#31
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I'm glad that you are pleased with your Chimaera, Richard. Are your impressions the same whether playing acoustically or plugged in? Do you use a pick(s)?
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Tom '21 Martin D-18 Standard | '02 Taylor 814c | '18 Taylor 214ceDLX | '18 Taylor 150e-12 | '78 Ibanez Dread (First acoustic) | '08 CA Cargo | '02 Fender Strat American '57 RI My original songs |
#32
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updated my post with comments on plugging in. yep, picks and 2 fingers, jimmy page style. |
#33
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You said these 2 words in the same post which is about as rare as a hawk and prairie dog having tea together. I would love to play a couple of Mr. Hay's crazy inventions- the Synergy and the Amicus.
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Don't chase tone. Make tone. |
#34
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom |
#35
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Richard, congratulations on an awesome axe!
And I have to say your choice of a textured finish (even on the back of the neck) is totally insane (in a good way)! I'd love to play it (but I'm not in Colorado, aw.) |
#36
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cannot sleep now so i want to check in.
i am tripin'..tripin'..tripin happy! this thing NEVER, NEVER, NEVER gets out of tune (and i use 13-56 strings). i have no desire to ever look or play another guitar, ever again. now it is more fun to look-at and admire expensive wood guitars because i know that back home, i have something better. maybe i sound like a content hubby of a hot second wife? ha ha! i feel sorry for those Olson and Martin players (and the likes) who dished out big bucks because, although they have a supreme tone and feel, their guitars are like egg-shells that don't stand a chance in a Katrina situation, frequent airline travel or exposure to fog, snow and heat. but my GOD, these Emerald guitars are like driving/owning a Hummer and a Lamborghini, all in one. more later! |
#37
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Congrats to you Rich!!!
Your opening thread - that part on switching between guitars of different tuning, has actually in one way or another influenced me to visit my Emerald dealer here in Singapore today! And I have something to report here shortly. Something to do with "twin" too 😁. A bit off track here- just saw the latest X7-OS black weave Opus at my dealer there. It's a beauty and nothing short of stunning, and as usual, at a very very reasonable price point for a handmade CF guitar!! And it almost went home with me.... Anyway. Keep enjoying your doubleneck, I played my T8 everyday!!! |
#38
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Hi Richard, your Emerald sounds awesome. What's going on with this company?? How can you offer a custom double neck for so cheap?? Awesome!
I was reading about the sympathetic ringing your having. At times it could be really nice to have the 2nd neck ringing, but I am sure that there are times that you won't want it. I remembered about a trick that is used often in the bass playing community. Victor Wooten uses it all the time (I think it originated with his guitar playing brother Reggie. He puts a hair scrunchie that sits just on the other side of the nut. Any time he needs to mute sympathetic ringing of open strings, he just slides it past the nut to mute the strings. He sometimes slides it back and forth a few times in a song. There are also aftermarket versions of this that don't require you to go to the female hair accessory department of Wal-Mart. Some of the after market versions seem more effective. I hope you have many years of enjoyment! I looked at your full rig there, nice setup!! |
#39
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thanks for all recent replies.
yes, this name-brand and builder (Emerald and Alister Hay) is the way to go. that boy works his *** off, even with all the trips he makes. the others (Rainbsong, Blackbrird, Composite-Acoustics, McPheresen, etc) are all nice quality and sound too but, they need to catch up in having stock/production molds for double-necks. before, i wanted Black-Bird to make my guitar but, they wanted to charge 15K, at least. Leviora (from Germany) was the only other maker, willing to build a one-off (for around $4000) but, he had no track record of a double-neck yet (while Emerald had already built about 10 before I came along, so he already went through the R&D). i am sure the Chinese will soon be putting out CF models soon enough. when my FULL review is complete, i aim to translate it to Vietnamese, Korean, Japanese and Chinese. i am an American who has strong ties to Asia so, i want musicians in that part of the world to know about CF. besides, this guitar (it's self) may make me famous out there (ha ha)! they also are still building out of wood, despite that weather and atmosphere is WORSE than in America. so, i am glad to see a guy from Singapore, reading here. i am making no commission from these comments and am not a salesperson or employee of Emerald. but i wear his patch on my arm, as a loyalist, thats for sure! for order and info, contact Alister direct (but mention "RICHARD'S black Chimaera forum strings)? PS - i read a fellow Colorado guy was on this post. Look me up if you want: [email protected] Richard Last edited by richardpavelec; 11-09-2015 at 01:21 PM. |
#40
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thanks. another advantage i am finding with these CF beasts is that when pickups are installed, they could not respond better. i suspect the transfer of vibrations to the piezos are non colored or filtered, like wood can do. and since my audio rig has so much processing power, i do just fine. for example, i use a "Finalizer" for an EQ (ha ha..look those up on google, they are powerhouses)! also, i still insist that any basic DAW interface has far cleaner preamps than any amp out there (Fishman, etc). start off with the cleanest preamp possible, then build from there. DAW interfaces baby (so you can connect to a computer or use in stand-alone mode). carbon fiber + piezo + digital processing = one wicked tone Last edited by richardpavelec; 11-09-2015 at 01:24 PM. |
#41
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few month later
depending on what happens in November I've spoken to Alistair about ordering my chimera. 12/6. I play a martin jumbo 12 now and martin d 35. I also have an composite acoustic glx they don't make it anymore.
wondering if you still love you chimera. especially acoustically how would the sound compare to my guitars |
#42
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__________________
Tom '21 Martin D-18 Standard | '02 Taylor 814c | '18 Taylor 214ceDLX | '18 Taylor 150e-12 | '78 Ibanez Dread (First acoustic) | '08 CA Cargo | '02 Fender Strat American '57 RI My original songs |
#43
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__________________
Tom '21 Martin D-18 Standard | '02 Taylor 814c | '18 Taylor 214ceDLX | '18 Taylor 150e-12 | '78 Ibanez Dread (First acoustic) | '08 CA Cargo | '02 Fender Strat American '57 RI My original songs |
#44
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We really appreciate the kind feedback you have left here for the members of AGF. This means so much to us.. We are always so happy to read when a customer is pleased with his/her Emerald. We wish you continued enjoyment with your new Chimaera. Best Wishes from all the team here in Donegal. Sean |
#45
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greetings.
this thread is old. but, i started it. its been about 2 years since i took possession of my Emerald Chimaera. today, just wanted to come back and say that this thing is unreal! i had to make a few upgrades: 1) i replaced the Gotoh Stealths with Gotoh Delta 510's. 2) i replaced the B-Band with two D-tar Wavelength 18vs PU systems the "sympathetic vibrations" (from neck not being played) did become an issue (but easily controlled with careful placement of a capo). the rough "ovation style" finish i chose ended up being a little noisy when my arm brushed back and forth (but, i learned to control that). i found that picking closer to the neck made up for the shallow body (and gave it the Jumbo sound I missed from my sold Guild F50). that was my work-around to missing my jumbos so much. this CF resinates so long that it's almost like artificial intelligence or an alien weapon (ha ha)! seriously....my wood guitars NEVER sustained like this beast! just barely plucking it with your thumb just makes it ring forever...and it's a pleasing tone, not life-less like some CF guitars. and then there is the whole 2 six-string neck thing. i have often been made fun of, that i paid so much for double 6-string when, my second tuning (DADGAD) only requires 2 string changes. well..let me tell you, it is SUCH a luxury and convenience to have those two tunings, right at my fingers! i have NO regrets at all, about spending the money I did on this odd duck. it did require some getting used to, with a strap (because of the lower neck being farther away.) i found that I needed to make my strap shorter and hang the guitar higher than normal (like on my chest instead of stomach). this was so I could easily reach the bottom neck. it felt geeky at first but now, i think it looks really kool to play this best, so high up! the CF does not flex at all. let me explain: i often lean back in chairs (watching TV, fishing or sleeping at the park) and play in bed, where I apply pressure on the body a bit, leaning on it with my strumming arm. with my wood guitars, i if i "lounged" like that (with a guitar), i could easily get the neck to pull back a bit and intermittently raise the pitch a bit. not possible with CF! it is the most stable neck and body i have ever played on! i took this guitar to Vietnam, last year. it was a hit! and WOW, what a "chick magnet" this thing was over there (ha ha)! playing in a park, at a park-bench, i had honey's coming up to me all day and night (ha ha)! thanks again Alistair and Emerald Guitars! you were the right choice. (excuse any typos here) Last edited by richardpavelec; 05-19-2017 at 07:36 PM. |