#31
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Quote:
As for the OP's specific question about bolt-on necks, I think they've been around long enough to recognize that there are no disadvantages to a properly manufactured and fitted bolt-on neck. There are a few advantages as well, the biggest advantage being that after time if you need a neck reset it takes only a few minutes, while a glued-in neck can take weeks, if not months and hundreds of dollars at the luthier.
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Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#32
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Oh, it is all about the individual guitar. You can find a dovetail nitro Martin that sucks and you can find them that are stellar. Same with Taylors or the rest of them. You have to choose them one at a time and pay attention to the individual instrument. As an aside, my 15 year old Martin will need a neck set in a year or two for sure. At $300 that would be $20 a year. I accept that as what happens with dovetail necks. If it tormented me, I might look into bolt on necks, but I think we take the bitter with the sweet in life. I bought this individual guitar because it was a great one. If I found a bolt-on Taylor that sounded this good I might have purchased that, who knows? I have even played Harmonys that sounded pretty darn good. You never know...
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2003 Martin OM-42, K&K's 1932 National Style O, K&K's 1930 National Style 1 tricone Square-neck 1951 Rickenbacker Panda lap steel 2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's 1957 Kay K-27 X-braced jumbo, K&K's 1967 Gretsch 6120 Chet Atkins Nashville 2014 Gold Tone WL-250, Whyte Lade banjo 2024 Mahogany Weissenborn, Jack Stepick Ear Trumpet Labs Edwina Tonedexter |