#226
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Quote:
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#227
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Great! Be happy to
Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#228
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Monadnock Art Tour 20
Just a reminder that I will have my studio open as part of the Monadnock Art Tour 20 this coming weekend. Here is a link to the site: http://www.monadnockart.org/index.php/art-tour
It is customary to offer a snack and something to drink at the studios. If you require a little push maybe this will help to entice you. The ever patient Mrs Hatcher is making a special batch of her Hatcher's crackers: So we're talking whole wheat crackers with Herbes de Provence spices and shredded Pecorino Romano cheese. See you soon! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#229
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Much success with your open studio. Those crackers look fantastic. Sure hope there are some left when I visit next week.
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Life is like a box of chocolates .... |
#230
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I'd say a woman that kind, patient and talented deserves a Brazilian rosewood rolling pin. Or perhaps something more close-pored, like ebony? Bloodwood?
Something will come to hand. Have fun at the open house! Steve |
#231
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Quote:
Quote:
I have large Cocobolo stock that would do the trick, Hmm
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#232
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We might start debating if different wood might change the flavor of the dough...
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#233
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Hmmm....maybe its just me, but I am wondering if it is a good idea to give your wife a dense, heavy, non-porous rolling pin....just sayin
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PS. I love guitars! |
#234
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This forum needs a "like" button!
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#235
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The art tour was a great success! We were busy the whole time and met a lot of interested folks. It appears I may even have several sales! The best part for me was a number of the locals said they thought it was really great that I was in the area doing what I do. What a welcoming thing to say to a relatively new guy to the community!
Now it's back to work. The Magpie guitar is off to the finisher. Here are a couple pictures of the Bastogne Walnut/cedar Josie small jumbo coming along. These are the back bracing going on and the first side being bent: We're going to see this one turning into a guitar very soon! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#236
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Congratulations, and well-deserved! It's so nice to get such a warm welcome from the community. Good stuff, Mark!
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#237
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Thanks Mike!
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#238
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Prigress Pictures
Today I bent the second side, made the heel and tail blocks and glued that all up. I also glued up the neck blanks with the laminates:
We are going with African Blackwood binding and trim but we decided to go with Brazilian Rosewood for the fretboard and bridge. We agreed on these pieces: The dark brown in the of the BRW matches the color of the African Blackwood and the lighter streaks in the BRW goes very well with the top color. It's a subtle way to help marry the color of the top with the rest of the guitar. Additionally, there is no better bridge wood for tone. IMO Thanks for following along! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#239
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Love the way the bridge (and lower fretboard) tie in the top. Really nice.
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Life is like a box of chocolates .... |
#240
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Oh boy - another gorgeous looking guitar here!
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