![]() |
#16
|
|||
|
|||
![]() ![]() If you sing with the right (wide brim) hat on, you can hear yourself better. |
#17
|
|||
|
|||
![]() Quote:
__________________
Martin X1-DE Epiphone AJ500MNS Alvarez AD30 Alvarez AD710 Alvarez RD20S Esteban American Legacy Rogue mandolin |
#18
|
|||
|
|||
![]()
I quit them years ago, but there is usually a "power structure" involved and everybody or somebody wants to be "in charge" of sound and that person usually has no ear...
![]() |
#19
|
|||
|
|||
![]()
The modeling amp should be fine.
Just remember one thing: what you hear on stage is NOT necessarily what the crowd hears. After doing this for two years, I've finally gotten over not being able to hear myself well at some open mics . . . you just have to trust (hope?) that it sounds great out in the house. I am fortunate that at the open mic I attend most regularly has a pretty good sound guy, and he has me "dialed in" now, and I sound great on stage. Last month, at one of of the shows there, I didn't sound good at all on stage . . . I think somebody had messed with the EQ on the stage monitor. I was assured I sounded fine in the house. The next week, it was back to normal, with no issues. |
#20
|
|||
|
|||
![]()
I've been to quite a number of OMs and run one a year, at different parts of the US each year and never have a problem hearing myself. Sometimes there are monitors, but not usually. Nor do I plug in. And I don't normally sing or play loudly. Nor do I use a monitor when I play out (Bose L1C then). I've often wondered why as it is a frequent problem for others.
__________________
The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany McAlister baritone Adk/Bubinga Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian banjos, mandolin, autoharp.. |
#21
|
|||
|
|||
![]()
Open mic environments vary widely. At some of them you’ll be able to hear yourself without ANY sound equipment and the most annoying problem will be getting there early enough to get a spot.
I hosted one which became so crazy popular that we’d draw cards, thirty minutes before showtime, to determine the order of choosing time slots. That procedure became a better option than having every open mic dominated by the acts who were willing to arrive ninety minutes early to snag fifteen minutes of prime time with an unusually attentive and/or politely indulgent audience. |
#22
|
|||
|
|||
![]() Quote:
Have been to open mic's where regardless of how early you get there. If you're not in the click, you're going on last. |
#23
|
|||
|
|||
![]() Quote:
This open mic is a little different as I said, plus I'm somewhat friendly with the main organizer. In fact I may go to an acoustic jam later today but it was so cold last night (-8 degrees F) that I may not go and I hope he and his friends show up as they did last month.
__________________
Martin X1-DE Epiphone AJ500MNS Alvarez AD30 Alvarez AD710 Alvarez RD20S Esteban American Legacy Rogue mandolin |
#24
|
||||
|
||||
![]() Quote:
Then you start to play other open mics and find that it's pretty much the same everywhere to varying degrees and you sort of get used to it. It definitely toughens you up and gets you ready for the less-than-optimal sound situations you'll run into when you start gigging! I have though many times (although I have yet to actually do it) that I should just bring along my little battery powered Bose S1 Pro, plug my guitar into that and point it directly at me and then take their offered 1/4" cord and plug that into the S1 line out. They get all the signal they need while I get tone I can actually hear! But I usually just suck it up and deal with it. |
#25
|
|||
|
|||
![]() Quote:
__________________
Martin X1-DE Epiphone AJ500MNS Alvarez AD30 Alvarez AD710 Alvarez RD20S Esteban American Legacy Rogue mandolin |
#26
|
||||
|
||||
![]() Quote:
|
#27
|
|||
|
|||
![]()
Another reason not to bring an amp is it slows things down. A few thoughts:
1. Try wearing 1 earplug, this should help you hear your voice better. Your ears aren't equal so experiment with which ear to plug to see what works best as far as pitch, etc. 2. Practice your song so much you can perform it in your sleep. 3. Volunteer to help do the work of running the open mic, setting up chairs, PA, cleanup afterwards. You might get the opportunity to help upgrade the monitoring experience for the players. Best...H |
#28
|
|||
|
|||
![]()
FWIW,
The last open mic which I hosted (right up until the pandemic shutdown) was in a busy “casual listening” setting. I used my Fishman SoloAmp as a stage monitor (aimed directly at the acts) and the heavy stuff directed into the room. Using very tight patterned Audix OM7 dynamic mics allowed me to set the stage volume pretty high. When things got busy, however, some of the acts STILL had a hard time hearing themselves with all the crowd noise coming their way. If your venue happens to be equally noisy, having an amp on stage may not be the panacea that you think it will be. I can remember many occasions, later in the evening, when I’d get on stage to discover that the stage monitor level was WAY too loud for my own taste - and yet I’d get frequent requests to turn the stage sound up (as well as requests from customers, staff and management to turn the house sound down). I sometimes wonder how much of the offending “house” sound was actually stage sound. |
#29
|
|||
|
|||
![]() Quote:
2. I do that ... but still I get stage shock and lose myself in the middle of a break or fill-in. 3. That I will do as I've become friends with two of the leaders. And I would like to know the setup they use and I may even lend a monitor if I can find something not too expensive.
__________________
Martin X1-DE Epiphone AJ500MNS Alvarez AD30 Alvarez AD710 Alvarez RD20S Esteban American Legacy Rogue mandolin |
#30
|
|||
|
|||
![]() Quote:
Every Thursday night, 6PM to 9PM. Check out "Auri's Open Mic" on Facebook. ![]() ![]() Last edited by 6L6; 02-07-2023 at 05:00 PM. |