#16
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Hi Methos,
You have done what I , and I bet many others did on your road to Blue Chips picks. I too decided that the price was, effectively a scam. I bought a used one (somewhere, somehow) and it was a TAD-40-1r. (still got it - don't use it). (you could buy it off me if'n you like!) However, I really liked the large triangle! Sooo - then I spent a whole lot more on every large triangle I could get to prove to myself that the BC was nut'n special... but it was. I gave up. I ordered a BC for every guitar and for my mandolin, and one or two for Mando Bob (my sideman). I play mostly but not exclusively dreads -sp medium strings of course, and I find TAD-50s ideal for me. I use TAD50-3r on mando (Bob uses TAD60-3r) For all my smaller guitars - TAD40s. But, I'm still experimenting so today I received some buffalo horn large trngles made by a British chap I know of. Quite nice, very muck like my old (genuine TS) picks but still prefer my BCs. I've just uploaded a second YouTube video about holw to keep your picks in the right position see:
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#17
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I'm happy to hear that you "spent a whole lot more on every large triangle" out there and came to the conclusion that the Blue Chip is in fact something special because I'm quite sure I would have eventually done this. Of course I still might but your research and findings are helpful!
I'm also looking at thicker offerings in the BC line. I have the BC CT 55 inbound. I couldn't decide between the TAD-50 and TAD-60 so the CT (Chris Thile) 55 seemed like a happy medium from which I could got to the 50 or the 60 if the 55 doesn't float my boat! I'll update the original post with my thoughts when that one arrives. |
#18
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Go for the BC TAD-1R 60. Or the amazing Scott Triangle... My two go to's.
TAD-1R's have three different points for your (warm, finger like, non click) pleasure. For my melody making I use the round point for making one's acoustic tone dramatically better. The 50's (I have 5) are super but the 60's are better. I have tried the BC's 35's 40's and they are good for simple rhythms. Someday I would like to try the 55 Thiel and the expensive TAD-1R-80. |
#19
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#20
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Added update to original post.
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#21
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I doubled up on this aspect by keeping my picks in boxes that were even more valuable : Particularly from about 9.20 on.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#22
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I'm surprised no one has mentioned Guitar Moose picks. They are very easy to grip because of the spongy material on the top half of the pick. They are not as thick as the Pearse and CL picks, and they're not made out of casein, but for gripping they're the best. This might help Roseland67
[IMG][/IMG] |
#23
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I’ve used John Pearse picks for many years and more recently Wegen.
These picks are now my favorite and I was surprisingly made not very far from where I live: https://hawkpicks.co.uk/
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Chris Stern Guitars by: Bown Wingert Kinscherff Sobell Circa Olson Ryan Fay Kopp McNally Santa Cruz McAlister Beneteau Fairbanks Franklin Collings Tippin Martin Lowden Northworthy Pre-War GC Taylor Fender Höfner 44 in total (no wife) Around 30 other instruments Anyone know a good psychiatrist? www.chrisstern.com |
#24
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Hi Russell, back in the old days of real TS picks some would come with pieces of cork glued to them similar to this design. I "feel" that any pick which is so stiff that you can't feel the impact of pick/string is unsatisfactory (which is why I've rejected that Dunlop "Primetone" 1.5 triangles which feel totally dead to me, although other picks of similar thickness work OK. Don't you lose that feeling of contact with these sponge covered part and the rthing that interferes with the feel of the string/pick contact interferes with the feel?
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#25
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I'm up to 4 Bluechips, a dozen or so Wegens, and some Primetones.
Haven't touched a Tortex in a while... |
#26
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I think the higher the number, the deeper the cup in the Talon line. Talon guitar picks from one mail order giant There are also of course "thumb harness" type things that have sold over the years to covert any standard teardrop pick into a thumb pick.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#27
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#28
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'59 Gibson J-45 "Spot" '21 Gibson LG-2 - 50's Reissue '94 Taylor 710 '18 Martin 000-17E "Willie" ‘23 Taylor AD12e-SB '22 Taylor GTe Blacktop '15 Martin 000X1AE https://pandora.app.link/ysqc6ey22hb |
#29
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'98 Classic 60's Strat – Burgundy Mist/RW '00 Gibson SG Standard – Heritage Cherry '00 Standard Strat – 3TSB/RW, 60s mods and SD Antiquity Texas Hots '02 American Series Strat – Sky Blue/RW '05 Epiphone Les Paul – Amber Birdseye Maple w/ SD 59 neck & JB bridge '04 Yamaha FG403S Dread '14 Recording King ROS-06 12-fret Slothead '17 Recording King 000 RO-T16 Torrefied top |