#16
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My (much) older brother doesn’t frequent this forum, so his opinion on it doesn’t exist, but when he pulls off a note for note duplication of “Pancho and Lefty” by Townes Van Zandt on the cheapest, no name steel string guitar that’s never seen a set up, I’m alerted to the idea there may be many more like him in the world - but what I do know, more than anything, he loves to have a larger number (of money) in the bank.
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#17
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Why is this? We're beyond the Winter Equinox and warmer times are expected? "April is the cruelest month.." and all that? AGF seems on a cosmic bent. If someone asked the meaning of life, the thread would get busted for being off topic. But it's getting darn close. |
#18
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I can’t say that I agree with your overall opinion. I’ve had some very impressive Taylor guitars including an 08 Fall Ltd Koa GS which was hands down the best Taylor I’ve ever played and it’s not in the same league as my Bourgeois Slope D Banjo Killer adi/hog custom. Yes, there are some fantastic lower priced guitars out there, but there are some monster ones up the food chain a little ways. Be happy with what you’re able to own is what I’d say. I thought I’d cure gas with my Bourgeois and D41, but a Preston Thompson dread kept calling my name. Then I had the opportunity to play a rosewood and a mahogany model owned by my friend and I wasn’t blown away by either and prefer my guitars over both of them, so I’m satisfied. This is my final opinion, WHATEVER you’re able to afford and acquire, be content with it and play it to your absolute best.
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Education is important! Guitar is importanter!! 2019 Bourgeois “Banjo Killer” Aged Tone Vintage Deluxe D 2018 Martin D41 Ambertone (2018 Reimagined) 2016 Taylor GS Mini Koa ES2 |
#19
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As for me, I’m definitely a happy little gearhead when it comes to what makes acoustic instruments work the ways that they do. Yes, the woods that get used have an impact on how they sound, and - yes - the body designs have an even bigger impact on that sound, as well. That’s a source of endless fascination for me, even though I know full well that it’s not equally fascinating to everyone, not even my fellow guitarists. But there’s ENOUGH interest on this forum that those who are interested can read the comments, then respond and - if need be - disagree, rebut and point out where we’re dead wrong. It’s the give and take on this forum that I especially enjoy, and I learn stuff on here all the time. So while it’s unrealistic to expect that everyone that participates here (or reads the posts without posting themselves) will be equally interested in every single topic that comes up, everyone has the opportunity to delve as deeply as they like. Or not. Everyone has a choice. My point is that when some of us get off on a tangent about exotic tonewoods or high dollar custom guitars, that is NOT intended as any sort of put down of other guitars at any price point. All it means is that THAT thread happens to be about some obscure stuff that isn’t going to interest all or even most of us on here. Remember, no one is putting a gun to anyone else’s head and making them read these threads. If it doesn’t interest you, skip it. And if somebody decides to act like a jerk, all it means is that THAT guy is being a jerk. It doesn’t mean that all the rest of us silently agree with the guy. On the contrary, most of us are probably rolling our eyes and thinking “Jeez, what a tool.... So everyone here is free to dip their toes into the pool as deeply or tentatively as they want. The Acoustic Guitar Forum is a terrific resource, and you can get as much or as little from it as you want. Hope that makes sense. Wade Hampton Miller |
#20
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Yes, the player matters more than the guitar. But there is more to it than just that. It was mentioned that how comfortable you are playing a guitar is important - in general, the more comfortable you are with a guitar, the better you will play. I agree with that. In my case if a guitar's neck is too thin, or too narrow, I don't find it comfortable to play, and I end up feeling like I'm fighting the guitar. Unfortunately, nowadays, most cheaper guitars have thin necks. Also, if I don't like a guitar's sound, I'm not going to want to play it, and it will just gather dust.
For me, there is another, limiting factor, that prevents me from buying cheap guitars - I have a severe allergy to nickel. Since almost all guitars have nickel alloy frets, even playing a guitar for a limited amount of time, means that I run the risk of dermatitis breaking out on my body, due to my immune system going bonkers (most people with nickel allergies, only get dermatitis where they touch the nickel - me, I get it on my entire body). So, I'm forced to get my guitars re-fretted with hypoallergenic fret wire (Jescar EVO Gold). It's not cheap (I do not have the expertise to do it myself, nor the time to learn how to do it) - it costs me anywhere from $300-$450 a guitar to have a re-fret job done. With that cost in mind, I really cannot economically justify, spending as much or more on a re-fret job, than a guitar cost me to buy. Using the 50 percent rule we use in industry (it it costs more than 50 percent of the price of a new item, to repair it, it's not worth doing doing so), I basically ignore buying any guitar, that costs less than $700 (unless its price has been seriously discounted, as was the case with my Breedlove Pursuit Exotic Concertina). In short, my days of "cheap thrills" guitars are over with. Oh yeah, and considering the cost of re-fretting, I could put myself in the poor house, from flipping guitars, so I think long and hard (along with trying them out if possible) before I buy guitars nowadays, to increase my probability of hanging onto them. Without going on ad nauseum, about how different woods, and construction, make guitars sound different (there is no one truly generic "guitar sound" IMO) - in short, yeah, it really does matter what guitar I have. Last edited by EllenGtrGrl; 01-21-2020 at 05:34 AM. |
#21
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I’m far from being a really good player...still more or less a beginner, but I’ve pretty much always had good guitars, mostly Martins & Taylors. I tried a cheap Yamaha dreadnought for about a week a while back to see if I could do it...and wound up giving it to my girlfriends son who wanted to learn to play. I couldn’t wait to get another higher end guitar. I don’t think that makes me a snob...but I do greatly prefer playing a high quality instrument. It encourages me to practice and I appreciate the beauty of the wood and the craftsmanship.
That said...I am dreaming of a particular Collings that I cannot justify, because it simply sounds like angels singing. |
#22
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I think most of us would agree that both the instrument and the player matter in making music, and the quality of that music. As has been stated or eluded to already, AGF is a place for folks interested in guitars to learn, teach, discuss, ask questions, and so forth. Participants range from people who just acquired their 1st guitar today, to others who are long-time professional players, luthiers, etc. - I would posit that each of us individually determines if we focus more or less on playing or the instrument, and the AGF has folks who happily respond to the most basic of guitar questions to those about the molecular structure of a certain tonewood. THANKS to everyone! Most of all, have FUN playing and learning about guitars!
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#23
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I’ve been out of the loop for about 20 yrs and find that things aren’t the same as before. Among other things, my rare 1976 Model 755 Jumbo Taylor 12, strung 6, that I used throughout the Late 80s /90s is now exacerbating my old shoulder injury. I’m a tennis player and coach and I very much need the use of my shoulder. So, I went and tried out a heap of different smaller and thinner bodied guitars at all price points…. Although I also own several other guitars, this Taylor plays just perfectly for me. I LOVE the neck and it feels like it was designed just for me. Furthermore, the tone is simply amazing and it completely blew away ALL the guitars I played (and I played many at ALL price points) play-wise and tone-wise. I even compared other Jumbos including a few Gibson J200s. This evening, I experimented with different strap lengths. I discovered that if I lowered the guitar sort of Joey Ramone style, I could set rest my elbow on the indent of the guitar and play/strum at around the 16th 17th fret. I may have to have my luthier place something on there to avoid wearing it away, but that’s the easy part… It currently has an old Fishman Matrix UST, but I’ll be replacing it with a dual source system that will additionally capture the beautiful acoustic voice of the guitar (MORE RESEARCH!!!). I may look somewhat different than what people are accustomed to seeing and this guitar may be bigger and heavier than other guitars, but the ease in which I play it and the inspiration I get from the tone that strikes my eardrums, I believe, will trigger other things in my mind and body. All these things combined I’m certain will make be perform better with less effort. THE GUITAR DOES MATTER!!! Hoping this all makes sense. |
#24
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The beauty of this hobby is that you don't have to justify it. Its our hobby, we buy what we can afford, whether we "deserve" it or not
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Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#25
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I confess I am a guitar gawking gear head. But I also enjoy my less expensive guitars as much as my more expensive. But I have had a good set up done. Regardless I do think there is a point where a guitar is no fun to play, regardless of its value.
Regardless, I have learned so much here,and enjoyed exchanging stories. Thanks all you AGF people! |
#26
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On the other hand, what a guitar is made of can have considerable influence on how the instrument sounds. So, as long as we're talking about instruments that play well and sound good to the owner/player, you are correct. Many, have toured with $300 Takamines and Epiphones and made great music. Conversely, there are many here that love and appreciate what goes into the design and making of a world-class instrument. The artistry, the woods, the sound and tone that emanate from a truly magnificent instrument is in itself a pleasure to behold. I don't own a McClaren car but I appreciate all that it is. It doesn't make someone's Kia or VW less but it is in a completely different class than a commuter econo-box. So, if an expensive guitar isn't for you that's fine but it doesn't mean that those to whom the highest build quality and woods matters shouldn't discuss them here since this is an all-inclusive Acoustic Guitar Forum. |
#27
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But sometimes, the difference is between (to really stretch the metaphor) a cordless drill, a drill press, and a Dremel. They'll all make holes, but they can each do things the others can't. Guitars can be that way too. |
#28
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There’s a bit o truth in what Tony’s saying if I get his point. Makes me think a lot of the great old time Blues players that played on whatever they could get there hands on. Many of the great old recordings were made on less than stellar guitars-but the players honed out some soulful licks and songs on em. One of my favorite guitars is an old 1968’ Yamaha FG110 -Repaired broken neck and all. I got it set up sweet and keep it handy. Not sure why, but when I pick it up and start picking around on it- I seem to get inspired and write most my songs on that old Yamaha! I’ll then pick up one of my Cadillac’s to Record the song.
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Sage Runner |
#29
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🙉
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#30
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It matters to me what guitar I have. It doesn't matter to me what guitar you have. That's the beauty of free-will. You buy what you like/want and I buy what I want and everyone's happy.
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