#16
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Thanks everyone. The two trends I’m noticing is that they seem to be tight when new, and they will lend themselves to being bright. THanks!!
Last edited by Kerbie; 02-28-2020 at 04:50 PM. Reason: Not allowed in this subforum. |
#17
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Like with so many other things, I think some people might over-expect or have unrealistic expectations. There are lots of posts here, at UMGF, and other places that clarify that the characteristics that point towards tonal superiority of Adi (stiffness, strength to weight, etc), are only greater than Sitka on average, and that on a specimen to specimen basis Sitka might be stiffer and stronger than Adi. And that tonal generalizations are just that, generalizations based on average characteristics.
That said, in comparing my Adi topped CS (standard forward shifted braces) to a couple off-the-shelf D-18s, I've found it to be a bit snappier and more responsive and have more volume with my typical attack. Maybe a bit more headroom, but that rather than headroom, it's the easy, effortless volume that I've found most striking about the differences (at least from the driver's seat). I can't say that I've found it particularly more bright, nor that it felt tight initially or took an especially long time to open up. But I do think it has a bit more of a focused tone with a shorter decay than the standard ones I've played. I suppose this could be taken as brightness and tightness, but it's kind of a matter of perspective. Of course these observations are based on relatively limited playing time on standard D-18s. So it could certainly be in my head.
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"What have I learned but the proper use for several tools" -Gary Snyder Bourgeois DR-A / Bowerman "Working Man's" OM / Martin Custom D-18 (adi & flame) / Martin OM-21 / Northwood M70 MJ / 1970s Sigma DR-7 / Eastman E6D / Flatiron Signature A5 / Silverangel Econo A (Call me Dan) |
#18
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Headroom and clarity
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2011 Martin 000-18 GE 2017 Martin 000-15m 2006 Martin D-18 GE custom Amberburst 1999 Martin OM-28-V 2018 Martin HD 28 Amberburst 1984 Gibson American SG 2013 Fender EJ Stratocaster 2019 Gibson Les Paul Honey burst "Classic" 2019 50's Baja Telecaster Vox vt40, 1978 Deluxe Reverb, Fender Super Sonic 22 amp, lots of stomp boxes |
#19
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Quote:
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#20
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I tend to find that adirondack on mahoagany is the best combo to my ears and I have never been a huge fan of Adi over rosewood. Lots of people will disagree with me and they have great reasons I'm sure but with all the Adi topped guitars I have heard the mahogany back and sides ones always stood out to me.
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#21
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I found adi tops to feel tight and constricted and took a little more attack pressure than sitka. I find sitka to be a touch more responsive. As Stefan Grossman is reported to have said. Sitka is already broke in.
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Waterloo WL-S, K & K mini Waterloo WL-S Deluxe, K & K mini Iris OG, 12 fret, slot head, K & K mini Follow The Yellow Brick Road |
#22
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Quote:
I had previously owned a deep-bodied Double O that Scott Baxendale built for me, his Harwood model, and it had an Adirondack top. The truth is that I never really warmed up to that guitar, even though it was a fine instrument and I got a lot of compliments on its tone. So when I was thinking about ordering that custom 00-21 from Martin I talked to Todd Yates, a genuine Martin expert who used to participate on this forum. When I explained my ambivalence about putting an Adirondack top on a 12 fret Double O, not to mention my hesitance over the price of the upgrade, Todd suggested that I consider ordering it with a Swiss spruce top. He told me that Martin had some great Swiss spruce tops and it was only a $150 upgrade. So that’s what I went with, and am very glad that I did. But it probably wouldn’t have occurred to me if I hadn’t spoken to Todd. Thanks for the excellent advice, Todd! Anyway, an Adirondack spruce top is not always the best choice. Hope that makes sense. Wade Hampton Miller |
#23
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Todd cannot answer since he is no longer with AGF, but we can see his contribution in the AGF archive under Guest 1928 name.
He is active on UMGF, though. |
#24
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The whole spruce debacle is fascinating, so many spruces, so little time ..
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#25
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Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 |
#26
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The D-18 in my sights also has GE bracing and no aged toner. I'm about 75% certain I want to order it, but I'm not sure I'd like it that much more than a Standard D-18. I know that I want louder, but not necessarily brighter or more strident.
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#27
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Done deal. Ordered a Custom D-18 Adi with GE bracing and no toner from Jon at MFG....gonna miss that guy lol,but pretty soon his only concern will be getting drinks refilled by the pool...
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#28
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I've owned Jon's D-18 Adirondack but not with the GE bracing. I'm sure it's a stellar guitar in every way. And like you...I'm gonna miss Jon too.
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Jim Dogs Welcome......People Tolerated! |
#29
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Should be a beast! Hope it works out for you... I do sometimes wish I ordered mine with GE bracing.
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"What have I learned but the proper use for several tools" -Gary Snyder Bourgeois DR-A / Bowerman "Working Man's" OM / Martin Custom D-18 (adi & flame) / Martin OM-21 / Northwood M70 MJ / 1970s Sigma DR-7 / Eastman E6D / Flatiron Signature A5 / Silverangel Econo A (Call me Dan) |
#30
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^^^^^
this plus more volume or is that headroom??? Mine is a cannon
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Martin D-18 Custom Mahogany 🍒 Burst Adirondack (2017) "Buck" Martin Custom J-40 (2023) "Mr. Slick" Santa Cruz OM Adirondack over Wild Grain EIR (2021) "Flaxsie Ranahan" |