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Old 10-28-2018, 08:23 AM
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Default Tension vs resolution....

Any good sources? I find I'm resolving, then repeating instead of tension, repeat then resolve. Suggestions welcome.
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Old 10-28-2018, 12:52 PM
mattbn73 mattbn73 is offline
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Maybe a few more details or examples?

Generally it's an ear thing worth exploring over chords one scale tone at a time, if I understand what you're asking. Rather than just tension, spend some time with resolving specific tensions.

I worked on some of this stuff in a jazz context out of a method, and it was about practicing and learning to hear specific 2-1 or 7-1 resolutions etc...

There's a lot to be done with "extending tension" compositionally, or in terms of improv, with the use of arpeggios as well. Analysis of great melodies is a great strategy too.
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Old 10-28-2018, 01:38 PM
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Lots of tension and release theory stuff on the internet.

However I mainly am just listening. When you listen to an tune, especially one that is new to you, can you be listening and predict what the next chord will be,
and if so can you distinguish when the draw to a rather specific next chord or note (likely the resolution to a tension set up) is very strong and compelling?
Occasionally for extra impact the resolution is delayed temporally or even left out with a build up another tension set up (more likely in some classical music
than in pop music I would say.

If you start to readily hear this stuff by ear you're getting somewhere.
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Old 10-28-2018, 10:24 PM
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Erithon Erithon is offline
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An interesting topic to be sure, but I'm unclear on what exactly about tension and resolution you are asking about.
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Old 10-29-2018, 05:33 AM
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Quote:
Originally Posted by TBman View Post
Any good sources? I find I'm resolving, then repeating instead of tension, repeat then resolve. Suggestions welcome.
Yea, quit that! I hope this helps
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Old 10-29-2018, 05:53 AM
mattbn73 mattbn73 is offline
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If you play succeeding "away notes" over a given chord, you basically get something like a second arpeggio. So, Am arpeggio is a "tension source" for G major in a sense. You can practice resolving Am arps to G. ....All over G of course....

Different from viewing tensions one note at a time.

Last edited by mattbn73; 10-29-2018 at 06:29 AM.
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Old 11-06-2018, 09:19 AM
Todd Tipton Todd Tipton is offline
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Quote:
Originally Posted by TBman View Post
Any good sources? I find I'm resolving, then repeating instead of tension, repeat then resolve. Suggestions welcome.
I'm reminded of a dumb story (that obviously wasn't true) about Mozart when he was a boy. Growing up, he didn't have an alarm clock. His father would come in his room every morning and play the harpsichord at the foot of his bed:

Do, Re, Mi, Fa, So, La, Ti... and then leave the room.

The tension would continue to build and Mozart would become so agitated that he would jump out of bed to resolve the tension: Do!

And he was up for the day.
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Old 11-06-2018, 10:16 AM
JonPR JonPR is offline
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Quote:
Originally Posted by Todd Tipton View Post
I'm reminded of a dumb story (that obviously wasn't true) about Mozart when he was a boy. Growing up, he didn't have an alarm clock. His father would come in his room every morning and play the harpsichord at the foot of his bed:

Do, Re, Mi, Fa, So, La, Ti... and then leave the room.

The tension would continue to build and Mozart would become so agitated that he would jump out of bed to resolve the tension: Do!

And he was up for the day.
The fool. He could have just sung it and stayed in bed.
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