The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > PLAY and Write

Reply
 
Thread Tools
  #16  
Old 02-20-2020, 01:38 PM
Edgar Poe Edgar Poe is offline
Registered User
 
Join Date: Aug 2017
Posts: 642
Default

Timing is critical in a band or jam session setting. If you play solo, not so much. However the listeners may not enjoy it.

Ed
__________________
"Quote The Raven, NEVERMORE !"
Reply With Quote
  #17  
Old 02-20-2020, 02:48 PM
Christian Reno Christian Reno is offline
Registered User
 
Join Date: Dec 2008
Posts: 978
Default

Quote:
Originally Posted by TJE" View Post
...before even thinking about anything else to do with guitar playing.

Or is this a dictatorship of overthinking?
If having absolute perfect time is this important, many great players would have been stuck in the starting gate. Of course it's important, but so are many other aspects that come with the journey. "before even thinking about anything else to do with guitar playing." This might be a bit extreme.
Reply With Quote
  #18  
Old 02-20-2020, 02:55 PM
ALBD ALBD is offline
Registered User
 
Join Date: Mar 2017
Location: Wrightsville Beach, NC
Posts: 1,290
Default

IMO reasonably good timing is critical. Especially if you are a singer/guitarist. Took me a while to understand and accept this and incorporate a metronome into my practice. Once I became aware of my timing, the improvement in just about everything I do was dramatic.
Reply With Quote
  #19  
Old 02-20-2020, 02:56 PM
mr. beaumont mr. beaumont is offline
Registered User
 
Join Date: Jul 2010
Location: Chicago, IL
Posts: 10,238
Default

Good time is not necessarily metronomic time, but yes, to be a good player, you have to have good time.
__________________
Jeff Matz, Jazz Guitar:

http://www.youtube.com/user/jeffreymatz
Reply With Quote
  #20  
Old 02-20-2020, 03:33 PM
bufflehead bufflehead is offline
Registered User
 
Join Date: Jan 2018
Posts: 3,689
Default

Quote:
Originally Posted by Bridgepin View Post
If you plan on playing with other people it is a must.
Agreed. I played rhythm a couple times with a fellow who just couldn't keep a beat, and it was miserable. He had a hearing problem, I think, and needed drums to keep tempo. A shame, because he was a good guitarist otherwise. But it doesn't matter how good you are if you can't keep a beat because, at that point, you suck.
__________________
1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars.
Reply With Quote
  #21  
Old 02-20-2020, 03:40 PM
Joe Beamish Joe Beamish is offline
Registered User
 
Join Date: Oct 2009
Location: Boerne, TX
Posts: 1,706
Default

Good time is huge, and no it isn’t metronomic. It’s about communicating a feeling of time, or groove, or swing, to the listener.

Good time is largely what separates good players from everyone else.

Reply With Quote
  #22  
Old 02-20-2020, 03:46 PM
ALBD ALBD is offline
Registered User
 
Join Date: Mar 2017
Location: Wrightsville Beach, NC
Posts: 1,290
Default

Quote:
Originally Posted by mr. beaumont View Post
Good time is not necessarily metronomic time, but yes, to be a good player, you have to have good time.
I agree that metronomic time is not the goal. But one definitely helped me become cognizant of where I was off--in some instances waaay off!
Reply With Quote
  #23  
Old 02-20-2020, 03:52 PM
Grantgreen42 Grantgreen42 is offline
Registered User
 
Join Date: Aug 2017
Posts: 262
Default

Quote:
Originally Posted by lowrider View Post
You can do a lot of things wrong and, if you have good timing you'll still sound pretty good.

If you have bad timing, you can do everything else right and you still sound pretty bad!
Perfectly said! Timing is critical to me in music. I rather hear the WRONG note in TIME versus the RIGHT note out of TIME.
Reply With Quote
  #24  
Old 02-20-2020, 06:01 PM
jaymarsch jaymarsch is offline
Charter Member
 
Join Date: Apr 2008
Location: North of the Golden Gate, South of the Redwoods, East of the Pacific and West of the Sierras
Posts: 10,607
Default

Quote:
Originally Posted by Grantgreen42 View Post
Perfectly said! Timing is critical to me in music. I rather hear the WRONG note in TIME versus the RIGHT note out of TIME.

Totally agree.

Best,
Jayne
Reply With Quote
  #25  
Old 02-20-2020, 06:10 PM
WordMan WordMan is offline
Registered User
 
Join Date: Aug 2009
Posts: 2,696
Default

If you have a great groove and a big pocket, you can carry folks along with you even if you speed up or slow down - ask most drummers

Not metronome perfect, but groove solid - that's what counts first, to me.
__________________
An old Gibson and a couple of old Martins; a couple of homebrew Tele's
Reply With Quote
  #26  
Old 02-20-2020, 06:28 PM
rick-slo's Avatar
rick-slo rick-slo is offline
Charter Member
 
Join Date: Nov 2004
Location: San Luis Obispo, CA
Posts: 17,229
Default

Developing an internal metronome is very important - how to effectively use small variations in note durations (rubato), accelerations, decelerations, fermata, etc..

Strict metronome tempo is relatively external to expressive playing - good for technical practice aspects though.
__________________
Derek Coombs
Youtube -> Website -> Music -> Tabs
Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs

"Reality is that which when you stop believing in it, doesn't go away."

Woods hands pick by eye and ear
Made to one with pride and love
To be that we hold so dear
A voice from heavens above
Reply With Quote
  #27  
Old 02-20-2020, 06:40 PM
rstaight rstaight is offline
Registered User
 
Join Date: Feb 2019
Location: Lafayette, Indiana
Posts: 2,681
Default

If you are by yourself variation can add some flavor and soul to unotherwise mechanical sounding piece. But you can't take it to extremes.

When playing with others, unless well rehearsed, timing is everything.
__________________
2007 Indiana Scout
2018 Indiana Madison Quilt Elite
2018 Takamine GJ72CE 12-String
2019 Takamine GD93
2022 Takamine GJ72CE 6-String
2022 Cort GA-QF CBB
1963 Gibson SG
2016 Kala uke
Dean A style mandolin. (Year unknown)
Lotus L80 (1984ish)
Plus a few lower end I have had for years
Reply With Quote
  #28  
Old 02-20-2020, 06:57 PM
rick-slo's Avatar
rick-slo rick-slo is offline
Charter Member
 
Join Date: Nov 2004
Location: San Luis Obispo, CA
Posts: 17,229
Default

Quote:
Originally Posted by rstaight View Post
If you are by yourself variation can add some flavor and soul to unotherwise mechanical sounding piece. But you can't take it to extremes.

When playing with others, unless well rehearsed, timing is everything.
A "tight" band is where the players can play off of each other's musical timing and accenting variations. That mostly takes band members who are all individually
good musicians and who have also played together for some time. Especially important in many jazz and classical pieces as compared to say most ragtime pieces.
__________________
Derek Coombs
Youtube -> Website -> Music -> Tabs
Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs

"Reality is that which when you stop believing in it, doesn't go away."

Woods hands pick by eye and ear
Made to one with pride and love
To be that we hold so dear
A voice from heavens above

Last edited by rick-slo; 02-20-2020 at 10:28 PM. Reason: typo
Reply With Quote
  #29  
Old 02-20-2020, 07:08 PM
Glennwillow Glennwillow is offline
Charter Member
 
Join Date: Mar 2008
Location: Coastal Washington State
Posts: 45,081
Default

I think being able to maintain a fairly consistent beat is extremely important. The tempo might be a little fast at times, a little slower at others, but keeping a reasonably consistent beat matters a great deal. Music is laid out around a beat. If you can't keep something close to that consistent beat, your going to have trouble making a song or musical piece sound musical.

People can learn to play with a consistent beat: by playing with previously recorded music, by using a metronome or a drum machine, or by playing with others who are good at maintaining a beat. For some people, maintaining a consistent beat comes fairly easily; for some people, outside controls are needed until that sense of maintaining a beat is built up and established.

Varying the timing between beats can makes a song very musical, but the beat through the song is not changing very much. People sometimes think that a player varying the divisions between the beats is messing with the beat, but that's not the case. There generally is a lot of room between beats or across a measure to work all kinds of magical division, but the beats are still there, going on and on.

Kind of reminds one of a song...



- Glenn
__________________
My You Tube Channel
Reply With Quote
  #30  
Old 02-20-2020, 07:15 PM
TBman's Avatar
TBman TBman is offline
Charter Member
 
Join Date: Jul 2005
Location: New Jersey
Posts: 35,937
Default

Quote:
Originally Posted by Grantgreen42 View Post
Perfectly said! Timing is critical to me in music. I rather hear the WRONG note in TIME versus the RIGHT note out of TIME.
Yes. I agree.

Playing along with the mp3 of the cover is a good way to back door metronome work. Keeping steady time is very important to the listener.
__________________
Barry


Youtube! Please subscribe!

My SoundCloud page

Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW

Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional

Alvarez AP66SB, Seagull Folk


Aria {Johann Logy}:
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > PLAY and Write






All times are GMT -6. The time now is 07:13 AM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=