#46
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The price is outrageous, but the price of tuning in between songs on stage is incalculable.
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Eastman E1SS-CLA-LTD Eastman E1OOSS-LTD Cordoba Fusion Orchestra CE Cordoba SM-CE Mini Classical Acoustic Ibanez Blazer 21 MIJ Stratocaster 2 Yamaha PSR-SX900 keyboards I play professionally Roland FP-90 digital piano I play for pleasure with piano VSTs. |
#47
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Quote:
I bought the Heritage because the ART technology intrigued me as it claimed to reduce re-tuning, and the description of how it achieved that, was believable. Not only does it accomplish that, it made my guitar sound FAR better than any capo I've ever used. So much so, I'd buy it again for that result alone. You won't regret buying the Heritage.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#48
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Well, we'll have to wait for Santa then
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Barry Sad Moments {Marianne Vedral cover}: My SoundCloud page Some steel strings, some nylon. |
#49
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#50
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Would I need the standard or wide heritage for a D-18 and 717? Both are 1.75”. Website says standard up to 1.75” so I’m confused
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#51
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I bought the original G7 when it first came out. $50.00. A lot at the time. I was and continue to be underwhelmed by it.
It's heavy, clumbsy. I find it no easier to use than a Shubb. It doesn't work as well as a Shubb. So, now I am supposed to drop $150.00 on this new G7? It does look elegant. The design certainly should work better than the original G7. Too much, however. |
#52
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Any forum sponsors sell the Heritage?
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#53
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I went with the wide model for my OM-28V, but could have gotten away with the standard one. Then again, no problem using the wider model on any guitar really.
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There is geometry in the humming of the strings, there is music in the spacing of the spheres - Pythagoras Martin OM-28V Yamaha FSX3 Godin Arena Pro CW Bourbon Burst Manuel Rodriguez Magistral D-C EBS Stanley Clarke Sig. Acoustic Pre Alto TX210 powered speaker |
#54
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Quote:
I had been using a 12 string Paige because I capo up to the 7th fret. My Standard Heritage works perfectly.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#55
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g7th is a forum sponsor https://www.g7th.com/Heritage
Nick gave me a compensated pad to go with the noncompensated one for free. The gold looks great on my 12 string. |
#56
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Just ordered a Style 2. I will give it a try.
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#57
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Ordered me a Heritage!
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#58
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I was looking at the Heritage that was $220, I wasn't aware of the #1 wide. Hmmm.
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Barry Sad Moments {Marianne Vedral cover}: My SoundCloud page Some steel strings, some nylon. |
#59
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Standard or wide for my Waterloo wl-14 with the V neck?
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Acoustics: Farida OT-22 Recording King RAJ-126 Electrics: Gibson Les Paul Custom MJT Tele Ibanez AS93 |
#60
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I would recommend the wide for all guitars. You never know when ya may wanna capo up the board. The wide isn't much wider anyway...
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