#61
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If bridge pins are seated correctly, they literally might not even be touching the wound part of the string itself, just the ball end and perhaps the tie. After that, the string immediately touches the bridge, followed by touching the saddle. I don't think I'll ever bring myself to try bridge pins for tone reasons.
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#62
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If you have slotted pin-holes and solid pins, even the ball-ends might not contact the pins, they ‘lock’ under the bridge plate. I read claims that even changing one bridge-pin can miraculously transform an instrument’s tone, but my personal view is that that claim is based on a great deal of Confirmation-Bias.
I’ve changed pins in all my pin-bridge guitars - original plastic to bone to FWI to ebony to Antique Acoustics galalith. Never heard a difference. Settled on ebony w/MOP dots, purely for the sake of appearance. My Lowdens don’t even have bridge-pins, and they lack absolutely nothing in terms of volume and tone. The usual disclaimers apply......IMHO, YMMV etc.
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John Brook ‘Lamorna’ OM (European Spruce/EIR) (2019) Lowden F-23 (Red Cedar/Claro Walnut) (2017) Martin D-18 (2012) Martin HD-28V (2010) Fender Standard Strat (2017-MIM) Last edited by JayBee1404; 04-06-2019 at 01:47 PM. |
#63
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Great point.
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83 Fender Strat Elite 89 Fender American Standard Strat 99 Taylor 710ce 06 Taylor Koa T5 09 Takamine 12 string 11 Taylor NS24ce-LTD 13 Gibson Les Paul Standard 14 Fender Geddy Lee Jazz Bass 16 Taylor 524ce Mahogany 16 Taylor GS Mini Mahogany 17 PRS SE Custom 24 23 Taylor GS Mini Walnut LTD --------------------- |
#64
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Quote:
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#65
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I’m not an expert, by any means, but in a pinless bridge the dynamics of string contact is different and could possibly cause a different sound. Has anyone ever put a traditional pin-style bridge on a guitar designed for a pinless one? I had a nice Takamine made with quality wood and sounded (so I thought) wonderful; until I played with my brother’s D-15. Could have been any number of factors, but I made him sell me the Martin and gave the Takamine to a friend. In the end; if it sounds better to you there’s no reason not to give it a whirl. I, for one, take comfort in the fact that gifted and dedicated people are taking valuable time out of their day to try and enhance my guitar experience.
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#66
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I read somewhere that if you had one teaspoon of the matter that makes up a neutron star, it would weigh two tons. Surely, bridge pins made of this material would have an effect on tone.
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Eastman E1SS-CLA-LTD Eastman E1OOSS-LTD Cordoba Fusion Orchestra CE Cordoba SM-CE Mini Classical Acoustic Ibanez Blazer 21 MIJ Stratocaster 2 Yamaha PSR-SX900 keyboards I play professionally Roland FP-90 digital piano I play for pleasure with piano VSTs. |
#67
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Anyone here know where can i buy the new"liquidmetal bridge pins" like the one Martin used on their new line up?
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#68
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Quote:
https://www.martinguitar.com/1833-shop/ for $99 (dark grey or chrome) or $149 (gold)...pretty pricey upgrade! |
#69
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I went through the excercise with a Martin Jeff Tweedy I used to own. Tusq, ebony, brass and I forget what else. I could hear a difference. Some more apparent than others. In the end, I went back to the stock plastic ones. They just sounded better on that guitar.
I suppose my attitude about it these days is leave it the way it was designed unless I don't like it, in which case I'd probably just sell the guitar. Maybe those new Martin ones offer something special, but at $99, I don't think I'll be finding out first hand any time soon. |
#70
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Did anyone record or measure in exactly the same conditions; his guitar playing with liquid metal pins and with his previous ones, as it is now possible to have those pins on any guitar since they are on sale ($149 for a set of six)...It would be interesting to see if there is a genuine difference in volume, which seemed to me to be the case on a recording I heard of a Modern Deluxe ? I may have missed such report, so I hope someone will tell if it's been done...
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#71
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At any rate, I would be interested to know if there is any difference.. but I will likely just stick with dyed bone as I like the aesthetic better, on my guitars anyway. I have been really interested in a 000 or OM modern deluxe but just cant make it work in the budget for another year or 2 without selling something that I'm not willing to. Cheers Scott
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2003 Washburn WD44S | Sitka/Hawaiian koa 2018 Gibson J-45 Vintage | Torrefied Adi/Mahogany 2015 Gibson Wildwood AJ New Vintage | Adi/EIR Fishman | Loudbox Mini | Primetone 1.0mm "what is the universe? the universe is a symphony of vibrating strings.." -michio kaku |
#72
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I'd agree with your statement YMMV, as I've never played a Lowden that wow'd me. And like you, I also haven't had the opportunity to compare a Lowden with bridge pins to one without.
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#73
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I am looking forward to playing this guitar, and I am with on the bridge plate
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Proud member of OFC |
#74
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Quote:
http://hosting.astro.cornell.edu/aca...utron_star.htm |
#75
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Isn't JB Weld a form of liquid metal? Maybe that's the next big thing?
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