#1
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Adding effects to electric guitar?
I realize this has been discussed before, but when it comes to adding effects to electric guitar (we'll say rhythm and lead), do you usually send a dry signal then add desired effects, or do you go ahead and use pedals and make it sound like you want it to, then record the wet signal?
I could see how adding effects later would give you more control? However, sometimes the nuance of how you play, how long that note rings for, etc. are determined by the effect (reverb, compression, delay can all effect this and how the note(s) is/are related). So, what do you guys prefer?
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https://www.mcmakinmusic.com |
#2
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I go both ways.
Some effects can affect one's performance, or are so noticeable that they become part and parcel of the arrangement. I find many time-based effects (flanging, tremelo, vibrato, chorus, delay) or things like wah to fit that description. Other effects such as EQ, reverb, compression seem to work better when I can control them with more precision and when listening to other elements of a mix. I always track with a little monitor-only reverb!
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#3
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If the effect elicits an interaction, such as a long delay or shimmer reverb, I track with it.
If the effect is to be a general ambience, I'll track dry and put some reverb in the headphones or monitors, if need be. If I am producing the song/record and playing the part, I may track wet because I probably know best what sound I am going for. I guess that adds up to "It depends." Check my sig. Bob
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"It is said, 'Go not to the elves for counsel for they will say both no and yes.' " Frodo Baggins to Gildor Inglorion, The Fellowship of the Ring THE MUSICIAN'S ROOM (my website) |
#4
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I generally try to capture the sound I want from the start. That said, if I’m not sure what I’m after, or if it’s a Production that might require changes later, I’ll split the guitar signal & get both an effected & non-effected version into Pro Tools.
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-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#5
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Me it depends on if I am mic-ing my guitar amp cabinets OR if I am plugging into the DI on my Interface I do both depending on my mood at the time
For mic-ing I use my pedal board and all the FX's are in the signal chain before it hits the DAW and the only thing I might use in the mix stage , is a high pass EQ plug in, and possibly a compressor plug in If direct input,,, I record dry and add the FX at mixing
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 |