#16
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All-mahogany interests me... But I'd take spruce... Wish me luck!
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1978 Yamaha FG-331 2020 Recording King ROS-09-TS 2007 Alvarez RF20SM 1936 Supertone 233 "Hawaiian Belle" 1930s Harmony Mandolin Instagram: new_york_albertan |
#17
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Don't know if it's considered a parlor guitar, but you should consider the re-voiced Taylor 812ce with Thomastik-Infeld Plectrum 11-50 strings on it. This package has a really sweet tone, full, warm and creamy, low-tension, short-scale, tones of sustain, good volume and amazing clarity. All in a small, extremely comfortable light body, plus its gorgeous!... Ok I am a little bias :-)
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1965 Guild F30 2012 Guild D55 2017 Guild F55e burst 2015 Gibson Sheryl Crow Southern Jumbo 2017 Gibson SJ200 burst 2015 Taylor 214 DLX 2009 Fender Stratocaster 2015 Epi Les Paul Traditional |
#18
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I don't play dreds, but I have a 0000 and an OM that I very much enjoy. I just took a chance on a little Art&Lutherie Roadhouse Parlor, and I have to say I am enjoying the playing of it very much. Mostly, I bought it because I need something to do at my job when I am sitting in my pickup doing babysitting duty for (possibly) hours at a time, and I think it actually delivers.
Is it a little boxy? Yep, but only a little. The sustain surprised me, as did the fact that it sounds like a real guitar. I guess I just didn't have real high expectations for less than $500. And with the really short scale and low string tension, it is just fun to play! The strings are definitely closer together than I am used to, but I am taking that as a personal challenge. It definitely doesn't sound like my bigger guitars do, but it sounds good. If you're looking for a niche guitar that is different than everything else you have, I highly recommend you get out and try some, and bring something else for comparison while you're at it! |
#19
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#20
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adding to my comment on E10P.... I'm on my 4th weekly string change (experiment)... DR's, Pyramid's, D'Addarios, JP's etc... and IMHO, string choice makes or breaks the tonal quality and volume on my parlor. Currently the Pyramid Folk Round Core set is the winner for my tastes
Still have Curt Magnum and Spectrums to try.
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---------------------- 1950 Martin 00-17 Eastman E10P Martin D41 Natural Fender Classical 140S Parker electric (in the closet) |
#21
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I got my Fender Paramount PM-2 all-mahogany parlor 12-fretter after playing everything I could find in a half dozen guitar places. That included places with top end instruments as well as three different GC stores.
The reason for the search for a parlor was that my only guitar was my old in-need-of-some-work D18, and that I wanted a guitar as different from that rich boomy dread as I could get. So I ended up wanting a parlor, mahogany, and went play-shopping. Once into it I realized I could get what I wanted for under $600, new. It boiled down to a choice between the PM-2 Fender and the AVN2OPN Ibanez. This, after playing guitars at prices way up over three grand. I got the PM-2 for $420 delivered because it was "opened box but new" status and came with a very nice Fender hardshell case. The AVN2OPN would have cost me $499 at the time and did not have a case. Ibanez has discontinued the AVN2OPN which is a shame, but if you go online you can find some sellers with them. The PM-2 is doodled up a little prettier than the AVN2OPN, and it has a pickguard. Plus, its body depth is 4.25 at bottom end versus 5 for the Ibanez, making it a little easier as a couch instrument. If I want to couch real cozy I just play my little Luna pineapple uke. Best of luck in your search.
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______________________________________ Naples, FL 1972 Martin D18 (Kimsified, so there!) Alvarez Yairi PYM70 Yamaha LS-TA with sunburst finish Republic parlor resonator Too many ukeleles |
#22
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I can attest that "silk and steel" low tension type strings paired with this small bodied guitar is a match made in heaven. And from what I've read elsewhere, it seems to be a common theme.
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1965 Guild F30 2012 Guild D55 2017 Guild F55e burst 2015 Gibson Sheryl Crow Southern Jumbo 2017 Gibson SJ200 burst 2015 Taylor 214 DLX 2009 Fender Stratocaster 2015 Epi Les Paul Traditional |
#23
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Thanks guys.I think my brain exploded.....but a parlor is in my future....I just need to decide for big un or a baby one.
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"234" "In The Wind" |
#24
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For giggles, here's the all laminate size 0 I recently got...I think it sounds...like it should, if that makes sense
(I posted this in showcase a while back, so if you've seen it, disregard) |
#25
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Just to confuse you more, I have been intrigued by this website featuring vintage parlors:
http://vintageparlorguitars.com/ |
#26
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I have a matched pair of Ponos, an OP 30 and an OP12-30, which is really pretty cool to have.
I found in my shopping that the smaller the guitar, the better it has to be to sound good. Nothing sounded good below the Pono/ Eastman level, and they don't approach outstanding until you find a vintage Martin or a baby Collings or a SCGC Firefly or some such boutique parlor. I find rosewood to be too lush on larger guitars but perfect for parlors. The Ponos fit a slot in my collection for nice to have but not used enough to have three grand tied up in them. Oddly to me both Ponos are great country blues guitars, but far too pretty for any kind of stage cred LOL. They are very comfortable and the 12 fret design has them sounding bigger than they are. Still, they have some boxiness to them, not using the term as derogatory.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#27
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I have one too. Every now and then when I go to a music store, I pick up a D28 or D18 and think I have to have it. But, I go home, pick up my 0-18 and it just kills the GAS. First, it's so comfortable to play sitting in a big stuffed chair as I do mostly nowadays. Second, it sounds very nice and I find my self doing things that I just don't do on my other guitars. Some of it is size, but it has a nice even tone. Sounds good flat- or finger-picked. It records surprisingly well, with a nice bass. Someday, I'm going to find a 0-28 or 00-28 to try to see how rosewood back and sides sounds. But for now, I am plenty happy with the 0-18. I sold by dreads -- including a D28 and Gibson J45 TV -- because they were too big for my purposes. I have a really nice sounding OM28. But since I got the 0-18, it doesn't get played nearly as much. That's mostly because the 0-18 is so comfortable to play. For folks who want to spend a bit less, I think the 0-15s are a good bet. I had an 00-15M that I liked a lot, but I like the 0-18 better. |
#28
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All my acoustics are in the "small-bodied" realm. They are also all 12-fret to body. The flamenco are non-cutaway, the steel-strings are cutaway models.
Culpepper Flamenco Negra - standard classical shape (bit shallower), so is close to parlor size. Cordoba Solista Flamenca - same as above Taylor 322ce 12-fret - GC body. Again, very close to size of classical. Rainsong CH Parlor - true parlor size instrument. This is my newest acquisition and loving it so far. Chose the parlor size for space restrictions in the car when camping otherwise might have looked at the "Shorty" model which is essentially same size as my Taylor. The carbon fiber definitely allows this Parlor to "punch above its weight" for volume/projection, but it still won't keep up with a dread or jumbo. I am also primarily a fingerstyle player, although both my steel strings can handle a decent strum too, especially if you have a lighter touch with the pick (which I do). For my style, the balance and tone from the smaller bodied guitar makes them a winner. I also tend towards shorter scales (both my steel strings are 24.9"). Later Rob |
#29
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I couldn’t agree more! To the OP, if you buy an affordable factory guitar and wind up getting bit by the Parlor bug because of the size but still are dissatisfied with the sound, you owe it to yourself to save up some pennies for a nice hand-built instrument when you upgrade to your second pint-sized squeeze. My first parlor was my first acoustic guitar ever, a mid-60s Gibson B-15, an all-mahogany short-scale cutie I picked up for a song at a Sacramento pawnshop in 1981. It was easy to play, but wasn’t terribly expressive and offered a limited range of sounds. My next foray into the Parlor Zone came in the form of a brand new Sitka/koa Larrivée, I purchased sight unseen online in 2003. Fit and finish left a bit to be desired, but playability was very good, thanks to the comfy neck and 24” scale. The guitar felt overbuilt and sounded boxy when new and never opened up in any significant way during the ten years she spent in the stable. Great for travel, though, if you’re looking for portability. In 2013, I got one of Mike Baranik’s Retreux Parlors and haven’t looked back! While it will never have the deep bass response of a larger instrument, it dishes out an abundance of heavenly sounds it an ultra-comfortable package. For my purposes, it could easily by my only acoustic. It’s great for fingerpicking, of course, but it also hangs very well with a flatpick and handles heavy strumming with poise and guts. That being said, where the Baranik Retreux Parlor really shines is in vocal accompaniment. It projects well without drowning out my singing. The small size gives an intimacy and immediacy to everything you do with your picking hand. My mind and body feel more as one with this little guitar. Yes, all of that in the couch-friendliest format I’ve ever played! Happy Hunting!
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____________________________________________ 1922 Martin 0-28 1933 Martin 0-17 1974 Alvarez/Yairi CY120 2010 Baranik Parlor 2013 Circa OM-18 2014 Claxton OM Traditional 2014 Blackbird Rider Last edited by Deft Tungsman; 01-24-2018 at 12:48 AM. |
#30
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Good luck . So much to be said for the smaller bodied guitars . |