#16
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Hank Snow had a leather covered Martin, some claim that his was the inspiration for Elvis. Very likely as they were associated somehow through the Colonel, in Elvis early days. Very strange choice for Snow who really could play, indeed developed a unique style which influenced a lot of players. I don't think I ever saw anyone playing with a cover, it defies common sense to pay the price for a fine Martin and cover it with leather. But, some did at least for a while. And when I did see Snow he was playing a D-45 and he certainly didn't have a cover on it.
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#17
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Quote:
-Mike |
#18
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Quote:
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John |
#19
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Suits you sir. Can't think of anyone more fitting to be playing it.
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#20
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Even though I have done a fair amount of tooled leather myself, I can't think of a more gaudy and or useless thing, to put on a guitar but I suppose it's on par with Nudi suits YMMV .
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 |
#21
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Quote:
I liked the look and thought it was classy back then.
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Happiness Is A New Set Of Strings L-20A |
#22
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whilst I tend to agree with Kevwind,
British luthier Alister Atkin makes these guitars - the image is hand painted on :
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#23
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If you listen to those old youtube videos of early country and rock singers, you almost never hear the lead singer's guitar, you hear the amplified rhythm players. And nuance was never a big part of those recordings anyway.
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2003 Martin OM-42, K&K's 1932 National Style O, K&K's 1930 National Style 1 tricone Square-neck 1951 Rickenbacker Panda lap steel 2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's 1957 Kay K-27 X-braced jumbo, K&K's 1967 Gretsch 6120 Chet Atkins Nashville 2014 Gold Tone WL-250, Whyte Lade banjo 2024 Mahogany Weissenborn, Jack Stepick Ear Trumpet Labs Edwina Tonedexter |
#24
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Thank, you. As you know, that guitar and others of the era motivated me to begin a journey that resulted in my book about WWII Gibsons. Along the way, I got to inspect Buddy's guitar and interview the fellow who accompanied Buddy to the leather shop in Lubbock, Texas, where Buddy both the material from which he built that cover.
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John |
#25
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Woah! That's awesome! Does that guitar belong to you? It really sparked my interest, enough for me to continue to be thinking about it over a year after seeing it in person. Did you go to the display at the Met? I got to see Frankenstein too, I couldn't stop oogling over everything. Elvis' Martin was there along with Wanda Jackson's guitar. How does it sound?
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-Daniel Last edited by BillyMays; 09-10-2020 at 03:45 PM. |
#26
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I think I like Wanda Jackson’s guitar the best out of all these instruments....
Ever listen to any of her recordings? She was a real spitfire. whm |
#27
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The queen of Rockabilly, why yes I have. It was awesome to see her guitar.
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-Daniel |