#46
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I agree with most of what he says except the part about Sitka being more forgiving than Addy with hard strumming. JMHO.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#47
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For Martin and Gibson I prefer Sitka. I think Martin has some great quality sitka. It has that compressed, warm Martin tone. I think the builder has to be trusted for his or her preferences of the bracing and the genre you want to play should be asked by the builder for his or her bracing design. I do like my only adi guitar a 2013 J45TV. My wish list for an adi-topped (10-15 years old) guit-fiddle is the amazing Froggy Bottom. I just love the sound samples I have heard with my Rokit 8's and my iMac 27" sound output.
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#48
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#49
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I eventually got my Italian Spruce topped guitar, a beautiful Martin 000-ECHF in 2004 with Italian over IR, and it is indeed a lifer. I've read in several sources that the Fiemme Valley of the Italian Alps is where Renaissance luthiers Stradivari, Guarneri and Amati harvested their spruce. (Of course they didn't have a source of Sitka or Adi). I think if I ever go custom it will Italian Spruce over ____. Thanks for confirming what I thought I've been hearing for years! Re the Op's question, I have sitka guitars that are extremely well balanced and resonant and a joy to play, but I've got to say the Bourgeois with it's torrefied Adi top (and braces) delivers a response and tone (w-a natural reverb) that shocked me (pleasantly) coming out of a small body. Is it the Adi top (torrefied) that's key or just the sum of the total on the Bourgeois? I probably won't ever play enough LDBO's with different tops to know for sure.
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“The tapestry of life is more important than a single thread.” R. Daneel Olivaw in I. Asimov's Robots and Empire. Last edited by gmel555; 02-29-2020 at 10:05 PM. |
#50
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Looking forward to this zombie thread coming back in 2023.
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"It's only castles burning." - Neil Young |
#51
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Can someone tell me about the grain you want, wide or narrow, in the Adirondack tops?
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#52
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I use my above cosmetic parameters when buying online to determine which of two or more guitar examples I want to buy when viewed in a "Guitar Gallery."
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#53
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Since most Red Spruce (Adirondack) supply was depleted during WWII, much of the newer supply will contain wider grain. While some people believe a narrow grain leads to a stiffer, better sounding top, there's no reason a wide grain top can't sound great too. It's what the guitar builder does with that material that matters most. I own a variety of Adi tops... my best sounding is a premium top with consistently narrow grain, while my most responsive top is probably my widest grain Adi top.
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"It's only castles burning." - Neil Young |
#54
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Charlie ------------------------------------------------- 2009 '69 Thinline Telecaster 2006 Gibson AJ 2001 Gibson J-50 1970's Baldwin/Ode banjo 1940 Harmony Patrician 1940 Harmony resonator 1930's Kalamazoo KG-11 |
#55
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WOW!!! OK, I usually catch those but totally missed this one! (Always a topic of interest though.)
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“The tapestry of life is more important than a single thread.” R. Daneel Olivaw in I. Asimov's Robots and Empire. |
#56
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This topic is growing with some great observations. I'm looking forward to reading more.
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#57
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Yeah, it's just interesting to read its history over time, and how it resurfaces every couple of years. The issues remain the same, even though the date changes.
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"It's only castles burning." - Neil Young |
#58
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Best, Jayne |
#59
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Thankfully not much has happened since 2020!
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2016 Martin D18 2016 CS Martin CEO-7 2021 Gibson Les Paul Standard 60’s 2015 Fender Eric Johnson Signature Strat |