#16
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Those are both much better, Barry. When it comes to mixing and editing, it probably helps to follow the medical oath - "first, do no harm" :-) Maybe the recording equivalent would be "don't touch those dials". A stereo recording of a nice tune with a good-sounding guitar in a decent acoustic space should sound quite good with no extra processing. Especially if you're not mixing/mastering over good speakers in a good acoustic space, it's really easy to do more harm than good.
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Music: Spotify, Bandcamp Videos: You Tube Channel Books: Hymns for Fingerstyle Guitar (std tuning), Christmas Carols for Fingerstyle Guitar (std tuning), A DADGAD Christmas, Alternate Tunings book Online Course: Alternate Tunings for Fingerstyle Guitar |
#17
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Quote:
And a thank you to everyone else that helped out.
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Barry Youtube! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#18
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I have a guitar with thin, harsh highs and what helped was to use a fatter gauge of string, say mediums when the wound strings are lights.
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#19
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Latest versions much better.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#20
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#21
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Quote:
Thanks Derek and Eric!
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Barry Youtube! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |