#16
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it was a rampant problem with the ones i saw and owned. they would duck it any way possible when challenged at customer service. was very disenchanted with them. unsurprised when they went under.
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#17
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Larry,
Your input is hugely valuable. And again, those of you that are interested in improving the Composite Acoustic products, let your voice be heard! The tech told me that the owner is a great guy, understands the consumer, and even though the travel guitar is a small market, they want to make it right. So email peavey at: [email protected] Be part of the change!
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Lisa Phoenix Guitar Co. Custom Classical Guitar Rainsong Shorty FLE Pre Peavey Cargo Last edited by Kindness; 11-26-2010 at 12:00 PM. |
#18
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You played a few CA's. Did you find them unplayable or otherwise in need of change?
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gits: good and plenty chops: snickers |
#19
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I own a Cargo RT with electronics and previously had a Cargo RT with no electronics. I've had no issues with either guitar.
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#20
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Having factory-made guitars leave the factory with noticeable intonation problems is not unique to CA - the first Tacoma Papooses that hit the market had the saddle slot too far forward, with the intonation problems you'd expect, and even the worthiest of guitar companies, C.F. Martin & Co., made some guitars with bridge slots that got routed in the wrong spot during the early 1970's.
The difference is that Tacoma Guitars and Martin Guitars corrected the problem once they were made aware of it, and that doesn't appear to be the case with the Composite Acoustic company. It might well have been that, as a company, CA wasn't profitable yet, and that the cost of correcting the problem would have been more expensive to fix than they could afford. I've got no idea of exactly what the tooling costs would be to make major changes in a carbon fiber instrument design, but what experience I do have with guitar factories indicates that any tooling change at a commercial production level is extremely expensive. And maybe when the material being used is carbon fiber rather than wood, the tooling costs are that much more expensive still... So to me it seems likely that the company was unresponsive to making the needed changes because they were having enough trouble as it was making payroll and keeping the power turned on... Just a guess, but an educated guess. Wade Hampton Miller |
#21
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This is the first I've ever heard of intonation problems with CA. Has it been your experience that they've suffered from such a problem?
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gits: good and plenty chops: snickers |
#22
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Quote:
The main point I'm trying to get across is that making changes to the tooling in a factory setting is extremely expensive. We already know that CA didn't make it as a profitable business, since they shut down their factory and went dark. So it's my reasoned guess that, even though they were made aware of the problems with these instruments by knowledgeable folks like Larry Pattis and others, the company lacked the financial resources to correct them. Just a guess, but it does make sense given the circumstances. Wade Hampton Miller |
#23
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Quote:
The infamous issue with CA is that the saddle can only be lowered so far. Players seeking a low action may have to bring the saddle down lower than they feel comfortable with. Personally, I found the neck angle fine. I found the string height from the top fine. I found the tone and playability fine. I found the intonation fine. But, I do think their bridge design can cause the infamous low-saddle issue if one wants low action. It'll be interesting to see what they actually change in production.
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gits: good and plenty chops: snickers |
#24
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Okay, Übernoober, I'm guilty of a superficial reading of the posts in this thread.
My main points stand: sometimes guitars leave guitar factories with some major problems, and correcting those problems in a production setting can be quite expensive. There's really no disputing either of those assertions. Now, the conclusion I've drawn - that CA was having financial difficulties and couldn't afford to correct the problems that people besides Larry Pattis have found - is speculative. As I already stated in both of my posts in this thread before, it's a guess, but an educated guess. Personally, I think it's likely. But we're probably never going to find out for certain one way or the other. Hope that makes more sense. Wade Hampton Miller |
#25
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I appreciate your insights, Wade. I do like the guitars, and I find such speculation to be less than helpful to current owners.
FWIW, there have been many threads on this issue, and it was sometimes heated. From my understanding, it would have been fairly easy to change the neck angle if CA wanted to. Now that someone else is making the calls, it'll be interesting to see what changes.
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gits: good and plenty chops: snickers |
#26
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I think the issues Larry was having was with the Cargo which really was their least expensive travel guitar. I have one of their top of the line Legacies and the neck angle was perfect, I have lowered the action on the saddle to 4/64's on the Low E and still had 1/8 inch on the saddle. Neck relief was .007. I just don't think they had issues with all their guitars. But I can only judge by what I have played.
Steve
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom |
#27
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Quote:
I have both an OX and a Cargo. I like a very low action for fingerstyle. I'd say that I had to bring my saddle down for both models a bit lower than I would have to for wood guitars. One could argue that it's less of an issue with the Cargo since the scale is so short. It's easy to tolerate a slightly higher action if that's the way you want to leave it. One could also argue that traditional saddle-height metrics don't necessarily apply to carbon fiber tops. Anyway, on with the speculation!
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gits: good and plenty chops: snickers |
#28
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Of course there have been many reports here about how terrible the neck angle can be on brand new Martins and Taylors too. I just would have hoped that building a guitar with completely synthetic raw materials would lead to a more reproducible product. Clearly the CA manufacturing process was not exactly Six Sigma. |
#29
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Ah, here we go!
The OP's rumor implies that Peavey is making design changes, not QA changes. So current owners apparently suffer with both poor quality and poor designs. Hmm, I'm starting to think I should throw away my pre-Peavey CA, and I haven't even seen the new ones yet.
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gits: good and plenty chops: snickers |
#30
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Quote:
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