#1
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Thoughts on Rosewood / Cedar for Light & Moderate Strumming
Hi folks,
Would appreciate some comments on Rosewood / Cedar guitars for light and moderate strumming (maybe an occasional bout of faster/"harder" strumming). Think OM / OOO / MJ size guitar. Always appreciate the informed & experiential input of my fellow AGF players. THANKS! |
#2
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I don't finger pick much but I think this guitar is great for it because of how responsive it is. |
#3
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Good for everything except for that occasional hard strumming. Probably not enough headroom for the latter.
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#4
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I would of bought a Furch with a Cedar top and Rosewood if I wasn't primarily a pretty heavy strummer. That guitar brand with that guitar combo is magical imho.
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#5
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I don't think you want to assume that every guitar has the same headroom.
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Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |
#6
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Of course not, we’re speaking in generalities. But no matter what guitar, cedar will not give you as much headroom as, for example, spruce.
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#7
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Cedar can clip with hard strumming, but that tone is not necessarily bad if you ask me (unless playing bluegrass). I'd suggest redwood, which imparts some of the warmth of cedar, but with more sprucelike headroom.
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Taylor LKSM-12 - Larrivee B-19, L-11 - Brook Tavy Baritone, Torridge - McIlroy AS20 - Lowden BAR-50 FF - Yamaha LJ-56 |
#8
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I've had a few cedar/rosewood, small-bodied guitars that I've gigged and recorded with and I think the only disadvantage of that combo is overall acoustic headroom, as in, it's not the ideal choice for standing out in a room full of other acoustic players as opposed to spruce which can project a bit more.
Cedar, when done right, can surpass the volume of a spruce guitar. It's always about the builder and obviously the player, not the woods. If you enjoy the voice, that's all that matters
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#9
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In terms of volume, my cedar/EIR Lowden O25, which I sold about a year ago to fund the Brook purchase, kicked the butts of both my Martin Dreads. I never felt the Lowden ‘lacked headroom’ because it was intrinsically such a loud guitar in the first place it didn’t need ‘thrashing’ in order to be heard above the madding crowd.
I’ve done everything with it - fingerpicking (with picks), strumming, band and solo gigs, sessions, yadda yadda - it never let me down, not once.
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John Brook ‘Lamorna’ OM (European Spruce/EIR) (2019) Lowden F-23 (Red Cedar/Claro Walnut) (2017) Martin D-18 (2012) Martin HD-28V (2010) Fender Standard Strat (2017-MIM) |
#10
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#11
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The one and only Taylor that I’ve ever owned was a cedar-topped 714. It worked fine with whatever music I threw at it.
whm |
#12
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It’s going to depend on how hard you plan to beat the guitar. With my dread, I don’t have to test the limit. See if you can get your hands on a Furch GC in this combination. I think you’d be pleasantly surprised.
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#13
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Works great on my EIR/Cedar Olson Dreadnought. And the Olson can take heavier touches as well. Not overplaying ANY guitar with ANY wood combo is up to the player, not the builder. If players can't moderate their style to maximize their sound on that instrument, there is a need for growth on their part (my biased opinion).
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Baby #1.1 Baby #1.2 Baby #02 Baby #03 Baby #04 Baby #05 Larry's songs... …Just because you've argued someone into silence doesn't mean you have convinced them… Last edited by ljguitar; 10-22-2020 at 10:15 AM. Reason: added a remark |
#14
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I guess my opinion must be as biased as yours, Larry!
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John Brook ‘Lamorna’ OM (European Spruce/EIR) (2019) Lowden F-23 (Red Cedar/Claro Walnut) (2017) Martin D-18 (2012) Martin HD-28V (2010) Fender Standard Strat (2017-MIM) |
#15
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I've got an Eastman E2D with the cedar top, but the dread not OM, and Sapele b/s not Rosewood. Still it can take everything I throw at it and sound terrific. Never thought I was missing head room.
And if you're looking for how hard you can strum cedar guitars it may be worth looking up Glen Hansard videos when he plays the guitar he calls 'horse'. Its a cedar topped Takamine and put's Trigger's extra soundhole to shame. Here's one I like: https://youtu.be/3MDG3pWK5CY |