#16
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Why would the string tension affect the fingerboard? I'd be surprised if they used the kind of adhesive that would let go at those temperatures. Wouldn't they use an epoxy?
I wouldn't be the least bit concerned. Leave the strings at tension. Why would anyone even consider a black roof box - unless you wanted to boil water?
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Mike MacLeod, Calgary |
#17
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They do use an epoxy. They use it to glue the top to the body, the fretboard to the neck, the bridge to the body, the bracing, and the entire body is cured with a CF-epoxy mix.
Reduced string tension might keep the bridge from flying off, but it wouldn't help the other glued areas. The epoxy is rated for a certain temperature. I'm not sure what rating it has, but other manufactures have given temperature ratings, and CA has implied that heat from an iron (107-193F) is sufficient to remove the bridge. If you keep it in the case and insulated, I wouldn't think the temp would get close to "too hot."
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gits: good and plenty chops: snickers Last edited by gitnoob; 07-29-2010 at 03:01 PM. |
#18
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Do it!! Silly Canadian... I have had mine too hot to touch... so I didn't check the tuning till it cooled some and was darn close enough for jazz.
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YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |
#19
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You could always move your Cargo for a grand now (before Pevey rolls out the Chinese Cargos next year for $500) and get an Emerald X7. The bridge is part of the soundboard on those things..
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#20
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Quote:
I don't know about Peavey (and Chinese production...that's a kind of a stretch as a prediction, if you know what I mean), but it can easily get to 140+ degrees in a top-mount cargo box, and epoxy can and will slip around at high temps. The Cargo is not bullet-proof, and it is not immune to high temps and any other abuse it might suffer in a top-mount box. Best of luck with your trip. All caution and reason would have you finding a place inside the car for your guitar, regardless of it's construction. The X7 (according to a reputable dealer) does not have all the set-up issues (relief, neck angle, neck-joint flex), and is also a 24" scale, exactly the same as the Larrivée Parlor. Cool. I have one coming as a part of a greater demo/road-trip.
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Larry Pattis on Spotify and Pandora LarryPattis.com American Guitar Masters 100 Greatest Acoustic Guitarists Steel-string guitars by Rebecca Urlacher and Simon Fay Classical guitars by Anders Sterner |
#21
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I have not heated up my X-7 yet.
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YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |
#22
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Regarding Emeralds, the builder had this to say:
Emerald Guitars are cured at 70C which is 150F so they are stable to that. As you know there are no joins and no weak points so everything is good to that point. Having said that after standing on top of Squaws peak in 110F and direct sun with Kramster by my side I started to reconsider my limits a little. I am sure the surface of the guitar was hitting 70C. The one area I have looked at again is the epoxy glue holding in the frets. What I use now is rated to 80C or 170F but to build in some extra limits today I took delivery of a new epoxy rated to 120C or 250F. That should give Kramster a little extra confidence in the heat of the Phoenix Sun. I am also planning on increasing the cure cycle to 80C to increase the overall temperature rating. Reality is this is probably going beyond whats needed but its nice to know that there is nothing these guitars cant handle.
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gits: good and plenty chops: snickers |
#23
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Thanks for all your replies. I've decided against the cargo in the roof box. Would hate to get to start my summer holiday guitar-less.
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