#1
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Warmer strings for my mahogany Fender PM-2 parlor
It came with Fender Dura Cote Phosphor Bronze lights 012-054 and being a purist, I have restrung every time with the same strings as Fender put on it when it shipped to me.
It is a great little blues box, and I wonder what else I should try. Having shopped, I find the 012-054 gage spread limiting my choices somewhat.
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______________________________________ Naples, FL 1972 Martin D18 (Kimsified, so there!) Alvarez Yairi PYM70 Yamaha LS-TA with sunburst finish Republic parlor resonator Too many ukeleles |
#2
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Monel strings like Martin Retros can sound warm, especially after a couple days of playing them in.
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All things must pass, though some may pass like a kidney stone. |
#3
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Another vote for Martin Retros.
I just put those on my all-hog Martin 000-SM15, and they are delightful on that guitar. Be aware that they will sound metallic/brash at first, but after a week or two will settle into a very warm, woody character that will last a long time.
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1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |
#4
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I have Martin Retro's on my Seagull S6 right now. I did have d'addario nickel bronze previously. The S6 seems to be completely different style of guitar from your fender so there's no real comparison there for you.
Elixir PB 80/20s were first string change from the original Godin's for the S6. I did not like the clean modern sound of those strings for the S6. I wanted an old-timey and possibly western kind of sound. To me the nickel-bronze really provide that. Its a more raw sound to my ear. I'm a newbie, so maybe I don't have a good vocabulary to use. Though I love the Elixirs on my Taylor. Different guitar... different sound though. I recommend buying several varying sets and giving them each a try for a month. |
#5
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All great suggestions - put GHS and/or John Pearse Silk & Bronze on your list too.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#6
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Martin SP's.
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#7
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I'm not sure why you would want "warmer" strings on a hog. From my experience owning a Taylor hog I have looked for a slightly brighter string.
I love the "mellow" sound I get from a mahogany guitar but there are times when I want a brighter sound. Maybe it's just my ear. We're all different. |
#8
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Quote:
__________________
Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#9
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Bruce, actually I was referring to my Dread, I guess a very different animal.
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#10
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Yes, I think you'll find 80/20's on a parlor guitar are actually illegal - any instrument that produces sound that can only be heard by dogs is just cruel.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#11
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I guess I was barking up the wrong tree! Ouch
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#12
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Another vote for the Martin Retro's, I've used them on mahogany guitars in the past with great result. Don't worry about the '54 gauge if its 52, or 53 you'll not be able to perceive a difference.
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#13
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GHS Silk and Bronze.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#14
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Retros and mahogany are magical together.
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |
#15
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Quote:
and I'm sure you know picks make a difference retros and a green Dunlop Gator 1.5 is a wonderful combo |