented, "Reverb's a matter of personal taste/artistic choice." And I very much agree. - Glenn
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#17
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I have to admit though that Derek's recordings always sound elegant and refined, so I respect his opinion (at least somewhat)... Normally I would've said "great job" and left it at that. It's a very, very good video. But there's a semi unwritten rule in Show and Tell that when the OP asks for other members' thoughts, we actually try to be honest instead of posting strictly supportive/positive comments. That's the only reason why I opened my big mouth. In addition to what I've posted earlier, there was something about the rhythm that was bugging me and I couldn't quite put my finger on it -- until now. At the 0m33s and 1m30s, there's a beat missing. At the end of the first sentence, the silence is too short and the last note ends on the wrong beat/accent. |
#18
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Glenwillow thank you very much!Really glad you enjoyed the cover! : )
JoeCharter thank you for your comment!Of course I expect the honest opinion from everyone and thank you!I think you might be right for the reverb if It was your recording I understanding it but for me personally it is just right, because I did the production, the reverbs and I selected the amount of reverb, just a matter of opinion and I don't think there is right or wrong on that. As for the short silence and the wrong beat, maybe it's just me but I practiced the tune by Hedge's book and played it note to note, also seems to be the same in Hedges original recording, or at least I don't hear any missing measures but again maybe it's just me. Thank you for your time to listen to it and for your feedback! : ) |
#19
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I agree there is a lost beat in the middle of the hammer on section beginning at 0m33s and 1m30s however SotosBakas is correct in saying that is the way Michael Hedges plays it.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#20
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I'm with you on the "freedom of reverb" thing. Quote:
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Michael's studio version: https://youtu.be/h-mWJlrdQ1I I'm not going to get technical and count everything -- but just tap your foot along Michael's version and everything fits. The last note of the sentence lands on the beat. If you try tapping your foot to Sotos' version, there is a half silence (or whatever the proper term is) missing. The last note of the sentence lands before the beat. I am 100% sure of this. Listen carefully. |
#21
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https://www.youtube.com/watch?v=h-mWJlrdQ1I
At 37 seconds for example of a missing eight note interval. Count beats in quarter notes (its 4/4) and you will hear that.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above Last edited by rick-slo; 05-14-2018 at 10:25 PM. |
#22
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You did the composition justice. Video and performance excellent!
Your Lowden sounds gorgeous! Having played/studied various Hedges’ tunes over the years, it’s Michael’s technique of string stopping that can add that extra clarity to a composition. Like a Hilary Step. (no pun intended) You’re playing it from the Heart, that’s the important vibe. [emoji1365]❤️[emoji302]
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1995 Breedlove C5-K 2016 Eastman E20D 2010 Squier CV Thinline Telecaster 1968 Gibson EB3 2010 Hofner Club Bass |
#23
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SotosBakas,
Is that an O25?
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1995 Breedlove C5-K 2016 Eastman E20D 2010 Squier CV Thinline Telecaster 1968 Gibson EB3 2010 Hofner Club Bass |
#24
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Hey guys!
Thank you for your feedback!Appreciate it! It is not a Lowden, my guitar is custom made by Michel Pellerin in Canada, really good instruments : ) |