#106
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Yes, I know how that happens when that red light comes on. Still, this has been such an interesting and fascinating thread and Howard has been so generous with his time and photos that I'm sure many of us are quite anxious to hear this guitar played in it's finished form. Howard's comments about the tap sounds are certainly encouraging, but his point that this is not yet a finished guitar is well taken, too. You have to be pretty antsy to get your hands on this finished instrument. I bet it will be fantastic! - Glenn |
#107
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But in my case it's a matter of not wanting to spend the time and money on a high grade recording, particularly when there's absolutely no control on how it will be listened to on various computers. I'm not afraid of recording, but I'm not casual about it, either - to me it's a serious art all its own. I've already told Howard to hang onto the guitar until the weather up here warms up enough to safely ship it. So between finishing the instrument and boxing it up and shipping it, he'll have some time to take it around and show it to some friends in the business. Howard's also got some fine local players there in his area with good recording setups that he can take the guitar to get a few samples recorded. Not only am I cool with that arrangement, I suggested it. So eventually there will be soundclips of that guitar being played, but chances are that they just won't happen to be me playing it. Quote:
Thanks for your interest. Wade Hampton Miller |
#108
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sunburst
I've sunburst the top, and shaded the neck. Gibson often did a kind of "half burst" on just the lower part of the neck. I decided to emulate that.
It's very hard to photograph a sunburst. The color varies in every light, and the camera often picks it up differently from the eye. There also is a problem with specular glare; probably a polaroid filter would help, but I don't have one for this camera. The colors here are fairly accurate; I picked up some reflections of stuff on the bench, though. The photo of the neck is accurate except it looks more purple at the bottom than the guitar--because it is reflecting blue from the sky.
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"Still a man hears what he wants to hear, and disregards the rest." --Paul Simon |
#109
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Oh my! That is really looking nice Howard!
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Rod True, aspiring luthier My current project A guitar I built for my Father in Law The Celtic Beauty - The Epic Journey True SJ - #9 |
#110
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I'm really diggin the 'burst. That light to medium brown looks great.
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25th anniversary Seagull Larrivee L 12 string Dehradun redwood/rosewood |
#111
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Nice burst ..Howard..You do got some skills goin on ...
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#112
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It's difficult to watch the progress on this guitar knowing full well that more time will pass before I get my chance to get my hands on it!
This is the first time I've had a guitar built in full view of the world, so to speak, watching this build thread as the work progresses. And I've got to say that it's a mixed blessing - I'm jazzed by the photos and the discussion that they generate, but it also keeps me on tenterhooks regarding the whole project. But it's an okay trade-off, to say the very least. It's just much more to the forefront of my consciousness than most custom instruments that I've ordered prior to this. NIce sunburst, Howard. Wade |
#113
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I agree, put her together and lets hear her NOW!
Wade I hope your practicing because we are gonna expect alot, LOL ;-)
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Guitar Fundi Gibson "Custom Late 1950's Reissue Southern Jumbo Triburst" Taylor 314CE (Built by Ren Ferguson) Mystery Resonator Fender Stratocaster |
#114
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Simmer down, hoss, simmer down... Actually, I'm sure I'll be playing all sorts of emphatic chord progressions and flat-out flatpicked hillbilly melodies on the guitar once I get my mitts on it. It's not going to die of boredom or loneliness, that's a promise. What's really going to be fun is playing it up against my rosewood Gibson Advanced Jumbo, my rosewood 000-42 and my black walnut Larrivée OM-03W. I really like the tonal contrast that walnut offers when played side by side with similar rosewood instruments. Black walnut is such a terrific tonewood I'm surprised more people haven't gotten hip to it yet, frankly. whm |
#115
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Steve currently (and possibly permanently) guitarless Last edited by Scholar; 02-05-2011 at 05:26 AM. Reason: not having a good day in the type department... |
#116
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Well, it's not about anything being a "contest," it'll just be a comparison. The guitars I mentioned are all superb instruments. My 000-42 is a handbuilt, custom made for me by Scott Baxendale, but the other two I mentioned are also absolutely topnotch instruments, even though they got built in factories.
Sometimes the stars align properly and the assembly lines produce extraordinary-sounding guitars, and these two qualify as that. In any event, yes, I expect that this Klepper KJ will be a very, very fine guitar. whm |
#117
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Coming along real nice Howard!
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_______________________ Peter M. Cornerstone Guitars www.cornerstoneguitar.com Ukuleles... www.cornerstoneukes.com |
#118
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Don't worry Wade I shoot better than I play your feet will be safe
In all seriousness if I had such a nice guitar it would only sound great when I had guests over to play it great
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Guitar Fundi Gibson "Custom Late 1950's Reissue Southern Jumbo Triburst" Taylor 314CE (Built by Ren Ferguson) Mystery Resonator Fender Stratocaster |
#119
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Man, Howard. She's looking beautiful.
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#120
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I returned yesterday from my trip to New Zealand on which I hand delivered my latest Arch-Top guitar (Raves!) and received the most incredible hospitality. Looks like a visit to Howard's workshop might be in order soon. I am just going into finish on my latest two pieces and it will be easy to tear out the time this week. This AJish is looking great and I doubt it will be a struggle to find something nice to say about it.
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