#136
|
||||
|
||||
Quote:
sm |
#137
|
|||
|
|||
Ian Anderson (of Jethro Tull), frequently uses a capo for his more acoustic-flavoured songs which, along with his strumming and picking notes within chords technique, gives them a unique signature tonality. The chap in the attached video makes a pretty good fist of a Tull tune that could easily be transposed but crucially wouldn't sound the same, despite the transposed chords being made up of the same notes, albeit in a different shape:
https://www.youtube.com/watch?v=uKnEZ9qotUg And the man himself: https://www.youtube.com/watch?v=HlE2DjOX2FE Last edited by AndrewG; 01-16-2019 at 05:28 AM. |
#138
|
|||
|
|||
Some tunes just sound better higher. Or, as Ed Gerhard explains around 8 mins into this video, they sound better with a capo AFTER tuning down a semitone (just to really confuse you!).
https://youtu.be/eYxdTh25bEg
__________________
"Discovery is as much a productive activity as creation." - David Friedman |
#139
|
|||
|
|||
Quote:
While some acoustic guitarists are trying real hard to a avoid bar chords because bar chords tend to mute the tone, sustain suffers, and the open note generally just rings so nicely. So more often than not, it is a matter of tone preference. If you don't know why to use a capo, you probably don't know how to use it.
__________________
Playing acoustic music in South Bohemia, Czech Rep. Furch G24SF Furch D31SR Furch Om22CM Sire Marcus Miller M7 Bass |
#140
|
|||
|
|||
I believe this ends the debate.
__________________
Some Acoustic Videos |
#141
|
|||
|
|||
Quote:
As far as why I use a capo, many of these fine posts already answer that question. Best, Jayne Last edited by jaymarsch; 01-16-2019 at 09:27 AM. Reason: Added content |
#142
|
|||
|
|||
Quote:
|
#143
|
|||
|
|||
Always curious why old threads get resurrected. Seems like the topic has been beaten to death.
|
#144
|
|||
|
|||
Quote:
Join Date: Nov 2018 Posts: 7
__________________
Bob https://on.soundcloud.com/ZaWP https://youtube.com/channel/UCqodryotxsHRaT5OfYy8Bdg |
#145
|
|||
|
|||
Quote:
Ya pays yer money and ya takes yer chances... |
#146
|
|||
|
|||
Quote:
You can move like lightning with all kinds of nuance if you capo up high. It sounds like a mandolin with bass. |
#147
|
|||
|
|||
Quote:
There's always some stinker at a jam session who didn't bring a capo. No problem, I carry two capos in most of my cases, and am happy to loan one out to the dude who insists that Les Paul never had to use a capo. My way of reminding him that he's no Les Paul.
__________________
1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. Last edited by bufflehead; 01-16-2019 at 11:03 AM. |
#148
|
|||
|
|||
Quote:
|
#149
|
|||
|
|||
Why use a capo ?
I can't spell or play bar chords !
__________________
12 Fret Tinker Dread 12 Fret EJ Henderson Dread 12 Fret Hotrod Tricone 13 Fret Charis SJ Martin D-41 Halcyon 12 Fret 000 A&L Ami McIlroy A30c Taylor 610 LTD Martin DCPA1 Seagull Original Gretsch White Falcon Epi LP 60's Tribute Plus (Ebony) Epi LP 60's Tribute Plus (HC Burst) Epi Swingster Royale Gibson LP Trad Pro II Godin Exit 22 |
#150
|
|||
|
|||
Quote:
|