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#1
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Which would you choose between these two given they seem to be in similar condition with an asking price delta of $400 (Blues) vs $700 for the princeton 770
https://houston.craigslist.org/msg/d...142186928.html https://houston.craigslist.org/msg/d...142571166.html Yea I'm shopping around for local deals on a Tube amp for the house. I'm wanting to get into electric with the goal of having a nice (but not too nice) Strat, Les Paul and maybe a Tele - and I want a respectable amp to drive all three. thanks |
#2
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My thoughts:
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#3
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#4
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They are different animals, IMO/IME. Played through a lot of Blues Jrs and owned a PRRI for some time. I prefer the latter, and never fell in love with the Jr, though there were some I had a good time with
![]() BUT, if you are playing out, as suggested, I think the Jr is a better choice. Takes pedals pretty well and the Master is usable, if not quite on par with better implementations. The PRRI has that classic tremolo (aka vibrato) and tube reverb, and just "to die for" in the right place. I just found it hard to keep in a sweet spot in many situations, and it really did not work with my Les Paul. (I think a 12" speaker is a better match for those humbucker tones.) I would definitely bargain. And, again, if there's a GC locally with one, you have a MUCH better return option. I see there's a Blues Jr in Clearlake, advertised at $409. Go play it and try it out. Return it if you don't like it. Pay $400 on CL and if it's a dud, good luck. |
#5
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It’s probably an age related thing, but in my house it’s: No vibrato, not interested.
Happy hunting in any case. Howard Emerson
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#6
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Not a fan of the Blues Jr, particularly the construction (pots mounted to the circuit board).
There's no vibrato (pitch modulation) on the Princeton,.. In our house we love tremolo (volume modulation), notice how much it's used on modern recordings. The Princeton would be my choice, hands down. |
#7
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It would be the PR 65 for me.
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#8
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I'd go with the Princeton and if it didn't already have a Celestion gold in it then I'd put one in there. It's a great speaker!
I've got a Gold in my PR and it's neither nasal nor harsh. After hearing my amp with the Celestion my guitar tech installed the same speaker in his Princeton. He uses it for gigging out, and he gigs a lot around here. Another buddy in LA with a resume of rockstar gigs a mile long also gigs with a Princeton Reverb/Celestion Gold. Nuff said. Last edited by Al Acuff; 06-16-2020 at 03:10 PM. |
#9
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HE
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#10
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Hardly an argument. Just a fact. Check Fenders web site for specs on the model. They clearly states the amp has Tremolo. In the description they do write “Vibrato” after Tremolo in quotes because it’s a common mistake.
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#11
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I've owned Ampegs that actually had the pitch bending type, and I own a second generation Tremolux 6G9-A head/combo from 1961 that is much more intense than my 2017 Princeton Reverb, the pedal of which say Rev/Vib. They can't make up their minds either. HE
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#12
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I've owned a couple vintage Magnatones that had true pitch modulation, it's not a sound you hear very often.
Robert Ward's sound is a great example. Quote:
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#13
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Hey Folks, the OP is asking about the Blues Deluxe Reissue, not the Blues Jr.
I have a Blues Deluxe Reissue and it's loud. I like the comments above about whether you're gigging or want an intimate amp. I'm not familiar with the Princeton but from what I read the people who play that amp love it. |
#14
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Now, a Deluxe Reverb RI, that's a 12" that's what I'd always wanted (actually what I went to buy when I got the PRRI, but they'd just sold the last one in the shop, so left with the smaller PRRI).
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#15
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Thanks, I too missed that. Must work on my reading skills
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