#31
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Among the amps in the "over $1000" category, I ended up buying the ProLT because it had more force, if that makes sense--not just volume, but a more physical sound to the strum with my guitar, and that's what I needed for playing in my band. The AER has a more transparent sound and can fill the space in a room in an almost uncanny way. If I were a finger-style soloist, I would have bought one, but it wasn't the sound I needed for what I do. I had a DS-4 before the GB and liked that amp very much for just playing guitar alone or in small acoustic ensembles. It didn't have the force I needed in the band either--although it was also plenty loud. I also like the ProLT for voice better. In any case, among the under $500 amps I've tried, the DS-4 or one of the Loudboxes would me my choice. Louis |
#32
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#33
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The Fishman loudbox is sounding pretty good to me. Im wondering about the mini vs the artist series.
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#34
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Depends .. Acoustic AMP
Depends what you want to use it for ...I have 2 Roland Street Cubes...for small Venues one is more than enough . Advertised at 5 Watts but the sound is incredible , sounds more like 20 or 30 watts, especially on vocals . Everything I have now is Battery operated either NiMh C Cells or 12c volt deep Cycle with SINE WAVE INverter to AC voltage. DA 5 Vox for taking to the beach and playing either acoustic or electric , VERY SMALL BUT BIG Sound ...and battery operated Drummer for some Rhythm . My Suggestion is to Keep it AS SIMPLE AS POSSIBLE...From DECADES of Experience you DO NOT NEED ALOT of Power to get Great Sound, - unless you're playing an auditorium ...Watch some YOU TUBE giggers and see what they have . There are so many choices out there now , that were not just 10 years ago . I love the advantage of going full AC or
DC - so I can play anywhere ... as people look and ask " Where's the power cord ?" Good Luck finding the right set up ...When playing out I use a DA20 AMP Seperate for the Drum machine ONLY - so as to not muddy vocals from the other.. |
#35
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#36
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All of this is to say that a small speaker designed to produce the bass frequencies that a guitar is capable of generating isn't necessarily going to sound thinner than a larger speaker. |
#37
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I drove from Dallas to Oklahoma City to get a Genz Benz Shen Pro, thats how much I like them...........
12" speaker (matters to me), great soft tweeter, TUBE pream, 2 completely independent channels each with its own effects engine, very neutral sound. New models are lighter and less expensive but still pricey.
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Rich - rmyAddison Rich Macklin Soundclick Website http://www.youtube.com/rmyaddison Martin OM-18 Authentic '33 Adirondack/Mahogany Martin CS OM-28 Alpine/Madagascar Martin CS 00-42 Adirondack/Madagascar Martin OM-45TB (2005) Engelmann/Tasmanian Blackwood (#23 of 29) |
#38
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#39
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Bottom line (excuse the pun) is that design is everything and size doesn't matter nearly as much as many folk expect. FWIW, the Genz Benz Shuttle 3.0 bass amp is very transparent and even across the registers. I would expect the Compak 300 to be the same. I wouldn't be surprised to learn that much of the design is exactly the same between the two amps. |
#40
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Where do small speakers get too small?
hi folks...
Where I hear amp speakers fail is sub 8 inch (6 or 6.5 inch specifically). They do not reproduce bass as well nor do they project what they do produce into the room as far. Roland, ZTLunchbox, and Fishman amps I've used on stage all fail in this regard, and if you sing & play the small woofers really fail in reproducing voice with fidelity. For some reason 8" woofers do real justice to acoustic guitars, and a fairly good job with voice. Good enough to use them in small venues as a PA. If you need a substitute PA then 12" would be the minimum. In fact our smallest PA speakers are 12" two way Community speakers we power with 400 watts of reach-out-&-touch power. They will handle multiple guitars, bass & vocals without overloading or wimping out...and guitar amps cannot do that well at all. AER are great when one is solo. UltraSound and larger Fishman loud boxes handle crowds and loud stages better. Hope this adds to the discussion... |
#41
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In the aggregate an SWR California Blonde II or a Carvin AG100D both of which have 12-inch woofers, may provide better performance for some circumstances than amps with smaller woofers but in other circumstances it could be the other way around. |
#42
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I played an Artist today. I was very surpised at how small it is. I only played guitar so I can't speak to vocals, but the guitar (an outstanding Taylor 816CE that I wanted to take home...) sounded really wonderful. The price difference is about $170, and I think it adds quite a bit of power while keeping it in a small package, so if you have the additional budget, I think it makes sense. I'm leaning that way myself. Hope that helps!
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#43
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#44
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#45
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It is a well designed, well built, fine sounding amp. You will love it.
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |