#16
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Bought an acoustic amp Made sure I was using PB strings Used a thicker 1mm pick Bought a new battery for the pickup The guitar pre amp has 3 band eq Not going to buy another guitar with mahogany top Did i miss any? |
#17
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so a lot of "Elements" there to discuss. Like what kind speakers are we hearing? My 814CE DLX does NOT sound anything like that through any of my acoustic amps. if it did I would have sent it back and just forgotten about owning an 800 series. I agree with him on one point it takes a bit more time and effort to get the ES2 tone to be something that isn't distracting. But really, that demo sounds when he plugged it in,, yea -- awful
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Ray Gibson SJ200 Taylor Grand Symphony Taylor 514CE-NY Taylor 814CE Deluxe V-Class Guild F1512 Alvarez DY74 Snowflake ('78) |
#18
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I’ve had guitars with different variations of the ES2/ESB pickup and I’ve struggled, like you to get a decent tone out of it. It’s why I no longer have any Taylor’s as trying to get one in the UK without that pickup already installed is very difficult.
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http://www.Facebook.com/NickSpencerMusic Gibson Songwriter Standard EC Lowden WL-22 Maton SRS808 Taylor AD11-SB Taylor 811 GT Taylor Big Baby Walnut |
#19
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The Artist has a 3 band EQ, I think the mini only has Bass and Treble you don't seem to have any pre-amp infront of the amp. Why I mentioned the GE7 EQ, (or any EQ really) That will help do some tone shaping to get you closer to what you want to hear I'm not sure the hog top has a lot of bearing. At the end of the day I'm certainly not defending the ES2 It's my least favorite pickup of all my other guitars. I think Taylor would do us and themselves a big plus by focusing on building a great guitar, but let someone else supply the electronics. There's a few companies out there that are putting out some excellent sounding pickup systems. these aint that..
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Ray Gibson SJ200 Taylor Grand Symphony Taylor 514CE-NY Taylor 814CE Deluxe V-Class Guild F1512 Alvarez DY74 Snowflake ('78) |
#20
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I'm using the loudbox mini. It has 3 band eq as does the guitar.
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#21
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ah ok..
I usually cut the mids, almost completely, I run the high/treble around 10 o'clock, and the bass maybe at noon or slightly past on the loudbox. Amp gain control is set about 9/10 o'clock and I usually have the pad button set to "low" which cuts the input level. (I think that is the "OUT" Position) the Guitar is usually set as: bass is set somewhere around 1 o'clock, treble is set low, (8/9 o'clock?) volume is between noon and 3 o'clock So as you can see I'm "Cutting" highs and midrange, and trying to warm things up by favoring slightly the low end settings. I'm NOT running the ES2 volume full up. usually no more than 3 o'clock If I need more volume I use the master on the Loudbox If you've not set it like that yet, Try it! See if it's closer
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Ray Gibson SJ200 Taylor Grand Symphony Taylor 514CE-NY Taylor 814CE Deluxe V-Class Guild F1512 Alvarez DY74 Snowflake ('78) |
#22
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I have the newer ESB with the 3 band eq and volume all sliders.
So far the best sound I've gotten is with the treble and mid sliders all the way down and the bass at 12 on the guitar. Volume slider 3/4 up On the loudbox mini bass at noon mids at 10 highs at 9. Gain 1 or 2 With my katana settings about the same using the acoustic setting. |
#23
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oh!! that is quite a different setup to the ES2
I am not sure if you mentioned that before apologies if you did and I missed it
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Ray Gibson SJ200 Taylor Grand Symphony Taylor 514CE-NY Taylor 814CE Deluxe V-Class Guild F1512 Alvarez DY74 Snowflake ('78) |
#24
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* Overbearing midrange - nothing that can't be tamed * No "body" to the sound - lord only knows what'll come up when I try to fill in the gaps with broad brush EQ. Usually, if it's there you can hear it to some extent. If you can't hear it then it'll come up forced and "lumpy". * No detail in the transient, a bit like a mag. Might have something to offer that's currently masked by the mids but maybe not. I didn't know much about the ES2 system and have sought enlightenment today. I'm quite disappointed that I haven't found any examples of amplified tone that would offer much to work with. Preamps: Alamo Guitars preamp comparison
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Give a man a fishing rod... and he's got the makings of a rudimentary banjo. |
#25
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I have a Carvin AG300 acoustic amp. It has a 3-way cabinet and high impedance (HI Z) selection on the input. Although I've got a few good external preamps (RedEye is my favorite) I don't need it and don't use it when I plug into my Carvin. I use it when plugging into a PA. I believe the less in the signal chain the better - less noise, less cables, less components and connections where things go wrong. |
#26
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#27
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IME, Eq is better at attenuating annoying frequencies than it is at creating something that is lacking.
I think that one fundamental issue with amplifying acoustics is that in most cases amplification is an add-on to an instrument that was designed around an acoustic sound. Years ago we had "electric acoustics" that were designed with amplification as a design consideration. For example, bodies would be smaller. I'll take the Yamah APX series as an example. There are some current examples like Godin nylon string guitars. Maybe the results were mixed for that first generation of guitars but it was a start. Since then there have been big advances on the processing side, but builders and companies do not seem to be designing guitars around an amplified sound, which would inevitably involve compromises on the acoustic side. Most of us are still trying to capture the acoustic sound of an instrument designed to be played acoustic. Based on what I hear from plugged in players, including famous players with expensive rigs, we are still falling short. |
#28
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Would that not make a difference here? I think it would not defending the ES2, I agree his overall opinion, not a great sounding pickup without some work.
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Ray Gibson SJ200 Taylor Grand Symphony Taylor 514CE-NY Taylor 814CE Deluxe V-Class Guild F1512 Alvarez DY74 Snowflake ('78) |
#29
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The JJB is a great pickup, not as hot as the K & K though.
A preamp for live performances is a necessity IMHO. The Red Eye that Mandobart suggests is what I use and it works very nicely.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#30
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[Edit] I've since checked out some of Leon's other videos and he seems well aware of this issue and records all comparison signals dry. Seems like a considered guy.
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Give a man a fishing rod... and he's got the makings of a rudimentary banjo. Last edited by shufflebeat; 01-11-2023 at 07:31 AM. |