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#46
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Truly amazing work on everyone's part. Gorgeous tuner engraving! Wow.
Congrats to Mark, Max, Lonzo and the talented young lady at Scheller! ![]()
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Life is like a box of chocolates .... |
#47
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Mark, this Tree Mahogany powerhouse you built for Lonzo was already in my top 3 favorite guitars from your workshop. Now, after the addition of Custom Scheller engraved tuning machines, it moves to my #1 spot. It was interesting to read about the collaborative efforts with Max Spohn to execute this makeover without shipping it back to the States. It looks like Max pulled it off perfectly.
Like Lonzo, I wondered whether the excellent Scheller tuning machines you now offer might be a replacement for the open back Schertler tuning machines on my Alpine Spruce - The Fiddleback Mahogany Josey. I assume that Schellers would not be a direct replacement for the Schertlers either though. Congratulations on this beautiful upgrade to an already outstanding guitar! ![]() |
#48
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Thanks Nemoman. An important part of going with Scheller is I can collaborate with them. They are not a factory tuner maker. Lonzo and I have made a number of guitars and I certainly have enjoyed our collaborations. Then there's Max, he's a great builder. I think everyone can win when individual luthiers from different countries can partner up. There are opportunities there I'd like to explore. Quote:
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Mark Hatcher www.hatcherguitars.com “Let me make the songs of a nation, and I care not who makes its laws.”. Andrew Fletcher |
#49
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The Alpine Italian Spruce on Torrified Hard Maple Greta grand auditorium I've been making now has part of the finish on. The neck, back and sides have finish. From here I will be French polishing the top. I'll also be able to install the frets and make the nut:
![]() ![]() I've got the Scheller tuners with horn buttons installed: ![]() M
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Mark Hatcher www.hatcherguitars.com “Let me make the songs of a nation, and I care not who makes its laws.”. Andrew Fletcher |
#50
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Thanks you all for your kind words and enthusiasm! ...all I can add besides being very happy about the result of this exercise in all respects (looks, function, precision of those tuners) ... is that my biggest THANKS ! goes out to Max who was willing to go on this endeavour with me and put the icing on the cake with a lot of thought, skillfulness, consideration and heartblood.
Doing this to the caliber of guitar in question caused quite some headache.. what if something goes wrong ? .. so I dared asking Max if he was interested in it and to my great relief he accepted! At least I was entering this with the best help I could think of in my reach (~ 3 h drive). I am lucky to have met Max in person and to visit his new shop in famous Rothenburg ob der Tauber, where he treated me to not only his woodstack (I had my 1st proper “tapping wood” experience there with all the different woods... and boy, even I hear huge differences!) but also to 2 of his own guitars he had in the shop at that time... besides 2 or 3 in different stages of the building process.. highly interesting for a wood lover like me & certainly worth it big time ! I also consulted Mark before to get his opinion on whether the headstock would be strong enough to take the bigger diameter drillings of the Schellers (easy), whether they would fit without getting into each others way at the top (it turned out yes, but it was close ;o) - I also wanted Marks consent so as to it still staying ‚his‘ guitar and he was fully supportive and very engaged. A big Thanks for that as well! Last - the guys at Scheller and the lady that does the engravings for them (Nina @stankus.arts) were very cooperative and provided many improvements and adaptations based on Max‘s and my requests... luckily a very successful combination altogether, after all I still have that wonderful guitar, just even better now. Truly an out-customized one of a kind piece of musical art ! Thanks again to all that contributed and made it! Best regards, Lonzo PS.. I apparently wrote this in parallel to Mark writing about the wonderful maple �� Greta... sorry, didnot inted to distract from that! ...can‘t wait for sound samples of this, it being a bigger sister to my Piña! Last edited by Lonzo; 03-01-2023 at 02:52 PM. |
#51
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Maple Greta! Oh, that will sound nice.
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#52
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Thanks ukejon. This torrified Hard Maple is working out quite well for me. I have been very happy with the results I'm getting.
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Mark Hatcher www.hatcherguitars.com “Let me make the songs of a nation, and I care not who makes its laws.”. Andrew Fletcher |
#53
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi |
#54
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![]() Plus I am into black hardware
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Avid Carbon interface , PT Ultimate 2023.6 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,,128GB 2666MHz DDR4 RAM,,2TB SSD storage,Radeon Pro 5700 XT16GB Ventura 13.2.1 Last edited by KevWind; 02-26-2023 at 10:08 AM. |
#55
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Thanks ChuckS, I agree. I like the color and I think it goes great with the Macassar Ebony. The shellac for the top will be unbleached so it will be adding to the organic overall look.
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Mark Hatcher www.hatcherguitars.com “Let me make the songs of a nation, and I care not who makes its laws.”. Andrew Fletcher |
#56
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I start french polishing the top of this Greta GA:
![]() I am using an unbleached shellac so we'll see it darken up some as we go. It already is showing after the first session. The Jasper gemstones in the rosette are coming to life already with just a little shellac: ![]() What I like about using a natural material is, unlike perfect little man-made clones, the closer you look the more there there is to see: ![]() Thanks for viewing! Mark
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Mark Hatcher www.hatcherguitars.com “Let me make the songs of a nation, and I care not who makes its laws.”. Andrew Fletcher |
#57
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That's gorgeous, Mark!
Nature really provides an incredible palette, and you've really brought these materials together into a beautiful composition!
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2013 Stehr Auditorium (Carpathian/Myrtle) 2015 Stehr Auditorium (Adi/BRW) 2020 Baranik Meridian (Blue Spruce/Manchinga) 2020 Wilborn Arum (Tunnel 14/Coco) 2021 Kinnaird Graybeard (BC Cedar/Bog Oak) 2022 Kinnaird CS Student Build (Adi/Padauk) |
#58
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That rosette is a work of art Mark. Absolutely beautiful!
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Treenewt Larrivée OM-03 Eastman E8OM-TC Eastman E2D-CD |
#59
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Sorry to hijack the thread everyone but I am LOVING this guitar! Holy sh**!!!
Thank you Mark for making this by far the most enjoyable and responsive build I've ever had land here at the studio...the tone and harmonics are outright insane. Bajeezus! Will have a few studio clips of this little Brazilian bird in the next episode of “My Favorite Luthiers” on my YouTube channel in the near future - as well as several others I had the pleasure of playing while visiting the shop in Vermont. Can't wait to visit again, if Mark can put up with me drooling all over the ole' wood stash. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]()
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Dustin Furlow -Award-winning songwriter/guitarist, Visual storyteller -D’Addario, G7th and K&K Sound Artist -Music on Spotify, Apple Music and YouTube: www.youtube.com/dustinfurlow -New album "Serene" (Oct '23) and tablature available at www.dustinfurlow.com |
#60
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Thanks Treenewt!
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Mark Hatcher www.hatcherguitars.com “Let me make the songs of a nation, and I care not who makes its laws.”. Andrew Fletcher |