#46
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The top, bracing prepared and signed by the creators!
Next, the open box prior to closing…that’s some stunning Koa from the inside!!! And finally, the box gets closed!!!!
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Jeff Mark Hatcher Pina Parlor Torrified Maple/Cedar Stephen Kinnaird 00 B&W Ebony/Engelmann Spruce Simon Fay African Blackwood/Sinker Redwood Wolfgang Jellinghaus Torres Modelo 43S Maple/Spruce K Yairi CYTM Maple/Cedar |
#47
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Quote:
Steve, What’s the deal with the bridge plate extenders? |
#48
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Looks awesome guys--love the super clean interior shot!
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2013 Stehr Auditorium (Carpathian/Myrtle) 2015 Stehr Auditorium (Adi/BRW) 2020 Baranik Meridian (Blue Spruce/Manchinga) 2020 Wilborn Arum (Tunnel 14/Coco) 2021 Kinnaird Graybeard (BC Cedar/Bog Oak) 2022 Kinnaird CS Student Build (Adi/Padauk) 2023 Kinnaird FS (Italian/Koa) |
#49
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Hey Matt, it’s to reduce the possibility of the top dimpling above the X brace either side of the bridge. This happened for us once with a pyramid bridge on an Engelmann top. Now we do this as a matter of course. This is a Lutz top, stiffer in every direction, but it seems prudent to add this bit of stiffness above the X. Hope this makes sense.
Thank you Kevin, we appreciate that. Steve |
#50
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Thanks Steve, makes perfect sense. But you should have just gone with it and called them “Tone Dimples”
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#51
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The box is routed for the bindings…
__________________
Jeff Mark Hatcher Pina Parlor Torrified Maple/Cedar Stephen Kinnaird 00 B&W Ebony/Engelmann Spruce Simon Fay African Blackwood/Sinker Redwood Wolfgang Jellinghaus Torres Modelo 43S Maple/Spruce K Yairi CYTM Maple/Cedar |
#52
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Stephen Kinnaird - Koa/Spruce 00
Gluing on the fretboard to the neck…
And you get another look at the beautiful headstock inlay!!
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Jeff Mark Hatcher Pina Parlor Torrified Maple/Cedar Stephen Kinnaird 00 B&W Ebony/Engelmann Spruce Simon Fay African Blackwood/Sinker Redwood Wolfgang Jellinghaus Torres Modelo 43S Maple/Spruce K Yairi CYTM Maple/Cedar |
#53
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Nice to see more pics. Question time Steve, what are the four spiky things on the neck?
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#54
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Alignment pins to locate the fretboard to the neck. Pilot holes are hidden in fret slots…
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#55
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And gluing in the end wedge!!…
__________________
Jeff Mark Hatcher Pina Parlor Torrified Maple/Cedar Stephen Kinnaird 00 B&W Ebony/Engelmann Spruce Simon Fay African Blackwood/Sinker Redwood Wolfgang Jellinghaus Torres Modelo 43S Maple/Spruce K Yairi CYTM Maple/Cedar |
#56
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And here’s the result…in Brazilian!
__________________
Jeff Mark Hatcher Pina Parlor Torrified Maple/Cedar Stephen Kinnaird 00 B&W Ebony/Engelmann Spruce Simon Fay African Blackwood/Sinker Redwood Wolfgang Jellinghaus Torres Modelo 43S Maple/Spruce K Yairi CYTM Maple/Cedar |
#57
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This just gets better with every post! The torch really looks great with Steve’s headstock design and especially with that beautiful wood. The binding will really frame all that flame well. Dave
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#58
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And with that, the binding gets glued on…
__________________
Jeff Mark Hatcher Pina Parlor Torrified Maple/Cedar Stephen Kinnaird 00 B&W Ebony/Engelmann Spruce Simon Fay African Blackwood/Sinker Redwood Wolfgang Jellinghaus Torres Modelo 43S Maple/Spruce K Yairi CYTM Maple/Cedar |
#59
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Quote:
Quote:
Steve |
#60
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The Master at work….scraping the binding!
__________________
Jeff Mark Hatcher Pina Parlor Torrified Maple/Cedar Stephen Kinnaird 00 B&W Ebony/Engelmann Spruce Simon Fay African Blackwood/Sinker Redwood Wolfgang Jellinghaus Torres Modelo 43S Maple/Spruce K Yairi CYTM Maple/Cedar |