#16
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I wouldn’t suggest this, it’s an all solid instrument. I have run into problems with my 00015m before I started humidifying it.
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#17
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Yamaha FG800 - yes, it has a solid top but an excellent player, virtually indestructible, and $199 brand new.
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Justin ________________ Gibson J-15 Alvarez MD60BG Yamaha LL16RD Epiphone Les Paul Standard Fender Player Stratocaster |
#18
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A Taylor 110 or 114 perhaps?. My “leave it on the stand is a Taylor 114ce. A bit more money but a lot of guitar, or the Academy series as one other poster suggested. I live in AZ and the 114 has been stable all year round.
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#19
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Yeah...I've heard these are nice for all laminate Martins. Never tried one but would like to.
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Jim Dogs Welcome......People Tolerated! |
#20
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All mine are on stands or leaning against various pieces of furniture - if they were in cases, I wouldn't play them.
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2022 Brook Lyn Custom, 2014 Martin 000-18, 2022 Ibanez GB10, several homebrew Teles, Evans RE200 amp, Quilter 101R and various speaker cabinets, Very understanding wife of 48 years |
#21
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Decent at the low $ end can mean different things to different folks of course. I had an expensive gig bag I didn’t need anymore and was unable to sell. Traded it for an inexpensive Recording King dirty thirties guitar. It’s a 00 size with a pickup. Played ok and sounded a lot like a guitar. Took it to the luthier I always go to. He did an hour or so worth of tweeks. When he was done, the action was exactly the same as my other guitars. We put a new set of John Pearce phosphor bronze strings on it. The little guy now plays really nicely and sounds a million times better. It’s relatively indestructible, plays n sounds ok, and I don’t have a lot $$$ in it. It now sits on a guitar stand near the entertainment center full time. Had originally thought I would sell it on Craigslist and be done with it. However, I’ve had it over a year and pick it up all the time as it’s handy. I think these guitars retail new for around $200 +\- and can be found for less used. Served a need I didn’t even know I had.
Jeff
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Flammang RS35, Flammang el35, SC 000 12 Fret ss, SC H13, SC PJ, Rockbridge 00, Eastman 810ce, Recording King RPH 03, Martin LX (on loan), Martin 0018vs (given to Godson), Lowden F388c (traded), SC OM (traded), Martin OM28v (traded), Martin 00017s (sold), Bourgeois Martin Simpson Slope D 12 fret (sold), Larrivee Parlor (traded), Larrivee L05MT (sold), Gibson LG1 (sold), Seagull Folk (traded) |
#22
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Hi gw Why would a solid top (or all solid) be out of the running. I have various all-solid guitars which hang on the wall when the humidity is adequate, and my Solid-top (laminate sides) year round. I just keep a sound-hole humidifier (Kyser Lifeguard) loosely fitted in the sound hole to keep the body adequately humidified, and it's worked well for me with no negative results for 20+ years even in the driest winters (which we are famous for). There is certainly no reason to play anything other than your favorite guitars year round. Humidity is easy to deal with. More concerning/limiting factors for guitars either being hung or put on a stand 24/7 are pets or rowdy/curious children. [/size] |
#23
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I have my guitars on the stand all the time too. A Larrivee, a Lakewood and a Martin. I never even thought about humidifying until I read this thread. Do I need to do that?
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Never argue with an idiot. They will drag you down to their level and beat you with experience. Mark Twain |
#24
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I know folks have different spaces and different attitudes, I'm one that agrees with your premise: guitars in cases get played less for me.
The little room where I write this and work on audio pieces has 4 electric guitars, 3 electric basses and an acoustic guitar all out and ready to grab. This is in the dread Minnesota winter, and the humidity is not ideal. The acoustic is an old, non-descript Japanese Martin copy with a solid top (I don't know about the b&s). I dare say it has little resale value. I decided at my age and the guitars age I was willing to possibly cause a crack or other damage to it that would not be economically justifiable to repair. I know that's a cold judgement (no pun intended) and what I did is not for everyone. The guitar's age says that the wood may have stabilized more than a freshly built low-cost guitar. In your case (or not in case, pun now intended) if you find the all HPL Martin acceptable on a price and sound basis you'd have a solution. I've never been able to play that HPL topped one (though I thought the HPL b&s model I played several years ago in a store sounded OK). If not, consider "they were expendable" as your motto.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#25
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Quote:
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#26
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Another vote for a Yamaha FG 830 or similar. Amazing guitar for the money.
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#27
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A few days ago I played a 1978 Takamine F400 "lawsuit" 12-string that sounded superb considering it's all-laminated. Perhaps a similar used Tak 6-string or an old Yamaha red label FG180?
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2022 Yamaha Red Label FGX3 2022 Guild Westerly Collection OM-120 2016 Taylor 416ce-R 2010 Squier Vintage Modified Jazzmaster 1974 Rickenbacker 4001 Bass |
#28
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IMHO, Kinda reminds me of grandma's fine china that was only used on holidays and other special occasions -- while daily meals were served on plastic plates. Cheers! |
#29
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I have one. I leave it out. It’s a tank.
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#30
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Yamaha FG 800 series or higher. All come with a solid Sitka spruce tops, except the FG850, it’s all Mahogany
The FG800 is still at $199. Don’t let the low price fool ya. The 820 (mahogany) and 830 (rosewood) just had a $20 increase this year. I would grab one of those over the 800, but you would do well with any one of them. I have an older FG700 series that I leave out all the time. It’s also the one I take outside the most as well.
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Martin D-35 Martin 000-18 |