#46
|
||||
|
||||
V-Class for me have been about the same as X-braced. Mine sounded far too bright with the factory strings on it. Once I replaced them with Martin SP's it sounded much better. The next change will be to D'Addario EJ16's or Martin Clapton's Choice and see where they lead me.
|
#47
|
|||
|
|||
Quote:
So, I agree that keeping an open mind is a good idea. Otherwise, you might miss out on a particularly stellar guitar for your needs. The difficulty is that, no matter how we might try to ignore the sentiments against a manufacturer or a particular direction a manufacturer has taken, we are influenced. Despite what is generally said around here about V-class, I am amazed at the tone of my K14ce Builder's class. I was never particularly impressed with the tone of the 914, as nice as it looks. It didn't matter if it was V-class or not. There are folks around here who consider the mid to late 90s as a "golden era" for Taylor guitars. I have read a number of rave reviews of Taylors from this period. I bought one, and found that the sound simply didn't suit what I wanted. I am sure that those for whom that sound is ideal, really do believe that era to be among the best of Taylor. So, it is not always the case that the prevailing biases around here would necessarily also be true for your own unique needs. It is certainly not a question of right and wrong, because these are personal opinions rather than statements of fact. Simply, not everybody likes and wants the same sound in a guitar. Tony
__________________
“The guitar is a wonderful thing which is understood by few.” — Franz Schubert "Alexa, where's my stuff?" - Anxiously waiting... |
#48
|
|||
|
|||
"The Dude abides."
If I had to choose between grabbing any random Taylor out of a sack (blindfolded) and and random Eastman (also blind)--especially if the Taylor is a "v-class"--I'd pick the Eastman. They're not the greatest guitars in the universe, but, on average, I prefer them to most Taylors (Andy's re-imagined x-braced 814s aside). Eastman builds a great guitar for the money. |
#49
|
|||
|
|||
Quote:
There are hands on both and machines used in the process on both. I think that machines should be used where speed and precision are needed. After that, send it to the craftsman to make a great guitar or not. Remember when guitars had a lot of variables and you really couldn't tell if you got a dud or not ? Yeah. Made made can also me mistakes made. Martin has a lot more machines doing the work than they used to. It improves consistency. The implication that Bourgeois guitars got together with Eastman because they are the BEST is not really what this deal is about. I'll bet it has as much to do with PRICE and how much they promised to build in a given time. Bourgeois feels the need to get in a lower price range market. This was the company they could strike a deal with and with the terms they wanted. But, I don't make my living selling Eastman guitars. Pondering why they didn't hook up with Taylor to build them is a red herring on the video guys part.
__________________
2010 Guild F47R 2009 G & L Tribute "Legacy" 1975 Ovation Legend 1986 Ovation 1758 12 String 2007 Walden G2070 2008 Guild D55 Prototype 1998 Guild Starfire IV 2016 Guild Newark St. X-175 Sunburst 1996 Ovation 1768-7LTD " custom " |
#50
|
|||
|
|||
Quote:
__________________
2020 Yamaha LL56 Custom 2021 Boucher SG-51-BMV 2020 RainSong CO-WS1000N2 2019 PRS Silver Sky |
#51
|
|||
|
|||
Quote:
The fact that Bourgeois is doing this tells me that they are very likely looking at the current and future retail guitar markets, and the imminent decline of the Baby Boomers buying power and realizing that their current USA made Bourgeois price point may not...{;-)...be the most stable or profitable part of the future retail guitar market to be selling in, like it has been for the last 25 years. duff Be A Player...Not A Polisher |
#52
|
|||
|
|||
Quote:
Like I said I watch a lot of his videos with interest but his thing with Taylor I’m bored of now it’s gone on for years.
__________________
http://www.Facebook.com/NickSpencerMusic Gibson Songwriter Standard EC Lowden WL-22 Maton SRS808 Taylor AD11-SB Taylor 811 GT Taylor Big Baby Walnut |
#53
|
|||
|
|||
Quote:
My comments on the video: (1) The average house price in San Diego is $545,000 vs $7,280 in Beijing. For reference, at La guitar, a Taylor 314ce is $1999 while an Eastman AC322CE is $851. Import costs may make the Taylor a bit more expensive in the U.K. (2) Like Nick said what if Taylor made their guitars in China. How much would they cost? (3) Taylor has incredible customer service. They replaced the body on mine for free and just did a neck reset for free to make the action playable. (4) Strumming at home is one thing but for live performance you see a lot of musicians with Taylors. What is a pro going to choose? Richard recommended to me these guitars: Eastman AC322CE, Eastman AC422CE, Faith Neptune Cutaway Electro Mahogany, Faith Legacy Neptune, Auden Artist Mahogany Austin Spruce Cutaway. They are all affordable guitars but in the long run I'm concerned about the resale value. The Faith and Auden are U.K. made guitars. I am looking for a great guitar which is not too expensive and would be great for gigging. I am thinking a used Taylor, Gibson, or Martin. Or maybe a new Eastman.
__________________
Fender Stratocaster (1995, 2008, 2013), Gibson Les Paul (2010, 2010, 2016), Taylor 214ce (2011), Fender Telecaster (2014), Martin OMC-15ME (2019), Martin DJR-10e (2022) https://www.facebook.com/RichardsBluesBand https://www.facebook.com/RichardAbbuhlMusic Richard's Blue Band on Spotify Richard Abbuhl on Spotify RichardAbbuhl.com Last edited by rabbuhl; 10-19-2019 at 04:57 AM. |
#54
|
|||
|
|||
Quote:
Why would Taylor want or need to hook up with Bourgeois? I'm just curious.
__________________
Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#55
|
|||
|
|||
Quote:
Nothing new about that. They told me that Taylor's never sold as well as Martin's in their market and they also sold other high end brands so they decided to discontinue the brand.
__________________
Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#56
|
|||
|
|||
Quote:
Comparing the Eastmans to a defective Taylor is not fair. He rambles too much. That Bourgeois chose to partner with Eastman doesn't prove that much as there aren't many Chinese companies with great distribution lines around. Most Chinese guitar factories are part of or partnered with a first-world company like Yamaha, Takamine, Gibson, Guild, etc. That Eastman makes great instruments is a valid point.
__________________
Eastman E1SS-CLA-LTD Eastman E1OOSS-LTD Cordoba Fusion Orchestra CE Cordoba SM-CE Mini Classical Acoustic Ibanez Blazer 21 MIJ Stratocaster 2 Yamaha PSR-SX900 keyboards I play professionally Roland FP-90 digital piano I play for pleasure with piano VSTs. |
#57
|
|||
|
|||
Quote:
__________________
http://www.Facebook.com/NickSpencerMusic Gibson Songwriter Standard EC Lowden WL-22 Maton SRS808 Taylor AD11-SB Taylor 811 GT Taylor Big Baby Walnut |
#58
|
||||
|
||||
Form the objective viewpoint of "what would be valid comparison video". What is "Pretty undeniable" is, it hard to imagine a more invalid video comparison.
Setting aside the obvious "Totally subjective" nature of guitar tone preference and inevitable expectation bias attached to it itself . Given his self admitted promotion of Eastman coupled with his obvious bias against Taylor by virtue of his completely slanted, rhetoric involved in his attempt at dismissal of the Taylors production process. His lack of objective credibility alone should raise neon red flags for the viewer. But all that aside:::::: Simply from the video production aspect alone, the video has basically little to no merit (at all) AND It could not matter less what actual brands of guitars were being played and compared . The entire production format for the video and comparison, is ill-conceived. The extended time delays between, inconsistency of actual playing, and then the incessant distracted rambling, render it pretty much useless, from an objective analytical standpoint.
__________________
Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 Last edited by KevWind; 10-19-2019 at 08:25 AM. |
#59
|
|||
|
|||
I think..
Quote:
__________________
Collings, Martins, Gibsons, Taylor, Fenders, PRS's, a Takamine and MORGAN amps..love them all!!! |
#60
|
|||
|
|||
Quote:
Tony
__________________
“The guitar is a wonderful thing which is understood by few.” — Franz Schubert "Alexa, where's my stuff?" - Anxiously waiting... |