#16
|
|||
|
|||
Quote:
|
#17
|
|||
|
|||
My New World Player has a Baggs Anthem SL and it sounds, well, okay. My favorite pop music nylon payer, Michael Johnson, used a Baggs LB6 run through a Baggs Para DI and I loved his sound. From what I understand, they are very feedback resistant. Unfortunately, those have to be installed by a pro. It appears that the Barbera Soloist mentioned by another commenter here is similar to the LB6, but it's odd that they don't seem to allow any compensation.
__________________
1967 Aria Classical 1974 Guild D50 2009 Kenny Hill New World Player Classical 2009 Hoffman SJ 2011 Hoffman SJ 12 https://paulashley.weebly.com/ https://www.youtube.com/c/PaulAshley https://www.reverbnation.com/paulashley Last edited by lpa53; 03-09-2019 at 10:04 PM. |
#18
|
|||
|
|||
Quote:
It sounds pretty **** good plugged directly into the Fishman Loudbox Artist. It's a little boomy on the low end with open chords and there's a hint of harshness to the highs when I strum with my nails. But I'm splitting hairs here. And from what I've learned from your responses here, a decent preamp should remedy these quibbles. I am surprised how resistant to feedback it is. The Baggs Lyric Classical internal mic was WAY prone to feedback. If you strayed in front of the amp you might break nearby windows with the howl. With this HFN I really have to goad it into misbehaving, even though my Cordoba has a second sound hole and neither is covered. All in all, this is exactly what I needed. I have other go-to guitars when I have to amplify. Still, I wanted to have the option of plugging in the Cordoba if needed. Only played it a bit, but I have to give it a 8 out of 10. DanO
__________________
Goodall Standard Takamine TF77PT (cedar/koa OM steel string) Cordoba C10 Crossover |
#19
|
|||
|
|||
Quote:
|
#20
|
|||
|
|||
Quote:
|
#21
|
|||
|
|||
Quote:
The pickup I received had just the double-sided tape for mounting. DanO
__________________
Goodall Standard Takamine TF77PT (cedar/koa OM steel string) Cordoba C10 Crossover |
#22
|
|||
|
|||
Quote:
|
#23
|
|||
|
|||
K&K pure undersaddle mics in my Ramirez R-4.
Don't like piezzo sound, even on my folks...
__________________
Needed some nylons, a wide range of acoustics and some weirdos to be happy... |
#24
|
||||
|
||||
Quote:
|
#25
|
|||
|
|||
Quote:
I have a Kremona pickup tied onto my bridge. Just ran it through the main system at my church today, doing a sound test, through a Fishman preamp/DI. Impressed with the sound after a bit of EQing, though nothing will sound as good as completely unamplified.
__________________
2010 Larrivee LSV-11e 2002 Jose Ramirez 4e 1998 Seagull S6+folk, Mi-Si LR Baggs acoustic trio 1986 Charvel Model 3A electric 2001 Fender Jazz standard bass 1935 A-00 Gibson mandolin 1815 JG Hamm violin Kelii soprano ukulele |