#16
|
|||
|
|||
Quote:
Their general formula isn't really that much different than the other bigger folks, either. Their design is, though, and I guess I've always attributed it to that. Is it the bolt-on neck and the UV poly finish that balances whatver nuances may have existed (toward the good or the bad) had those same pieces of wood been joined and finished the old school (ie martin) way? Taylors definitely have their own character and sound, but if that's your thing, it's kinda killer to know you don't have to agonize quite as much. I love that Taylor does their own thing their way and it works great. They are truly a model of efficiency, consistency and quality that manufactures in other industries can appreciate. |
#17
|
|||
|
|||
Quote:
This is why I believe people's attempts to find their 'forever' guitar by some type of 'science' when they have been playing for a year are generally unhelpful. Your ability to discern more tonal aspects and their subtle gradations will only come after years of playing and listening, and will increase over decades. There is no substitute for letting your ears guide you. All the talk about brands, woods, bracing is entertaining, but not particularly predictive of quality.
__________________
-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#18
|
|||
|
|||
So, if you played those 5 Taylors at GC five days in a row, do you think you'd pick the same favorite each time? What about when if you took all 5 home and changed the strings to your favorites and decided that you wanted bone bridge pins?
What about 3 or 4 months later when they started to open up? Do you think there would still be the same favorite. |
#19
|
|||
|
|||
Taylor is one of the most consistent guitar manufacturers not because of their design but because of their process. Small dimensional changes in the top/bracing/finish can have a noticeable effect on the end product. Additionally, good build quality ensures that such no issues arise from the fret/bridge/saddle/setup that can negatively impact the sound.
Martin has come a long way in matching Taylor's consistency but I believe they have a bit more design variation in their models - whereas, it seems Taylor has always strived to create a certain sound across their lineup. With mass produced guitars, you are trying to push the bell curve as far right as possible and to give the bell curve a tight, sharp, curve. You don't want a wide bell curve as that means you have a lot of variation in your product. Quality control and meticulous, unchanging process is how you get that result. Occasionally, you will find a mass produced guitar that just has something special. Most deviations in mass produced guitars are just slight deviations with some guitars sounding a bit better or worse than the next but if you play enough guitars, then you might stumble across something that is on another level. It is very important to realize that CNC's and careful/exact mfg serve to elevate product quality rather than doom the entire product line to mediocrity. The guitars coming out of Taylor, Martin, Eastman, Larrivee, etc... are all quite good -- especially compared to what was being produced decades ago. |
#20
|
|||
|
|||
Eastmans are marketed as "handmade" but I think they probably use some machining process to sell them at that price
|
#21
|
|||
|
|||
Literally every guitar ever is handmade. A machine can't make a guitar. Eastman and every other manufacturer of guitars uses CNCs and other machines to make many of (most of) the parts. A human has to put it together and make it a guitar.
|
#22
|
|||
|
|||
Quote:
I'm not sure I buy into it, but it depends on the goal. And how close the median is to mediocre. And what one's idea of mediocre is. I mention this in part because I played a used custom Taylor about 8-10 years ago -- long ago enough that the image is fuzzy, but still very memorable. It was larger than a GA, with tonewoods of red spruce and Madagascar. The tone was so sweet and lush that of it hadn't had "Taylor" on the headstock, I wouldn't have guessed what it was. My wife loved the tone, and wanted me to buy it, but it was too sweet and rich for my taste. Never did learn the story behind that guitar, but it was way outside Taylor's normal production curve. Would we want Taylor to offer custom guitars like this? |
#23
|
|||
|
|||
Don't they have a guitar replicator on Star Trek ?
CNC -sounds creepy ! |
#24
|
|||
|
|||
You may not want to believe this, but auditory memory is very short. Something like twenty minutes, so the only good comparison is side by side in the same store. When evaluating a guitar, I have a few mistake avoidance rules.
First, if I can put a guitar down in less than half an hour, I don't consider it. Second, if I think about a guitar's resale value, I don't consider it. Third, if a guitar costs 50% more that my comfort zone, I don't even play it. Forth, if I think a guitar makes me play better, I slap myself in the face. I have come to realize finding a guitar worth buying is a rare experience. If time doesn't disappear, move on. What you have is probably good enough. Of course this is once you have reached the level of something like a Martin D 18.
__________________
2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#25
|
|||
|
|||
Quote:
https://www.youtube.com/watch?v=ACmfpnYlOJc |
#26
|
|||
|
|||
Been looking for a Taylor that sounds good to me for the past 30 years now. I'm beginning to think it's not out there. Grand Pacific came close.
|
#27
|
|||
|
|||
Quote:
Ironically, that video is from the time when they were just really growing and if you talked to any dealers around that time, the quality control was truly awful and inconsistent. Since their investment in production, they have broadened their line-up considerably and the quality has gone up considerably. CNC's aren't bad at all. They make making guitars faster and better. The humans can focus on the stuff that humans can do that a computer never could. |
#28
|
|||
|
|||
Sorry this is just info that had popped up on various guitar related forums over time and I thought this was common knowledge.
|
#29
|
|||
|
|||
Mostly just curious how anyone would really know that info. Taylor is a privately held company, no doubt they wouldn't divulge that information to anyone. Not sure of Eastman's status, but that would seem true of them, too, so how would anyone be able to make that claim about profitability without having insider information.
|
#30
|
|||
|
|||
Quote:
|