#31
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I'm not too sure keys have helped me with progressing on any stringed instrument, but they have helped my "mind's ear" a lot with understanding how music fits together as a whole. Adding keys and synth to various recordings I've been a part of, generally to tie a nice "harmonic bow" onto the package, has taught me much. I also record bed-track piano on some stuff, though I can't actually play keys; I play the left hand part on one track and add the right hand part on another track, as my timing on keys with both hands at once is too sketchy to be usable. For real piano playing I have a friend who is amazing so I just get him to do it.
So, imo, it's definitely a worthwhile thing to do, but I, personally, don't take time away from my stringed instruments to pursue it except as a specific assignment for a specific arrangement. |
#32
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I've been following this thread since it started, and the statement above is really a proper (and in my view the most important reason) reason to put some basic keyboard under one's fingertips. I recommend it for helping people understand music better - which contributes to ANY instrument (and singing). The posts so far have been a bit all over the map, but the original poster said he was tempted to try his kid's keyboard to see if it adds to his understanding of theory (music). Excellent idea… |
#33
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Careful, in less than a year I went from a $100 keyboard, to a nice intermediate digital keyboard to a grand piano! Although my skills haven't advanced as much, I love playing the grand piano, and I hope one day from a lot of practice, I will give the piano the justice it deserves.
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#34
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You are decades too late… I own two synths…and play keys (strings, horns, electric pianos, organ…particularly hammond-esque patches), and atmospheric things occasionally on our Worship Team. I'll never be a concert style pianist (thankfully we have a couple of those on our teams). I still own my less-than-$10 thrift-store, lap sized keyboard for teaching guitar players how chords are constructed, and how to voice chord inversions. |