The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion

Reply
 
Thread Tools
  #1  
Old 04-11-2016, 12:43 PM
fastestlouigie fastestlouigie is offline
Registered User
 
Join Date: Jan 2013
Posts: 26
Default Ngd Yamaha FG 180 50th Anniversary

Mmm, tried to attach the pictures to the Agf Forum page with no success. Oh well. Looks a lot nicer in the flesh but there are some very small imperfections, like some tiny gaps in the black binding. None of this on my Lj16, which was perfect from the shop.



[IMG]https://www.flickr.com/photos/117124...posted-public/[/img]

[IMG]https://www.flickr.com/photos/117124...posted-public/[/img]

[IMG]https://www.flickr.com/photos/117124...posted-public/[/img]

[IMG]https://www.flickr.com/photos/117124...posted-public/[/img]

[IMG]https://www.flickr.com/photos/117124...posted-public/[/img]
__________________
Yamaha FG 180 50th Anniversary

Last edited by fastestlouigie; 04-11-2016 at 12:57 PM.
Reply With Quote
  #2  
Old 04-11-2016, 12:53 PM
ohYew812 ohYew812 is offline
Registered User
 
Join Date: Apr 2012
Location: Keflavik, Iceland
Posts: 1,768
Default

Is it a poly or nitro finish, what are the nut width/ string spacing specs?
Reply With Quote
  #3  
Old 04-11-2016, 01:04 PM
fastestlouigie fastestlouigie is offline
Registered User
 
Join Date: Jan 2013
Posts: 26
Default

Quote:
Originally Posted by ohYew812 View Post
Is it a poly or nitro finish, what are the nut width/ string spacing specs?
Nut Width 44mm (1 3/4")
Fingerboard Radius R400mm (15 3/4")
Not sure about the string spacing.
Finish- It says Gloss on the website. I think that only high-end Yamaha L series get a nitro finish but I could be wrong.
__________________
Yamaha FG 180 50th Anniversary
Reply With Quote
  #4  
Old 04-11-2016, 01:27 PM
GuitarsLover GuitarsLover is offline
Registered User
 
Join Date: Feb 2014
Location: California, US
Posts: 151
Default

Beautiful guitar! how does it sound?
__________________
<<>>
Taylor, Martin, Jose Ramirez, Takamine, Yamaha guitars ....
Reply With Quote
  #5  
Old 04-11-2016, 03:32 PM
Drive914 Drive914 is offline
Registered User
 
Join Date: Apr 2016
Location: Tampa, FL
Posts: 19
Default

I received mine this past Wednesday. It really is a beautiful instrument and I especially love the sound. Quite different then my D-18V (not better or worse, just different) and they are both made of the same woods. However, one thing caught my attention as soon as I removed it from its plastic bag. I didn't realize the spruce top was 2 different pieces of wood (I assume glued together) with the seam right down the center. And in my case, the right side is much darker then the left side and the grain is not even close to being the same. So I guess I got myself a two tone guitar. I'm not very happy about that but I guess I'll get used to it. Maybe that's one of the reasons why the D-18V cost 3 times a much. Am I the only one that didn't know the spruce top was 2 pieces of wood glued together down the center?
__________________
1969 Yamaha FG-180
1970 Yamaha FG-300
1972 Yamaha FG-230
1978 Yamaha FG-350W
1978 Yamaha G-231
2016 Yamaha FG-180-50th
1985 Martin HD-2832
2005 Martin D-18V
2015 Martin CEO-7
2020 Martin D-28 sunburst

Last edited by Drive914; 04-11-2016 at 03:38 PM.
Reply With Quote
  #6  
Old 04-11-2016, 03:34 PM
sospel65 sospel65 is offline
Registered User
 
Join Date: Feb 2013
Posts: 70
Default

Congratulations. That's really a beauty. I am looking forward to playing one. How would you describe the way it sounds?
__________________
Yairi JY84 SB
Art & Lutherie AMI Black
Guild GAD 50
Reply With Quote
  #7  
Old 04-11-2016, 04:59 PM
Texsunburst59 Texsunburst59 is offline
Registered User
 
Join Date: Dec 2014
Location: Texas Gulf Coast
Posts: 705
Default

That's a very sweet looking guitar.

Congrats!!!

I hope to get to play one in person before they're all gone.

I'd really like hear how they sound and feel compared to my original FG-180.
__________________
'49 Martin A Style Mandolin
'76 S.L. Mossman Great Plains
'78 Gibson Gospel
'81 Martin 7-28 7/8 D-28
'03 Taylor Jumbo Custom
'04 Ramirez 1-E Classical
'09 Breedlove Roots OM/SR acoustic/electric
‘15 Martin Centennial DC - 28E
Reply With Quote
  #8  
Old 04-12-2016, 12:20 PM
Fresh1985 Fresh1985 is offline
Registered User
 
Join Date: Jun 2015
Location: South Derbyshire, UK
Posts: 623
Default

Just received mine today, not better or worse than I expected. As stated the finish quality isn't fantastic but sounds good out the box. Strings maybe a bit cheap and obviously the plastic nut and saddle will have to go at some point. I really would have thought If they were upgrading the back and sides to solid wood then they could have upgraded the nut and saddle too bone!! but anyway early days but I really like it, especially the looks. Looking forward to experimenting with strings and maybe a new saddle/nut. Also plastic pins is another area where I though they could have upgraded. Sound wise I would describe it as typical Yamaha, bright but well balanced.
__________________
"All I can be is me.....whoever that is" Bob Dylan

1934 Gibson Kalamazoo KG11

www.reverbnation.com/jamesascott
Reply With Quote
  #9  
Old 04-12-2016, 02:04 PM
fastestlouigie fastestlouigie is offline
Registered User
 
Join Date: Jan 2013
Posts: 26
Smile

Quote:
Originally Posted by Drive914 View Post
I However, one thing caught my attention as soon as I removed it from its plastic bag. I didn't realize the spruce top was 2 different pieces of wood (I assume glued together) with the seam right down the center. And in my case, the right side is much darker then the left side and the grain is not even close to being the same. So I guess I got myself a two tone guitar. I'm not very happy about that but I guess I'll get used to it. Maybe that's one of the reasons why the D-18V cost 3 times a much. Am I the only one that didn't know the spruce top was 2 pieces of wood glued together down the center?
Mine also has a "two-tone" top and like yours, the grain doesn't exactly match up. However, the colour of the two sides is the same on my guitar, although you can notice differences in reflection if you hold it up to a strong light source. Worth noting is that my 2010 vintage Yamaha LJ16 also has a two-piece spruce top but as it is a much lighter "stain" (not sure if this is the right description?), it's less noticeable in average light. Difficult to compare the two, as one of my daughters swiped the LJ16 when she went to University two years ago
I've been taking a closer look at the FG180 and it really is a great looking instrument, top and all! I hope to get started with learning to play the thing at the weekend, when I have some time to devote to this...
__________________
Yamaha FG 180 50th Anniversary
Reply With Quote
  #10  
Old 04-12-2016, 03:58 PM
Drive914 Drive914 is offline
Registered User
 
Join Date: Apr 2016
Location: Tampa, FL
Posts: 19
Default

Thanks for your imput Louigue. I realize that it is common to use 2 pieces of wood even when it is advertised as solid wood. I guess solid wood only means "not laminated, like plywood). Looking at my D18V, the left and right sides of the spruce top have the exact same grain. It like the piece of wood was sliced and then folded like opening a book. My new FG-180-50th is like the two pieces of wood came from two different trees. This cheepens the guitar in my opinion. Having said all this, I still love the guitar and I'm very happy to have it.

Note: I've seen hi-resolution photos of this guitar on the internet that clearly show the grain to be exactly the same on the left and right. That is what I thought I was getting when I pre-ordered mine. But now most everyone I see seem to be 2 tone because of the different grains. Did they pull a fast one on us?
__________________
1969 Yamaha FG-180
1970 Yamaha FG-300
1972 Yamaha FG-230
1978 Yamaha FG-350W
1978 Yamaha G-231
2016 Yamaha FG-180-50th
1985 Martin HD-2832
2005 Martin D-18V
2015 Martin CEO-7
2020 Martin D-28 sunburst
Reply With Quote
  #11  
Old 04-12-2016, 04:00 PM
stuco stuco is offline
Registered User
 
Join Date: Jun 2006
Posts: 373
Default

Quote:
Originally Posted by Drive914 View Post
I received mine this past Wednesday. It really is a beautiful instrument and I especially love the sound. Quite different then my D-18V (not better or worse, just different) and they are both made of the same woods. However, one thing caught my attention as soon as I removed it from its plastic bag. I didn't realize the spruce top was 2 different pieces of wood (I assume glued together) with the seam right down the center. And in my case, the right side is much darker then the left side and the grain is not even close to being the same. So I guess I got myself a two tone guitar. I'm not very happy about that but I guess I'll get used to it. Maybe that's one of the reasons why the D-18V cost 3 times a much. Am I the only one that didn't know the spruce top was 2 pieces of wood glued together down the center?
The vast majority of acoustic guitars, including your martins, have a book matched (2 piece) top and back.
Reply With Quote
  #12  
Old 04-12-2016, 05:11 PM
Drive914 Drive914 is offline
Registered User
 
Join Date: Apr 2016
Location: Tampa, FL
Posts: 19
Default

sorry, double post.
__________________
1969 Yamaha FG-180
1970 Yamaha FG-300
1972 Yamaha FG-230
1978 Yamaha FG-350W
1978 Yamaha G-231
2016 Yamaha FG-180-50th
1985 Martin HD-2832
2005 Martin D-18V
2015 Martin CEO-7
2020 Martin D-28 sunburst

Last edited by Drive914; 04-12-2016 at 05:18 PM.
Reply With Quote
  #13  
Old 04-12-2016, 05:15 PM
Drive914 Drive914 is offline
Registered User
 
Join Date: Apr 2016
Location: Tampa, FL
Posts: 19
Default

Quote:
Originally Posted by stuco View Post
The vast majority of acoustic guitars, including your martins, have a book matched (2 piece) top and back.
Thanks Stuco. Makes sense. For whatever reason, Yamaha didn't think it was necessary to do the book match thing on this guitar. I wish they would have.
__________________
1969 Yamaha FG-180
1970 Yamaha FG-300
1972 Yamaha FG-230
1978 Yamaha FG-350W
1978 Yamaha G-231
2016 Yamaha FG-180-50th
1985 Martin HD-2832
2005 Martin D-18V
2015 Martin CEO-7
2020 Martin D-28 sunburst
Reply With Quote
  #14  
Old 04-12-2016, 05:44 PM
GHS GHS is offline
Registered User
 
Join Date: Sep 2009
Location: Clifton, New Jersey, USA
Posts: 4,149
Default

Quote:
Originally Posted by Drive914 View Post
Thanks Stuco. Makes sense. For whatever reason, Yamaha didn't think it was necessary to do the book match thing on this guitar. I wish they would have.
Its not a problem with them. My Yamaha LS6 has the same type of look to the top, one side light and the other darker. Someone here with build experience said they just flipped the book matched top. Quite common.
__________________
Free speech...its' not for everybody
Reply With Quote
  #15  
Old 04-12-2016, 06:31 PM
robj144 robj144 is offline
Registered User
 
Join Date: Jul 2008
Posts: 10,431
Default

Quote:
Originally Posted by Drive914 View Post
Thanks Stuco. Makes sense. For whatever reason, Yamaha didn't think it was necessary to do the book match thing on this guitar. I wish they would have.
Can you post a pic? I've never seen a guitar top that wasn't bookmatched.
__________________
Guild CO-2
Guild JF30-12
Guild D55
Goodall Grand Concert Cutaway Walnut/Italian Spruce
Santa Cruz Brazilian VJ
Taylor 8 String Baritone
Blueberry - Grand Concert
Magnum Opus J450
Eastman AJ815
Parker PA-24
Babicz Jumbo Identity
Walden G730
Silvercreek T170
Charvell 150 SC
Takimine G406s
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion






All times are GMT -6. The time now is 04:02 PM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=