#16
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yeah, same one I was looking at. This is pretty old, so who knows. His newer videos show a small setup with his midi keyboards, some foam treatment, etc, just looks like his music room to me. Of course a lot of his videos also are simulated, as he's playing beside a castle, in a field, in the rain :-) and so on, but this one seems to be a real performance.
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Music: Spotify, Bandcamp Videos: You Tube Channel Books: Hymns for Fingerstyle Guitar (std tuning), Christmas Carols for Fingerstyle Guitar (std tuning), A DADGAD Christmas, Alternate Tunings book Online Course: Alternate Tunings for Fingerstyle Guitar |
#17
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As far as reverb plugins go, I prefer convolution reverbs over algorithmic reverbs.
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#18
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#19
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For ones that don't, simply use the reverb plugin in an AUX stereo track and place a separate stereo eq plugin in front of the reverb plugin in that stereo AUX track (or place it after the reverb plugin in the stereo AUX track). Send the original guitar tracks through the AUX and fold back into the master bus. Mix to taste. Easy peasy. Last edited by sdelsolray; 04-20-2019 at 09:10 PM. |
#20
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#21
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I'm sure there are lots of tutorials on using multi-track and sends in audition, I'd poke around. I haven't uses Audition for mixing in ages, so I'm not up on exactly how to do it, but it looks pretty straightforward with a quick look. BTW, I notice that Audition has a convolution reverb built-in, that can load impulses from any of the free libraries.
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Music: Spotify, Bandcamp Videos: You Tube Channel Books: Hymns for Fingerstyle Guitar (std tuning), Christmas Carols for Fingerstyle Guitar (std tuning), A DADGAD Christmas, Alternate Tunings book Online Course: Alternate Tunings for Fingerstyle Guitar |
#22
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For now I'll use the keep it simple method of recording and eq'ing, but I'll read up on this, thanks.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#23
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IMNSHO of course. |
#24
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First what I an others have been suggesting is generically called a "parallel reverb" effect ... basically means setting the reverb up on a separate track/channel from the actual audio track with the instrument (like your guitar track) ...Different Daws have different names (Aux track , Bus track etc.) but they all do the same thing I do not use Audacity or Audition BUT if as per Doug you can set up a send to another track with the reverb on it, then you can set up an EQ as well and roll of the lows and perhaps slightly dip the mids if you wish I believe the only way to do it in Audacity, is to duplicate the audio track put the plug ins on that duplicate track , then lower the dup tracks level to get the amount of effect you want blended with the unprocessed original track going to the main outs. Barry you appear to be very interested in moving forward in both your recording and mixing, which is really and admirable trait and goal. If I were in your shoes , I would seriously consider moving on to a more full feature DAW. Because in the long run it will in fact make where you appear to want to journey less complicated. Just something to consider .
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 Last edited by KevWind; 04-21-2019 at 08:38 AM. |
#25
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Hope it helps. |
#26
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Keep in mind the reverb needs to suit the music it is applied to. For this dense, lengthy reverb to work well you need more or less this type
and tempo of music, likely this type of tuning and even likely this type of basic guitar tone that was there prior to adding reverb. In other words YMMV considerably with the exact same reverb.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#27
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What Doug described has nothing to do with changing how you record. He's describing how to process your track AFTER recording. You'd be doing yourself a favor by jumping all over the advice he gave you.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#28
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I added Old Skool reverb to the Wake cover in my signature. It sounds pretty decent on my speakers. I'd like to get a little more on the trebles. I'll keep at it.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: Last edited by TBman; 04-21-2019 at 01:36 PM. |
#29
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The workflow being suggested is very simple once you do it a time or two. You create an aux track and route your guitar track to the aux track. Then you put the reverb on the aux track, set it to 100 wet, then use the aux fader to adjust the amount of reverb you want. Doing it that way will be a significant improvement to what you're doing now. You'll be able to maintain the attack/transients of original track and still give the piece some big hall distance with reverb on the aux track without losing all the focus and winding up with either a muddiness or a smaller feel than you wanted.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#30
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I was just making a video demo to show Barry how to set this up, but now that I know he's got an ancient version, it's less useful. But I'll post it shortly, in case it clarifies what everyone is talking about. The issue I always see with online demos is that they're too complicated and don't focus on solo guitar like Barry is doing.
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Music: Spotify, Bandcamp Videos: You Tube Channel Books: Hymns for Fingerstyle Guitar (std tuning), Christmas Carols for Fingerstyle Guitar (std tuning), A DADGAD Christmas, Alternate Tunings book Online Course: Alternate Tunings for Fingerstyle Guitar |