#16
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When I think blues I think of BB King and Lucille. I believe it was a Gibson ES 335
But I am a strat fan, so that would also be at the top of my list.
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David Webber Round-Body Furch D32-LM MJ Franks Lagacy OM Rainsong H-WS1000N2T Stonebridge OM33-SR DB Stonebridge D22-SRA Tacoma Papoose Voyage Air VAD-2 1980 Fender Strat A few Partscaster Strats MIC 60s Classic Vib Strat |
#17
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When I think of blues I think Strat and Les Paul. It's great to get the diversity of tones from those two guitars and from the heros that play them.
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#18
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no one guitar-tele, strat, 335, les paul, es125, and es5, just to name the ones that popped out
play music!
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2014 Martin 00015M 2009 Martin 0015M 2008 Martin HD28 2007 Martin 000-18GE 2006 Taylor 712 2006 Fender Parlor GDP100 1978 Fender F65 1968 Gibson B25-12N Various Electrics |
#19
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The beauty of blues is that you can play it on almost anything. My current favorite is a Taylor T3. Next week it might be a strat or a Gretsch. Maybe acoustic next month. It is about emotion and feel, not the guitar.
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#20
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Albert King and his Flying V.
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rubber Chicken Plastic lobster Jiminy Cricket. |
#21
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Probably a stratocaster, but bluegrass is sort of uniquely tied to specific instrumentation; not only is the traditional line up bass, guitar, mandolin, banjo and fiddle (and ocasionally dobro) pretty much set, those are often the only instruments "allowed." To take it a step further, not just any instrument will do, Kay basses, Martin dreads (especially D-28), Gibson F-5 mandolins, and Gibson banjos are THE tone everyone playing those instruments is chasing.
Blues, and indeed most musical genres, allow for a greater range of acceptable tones. Part of what annoys me about bluegrass (and I play a lot of it), is that it almost becomes musical cosplay. I enjoy stepping into other genres where a wider tonal palette is not just acceptable, but expected. |
#22
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Quote:
play music!
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2014 Martin 00015M 2009 Martin 0015M 2008 Martin HD28 2007 Martin 000-18GE 2006 Taylor 712 2006 Fender Parlor GDP100 1978 Fender F65 1968 Gibson B25-12N Various Electrics |
#23
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Lonnie Johnson played a Kay semi-acoustic for the last decade or so. My blues special is a 1962 Gibson Melody Maker. I'm in that camp that says if you play blues on it, it's a blues guitar. They all sound great!
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Brian Evans Around 15 archtops, electrics, resonators, a lap steel, a uke, a mandolin, some I made, some I bought, some kinda showed up and wouldn't leave. Tatamagouche Nova Scotia. |
#24
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The ES 335 is the quintessential blues guitar for me, followed by the Les Paul and Strat tied for second.
I've never thought of the Tele as being much of a blues guitar. It seems almost fashionable these days to talk about the "versatility" of the Tele...but I think the Strat is a much more versatile guitar. I own, and like, both....but the Tele for blues is a square peg in a round hole. Just my opinion, with which many would disagree. |
#25
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I believe that any guitar that is in good operating order (good setup, strings, and pickups) is fine for the blues. It has more to do with the person playing the guitar than the guitar itself. I would sound mediocre playing the blues on any guitar, but any great guitarist will still sound great no matter what brand guitar he plays.
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#26
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Quote:
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"To walk in the wonder, to live in the song" "The moment between the silence and the song" |
#27
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Quote:
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I only play technologically cutting edge instruments. Parker Flys and National Resonators |
#28
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I understand that pretty much any guitar can play the blues. I also realize that it's more player than guitar. This isn't a "which guitar is best for" thread. I was simply wondering what you picture in your mind when you think of the blues?
Todd
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https://www.mcmakinmusic.com |
#29
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Something hollow, preferably bought from a pawn shop in Memphis. Harmony, Stella, Silvertone or Guild, Fender or Gibson at a push. Definitely not a Parker Fly or a PRS or anything overly pointy (unless you're T-Model Ford).
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"I used to think I was an artist. Come to find out I'm a beer salesman" - James McMurtry Hear some footstomping acoustic blues at pistolpetewearn.co.uk! |
#30
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I like but don't love the sound of the typical blues Strat. (Although I must admit I really like Robert Cray's clean hard tail Strat sound.)
But the most beautiful blues guitar sound to me is what Sean Costello got out of his '53 Les Paul on the "Moaning for Molasses" album. That is pure bliss to my ears.
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Martin D-15M Martin LX1R Les Paul Standard Epiphone Dot |