#121
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Older thread but..... no one. There are several (not many) companies making great "copies" of '30's Martins but I don't believe you can make anything better when you are copying someone else. That said, I believe that Blazer & Henkes do a great job making wonderful instruments. I would certainly rather have one of them than most other Martin copiers. There are a few others like Wayne Henderson and the above mentioned (Bagnasco & Casati) Italian makers who also do a great job.
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#122
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I think you can see from the vast variety of responses that it might be next to impossible to reach a consensus.
Me, for example, I consider a Collings the closest thing to what I consider the "Martin sound and vibe." A former guitar teacher of mine had a sub-1k Recording King that sounded way more Martin-like than various 6k+ Santa Cruz guitars I've tried, to my ears. Not trying to be dismissive or antagonistic, just wondering whether this question might be too much subject to personal preference and perception to produce a meaningful conclusion.
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#123
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Quote:
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#124
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Old thread but I wonder if the OP made a choice Martin’s build quality I would say is very good, especially on the higher end models. If the main concern is consistency does that mean the OP will be buying/ bought sight unseen and are/was concerned that they would get a dud, which does happen. 2 thoughts Good return policy Or,don’t buy sight unseen
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David Webber Round-Body Furch D32-LM MJ Franks Lagacy OM Rainsong H-WS1000N2T Stonebridge OM33-SR DB Stonebridge D22-SRA Tacoma Papoose Voyage Air VAD-2 1980 Fender Strat A few Partscaster Strats MIC 60s Classic Vib Strat Last edited by Mbroady; 01-11-2019 at 05:14 PM. |
#125
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I compared my Alvarez Masterworks MD-60 (Spruce top with solid Mahogany B/S) to a D-18 and was surprised at how close it sounded. The Alvarez MD-70 has Rosewood (or did) B/S. I have not tried one of these but wonder how close it sounds to an HD-28. From what I can see, the build quality is similar and my MD-60 looks nicer that the D-18.
Then there is the Yairi Masterworks series. If one of these are close enough to the HD-28, and you go with it, you will owe me several hundreds cups of coffee. |
#126
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Martin built their best guitars many decades ago. If that’s the “Martin” sound, they can’t even build it, let alone build it better.
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#127
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I own several guitars - and im not brand specific - I just like Great sounding guitars ( thou I'm really not a Taylor person - but I respect the brand )
I have great respect for Collings -if I didnt want a martin but something that sounded like a Martin - that would be the Brand . In many cases i have encountered - I have played alot of stellar Martins ! ( i own a fantastic OM28v ) Maybe you need to play more Martins to find the one that sounds best to your ears.
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--------------------------------- Wood things with Strings ! |
#128
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Have you played the Authentics. If not, try them and see if they make the difference from Standards you are hoping for. Never played one myself, but sounds like you are looking for something different from standards.
Otherwise, I’d probably aim at Santa Cruz. I’ve played a few Collins’s, fine guitars. But the ones I’ve played — mostly OMs and smaller — seem brighter than comparable Martins. Probably great in a band or jam, but not as enjoyable for most playing solo, IMO and hearing. I’ve had a small SC and Huss&Dalton. Did not like them better than comparable Martins. Basically, was worth stretching budget above a Martin. And there are a bunch more to try, even vintage guitars. |
#129
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I'd check out Preston Thompson guitars
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#130
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Quote:
I am not so sure that anyone is looking to build a better exact duplicate. What would be the point and could it be achieved anyway? Besides an obvious building flaw, what constitutes a Martin being a DUD? We know that one person can reject any guitar on the basis of how it sounds and the next person plays it and falls in love with it. The dud, then, is subjective. Assuming a modern Martin is built to a pre-determined standard and Martin has QC inspectors that enforce that standard, what is a dud? It has been said over and over again and it is true- guitars are individual objects. No two or twenty will sound exactly alike. |
#131
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There’s a £10 note in the middle of a perfectly square room. In each corner there is:
Santa Claus The Easter Bunny A luthier who makes a guitar that everyone agrees is the best A luthier who makes a guitar that is popular but splits opinions Who gets to the £10 first?
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“If I had all the money I’d ever spent on guitars, I’d spend it on guitars “ 1996 Martin HD28 2018 Martin OM28 reimagined 2016 Takamine P3MC Gibson Les Paul ‘58 Custom Shop Fender MiM ‘69 Thinline Reissue Telecaster |
#132
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Yamaha LL36. It has the sound, the build quality of a high end Martin, is not a slavish copy, has nice appointments including a nitro finish, each guitar is built in Japan by ONE individual luthier instead of on a production line-and has a nice price tag of around £4000. Another couple of grand will get you the LL56.
https://www.youtube.com/watch?v=kPwNb6wlM1M |
#133
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+1 to this reply
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Custom Huss and Dalton 00-SP Custom Huss and Dalton CM CS Martin 000 12 fret Martin CEO-7 Custom Huss and Dalton DS 12 fret Cole-Clark FL3AC American standard strat |
#134
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That's easy...Guild
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#135
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It might be interesting to note,
that not only has this thread been stagnant for a year and a half (until yesterday) but also, the OP has not been on AGF for over six months. Just a few neighborly observations. |