#46
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This is a amp that deserves to be auditioned before deciding that you need more power in a heavier or more bulky form. |
#47
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Favourite Acoustic Amps
Another vote here for the Elite Audio EAE D6-58. I love mine. It is the best sounding acoustic amp I’ve ever tried, and its power and configuration is genius. I liked it so much I bought a 2nd one, and it will be my battery powered portable PA for acoustic gigs.
I’ve never tried an AER, but I think I’ve tried all the others. Elite is a big step above the rest. There are several that are at least as expensive and nowhere near as good. There is a sonic quality to most amps that is surprisingly abrasive to my ears, where the only way to make it sound ok is to turn it down! The Elite amps are the opposite; warm, clear, inviting sound. I will add that their customer service is top notch also. I have no relation to the company. For a lower budget the various Fishmans are useable and reliable. By comparison, some other brands are a waste of money.
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Doerr, Skytop, Henderson, Kinnaird, Edwinson, Ryan, SCGC, Martin, others. https://youtu.be/_l6ipf7laSU Last edited by RussellHawaii; 11-15-2021 at 12:44 AM. |
#48
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I have a Henriksen the bud ten, which handle almost all the situation I need. I once play with a bassist and he got a great sound with it too. I used to have Trace Elliot TA40CR, which give me a nice tone, but Henriksen is more versatile and crystal clean tone and 48V phantom power.
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Leviora A1 Fan Fret Martin OMC28BLJ ArchAngels Wings (Dreadnought) Grace Felix L.R.Baggs Mixpro Zoom A3 Trace Elliot TA40CR Henriksen the Bud ten |
#49
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AKA 'Screamin' Tooth Parker' You can listen to Walt's award winning songs with his acoustic band The Porch Pickers @ the Dixie Moon album or rock out electrically with Rock 'n' Roll Reliquary Bourgeois AT Mahogany D Gibson Hummingbird Martin J-15 Voyage Air VAD-04 Martin 000X1AE Squier Classic Vibe 50s Stratocaster Squier Classic Vibe Custom Telecaster PRS SE Standard 24 |
#50
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For those of you that have the Pro can you compare it to the live? I have the live currently.
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#51
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I glanced through the entire thread and didn't see any mention of the Marshall AS50. No fans? I have one and I'm happy enough with it, though I've never compared it to anything else, so I really don't know. Our singer uses the mic input and either he or I use the guitar input. It's been reliable and easy to use.
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#52
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So... a few months back, I came across an amazon listing for a Fender Acoustic Pro 200 with 1x12". This is not to be confused with the newer Acoustic 200's which look very similar. The older model is slightly larger and doesn't have all the effects included on the newer amp. The Amazon listing said it was no longer available, but on the side of the listing, very small it said "one available - used". Clicking on it, I noticed that is was being offered for $350. I also noted that it said "significant cosmetic damage, but still 100% functional". At that price, I decided to take a chance. I placed the order and waited. After about a week, it showed up in a tattered generic box, which looked like it had been dropped of the truck and drug to my house. Oh well... they said it would work, so I took it in and started unboxing it. What I found was a brand new amp, complete with plastic wrap, all documentation and a lovely cover. There was zero blemishes on this beautiful amp. Best I can figure, the significant cosmetic damage that they were referring too was from the packaging. Since having it, I have played several gigs with it as my main PA (I do solo acoustic and sing). It is incredibly loud with plenty of clarity and a beautiful warmth to it that surprises me for a solid state amp. I run an Adamas W597 into it which currently has a K&K Classic pup and a Nux Optima Preamp (I'm working on refurbishing the original Ovation electronics but it's going slow finding legacy parts). I realize that the older amp doesn't have all the bells and whistles of the newer Acoustic Pro 200's, but frankly I don't use effects. If I can't make something happen with just the guitar and amp after 40 years of playing, no effects out there will help. As it's slightly larger and heavier than the newer Pro 200's, I sometimes wonder if it might have a bit more kick. Not that it matters, it will get WAY louder than I need which means I have all the headroom I'll ever need.
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#53
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For me the vocals are the most important aspect of a acoustic amp. If your a singer-guitar player doing a gig, vocals carry it? I’ve had two Genz Benz Acoustic Amps one huge one with extension speakers. My favorite is my Ashdown Radiator 2, warm beautiful tone and the 160 watts filled a auditorium last week. Heavy at 35 lbs but I believe it’s those heavy speakers that get it done. Didn’t last long, must be rare never hear about them.
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom Last edited by Doubleneck; 11-20-2021 at 06:17 PM. |
#54
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Bose S1 Pro or QSC CP8 if more power is needed.
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#55
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Quote:
https://reverb.com/item/13460201-ash...tic-radiator-2 |
#56
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom |
#57
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I just ordered an Orange Acoustic 30 amp....I'm a big fan of Doyle Dykes's guitar playing, and he uses one and sounds great....it's backordered so I don't know when I'll get it...https://orangeamps.com/crush-acoustic-30/#video
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Alvarez 66 CE Alvarez AJ80CE Takamine F340 Guild F-2512 Deluxe CE Ibanez Acoustic Bass 12 M1 Martin 12 string X Series Harley Benton Telecaster EVH Wolfgang Formerly known as Martin Maniac..... M |
#58
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I have been using an AER Compact 60/2 for about ten years. I can get the sound I want for both the guitar and vocals. Very small and light weight easy to carry around and totally reliable. For a really big venue I just set it up as I would for a small room and then run a line out into the larger house PA. But that has rarely been required (just a couple time for outdoor shows).
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Twang Collings D2HG Collings 002H 14 Fret Gibson Hummingbird Original Gibson Hummingbird Quilt (Maple) Gibson J-29 |
#59
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After all these years my favorite “sounding” acoustic amplifier is probably still the SWR California Blond….I used to own one with a 1-12 extension cabinet and for my ears it was a very satisfying sound…great for just about any instrument…excels as a bass rig….very usable control set…..big and fat sounding….
….my bandmates still play through theirs 20 years later but they’re too big and heavy for me to handle these days…..I’d love to find an amp that had the sound of the SWR that was about half the weight….the closest I’ve found is a JBL EON610 with a small mixer…it has that fat lower fidelity I like compared to many modern acoustic setups….
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...Grasshopper...high is high...low is low....but the middle...lies in between...Master Po |
#60
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I have the EAE D6-8 mk2 which I use as my primary. I also use the Bose s1 and the Fishmn solo amp to supplement it for some venues. I have an acoustisonic a ac 60 and a couple others. Bottom line if I could only keep one it would be the EAE.
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