#46
|
|||
|
|||
I have played 54 years and never once had a "durability" issue concerning a bridge pin.
__________________
Santa Cruz 000, Samick classical |
#47
|
|||
|
|||
To me bridge pin discussion is similar to the discussion of cables in the audio world. Do the electrons know that they are moving through gold or silver versus copper? What about the parts of the signal path that aren't made of the special material. Of course if you cryogenically treat the special material, then the cables "sound" even better.
There is a whole forum devoted to the discussion of audio cables. What's interesting to me is the moderators don't allow the discussion of double blind testing on the cable forum. "In the interest of harmony" |
#48
|
|||
|
|||
Quote:
We weren't buying Monster cable. 20kHz? You say funny things, Monster marketing dept... |
#49
|
|||
|
|||
Quote:
__________________
I don't have a bunch of guitars because they all sound just like me. 1984 Carvin LB-40 bass 1986 Carvin DC-125 two humbucker 1996 Taylor 412 La Patrie Concert 2012 American Standard Telecaster 1981 Carvin DC 100 Harley Benton LP JR DC Bushman Delta Frost & Suzuki harmonicas Artley flute Six-plus decade old vocal apparatus |
#50
|
|||
|
|||
I have never been able to tell a difference between various materials, assuming all are properly "fitted" bridge pins.
The only reason I change pins is for the aesthetic. As example, my Gardiner Parlor with plain ebony pins: And with Bob Colosi dyed bone pins with 4mm tortoise dot inlays (as the guitar is now):
__________________
Avian Skylark Pono 0000-30 Gardiner Parlor Kremona Kiano Ramsay Hauser Cordoba C10 Chris Walsh Archtop Gardiner Concert Taylor Leo Kottke Gretsch 6120 Pavan TP30 Aria A19c Hsienmo MJ Ukuleles: Cocobolo 5 string Tenor Kanilea K3 Koa Kanilea K1 Walnut Tenor Kala Super Tenor Rebel Super Concert Nehemiah Covey Tenor Mainland Mahogany Tenor Mainland Cedar/Rosewood Tenor Last edited by jimmy bookout; 04-05-2019 at 08:22 PM. |
#51
|
|||
|
|||
Do those bridge pins improve the guitar's intonation?
__________________
stai scherzando? |
#52
|
|||
|
|||
I would have to disagree with you strongly. With audio cables if there are changes in sound it usually can only be measured with specialized equipment and most if any sonic changes are not perceived by the listener. With bridge pins, the nature of the changes can be heard easily (assuming the ears of the human listening are capable of hearing the changes) but difficult if not impossible to measure mechanically. The application (which pins to change and to what) of bridge pin changes are not fully understood by most and consequently the perception of change may be limited or non existent. If approached properly the change of bridge pins strategically and selectively can be dramatic, unlike audio cables.
__________________
Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#53
|
|||
|
|||
And off we go yet again!
whm |
#54
|
||||
|
||||
I’ve owned Merrill’s and Collings and Goodalls, etc. They were nice. Those are gone and a couple Martins are still here. Better means a lot of different things.
|
#55
|
|||
|
|||
I'd say the only movement past the saddle that a string and/or a pin has is what the soundboard makes it do. If anything's moving on its own back there the guitar was strung up wrong.
Nano moments - elasticity in a short bit of string, a small piece of bridge, a pin and a small piece of bridge plate mixed in with the noise from a whole string and a whole guitar I just cannot credit are audible to any human. The mass of 6 pins affecting the movement of a whole bridge? Yes, and I can believe that's detectable. The effect of restringing to try out a new pin - sure. The brain in the time it takes to do that - yep. Expectation - yep. All of the above plus any other variables I haven't thought of - absolutely. |
#56
|
|||
|
|||
Quote:
Some say they can hear the differences in cables. |
#57
|
|||
|
|||
Right, but then there is no discussion. Science is reality.
I would love to have a DBX, to see if all the golden ear ones can hear the difference in bridge pin materials. It's ok to tweak your bridge pins, it's part of the fun for many guitar players. What would us hobbyist do without modifications to our gear? |
#58
|
|||
|
|||
Hmmmmmm.....
Go out to a few more dinners
|
#59
|
|||
|
|||
I replaced bone pins with brass pins in my Alvarez Baritone to help clean up the muddiness of a strummed chord.
The pins did help. They took some of the bottom end out of the guitar. On the other side of the issue, my wife plays a pin-less bridge Taylor. That guitar doesn't miss having pins.
__________________
Happiness Is A New Set Of Strings L-20A |
#60
|
|||
|
|||
|