#31
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My Goodall GC is notably louder than my J-200. Obviously not a direct comparison, but in fact, my J-200 is probably the quietest guitar I've ever owned. I was shocked when I first got it, and I slowly realized what you said; the added real estate isn't to make it louder, it's to give it richness and balance. It's the reason the traditional Maple J-200 doesn't really sound like "maple."
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#32
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A disclaimer to those who are pointing out the financial merits of selling jumbos. My question is not about that. I will re-state it and do so slowly so that everyone can understand. I am not questioning whether it is financially profitable to make jumbos. Are you still with me?... Good. I am wondering why is James Goodall making big guitars (jumbo) that can't out perform his smaller guitars. Pheww... Ok, I hope that was not too hard.
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Taylor GA3 Furch 24CR Baritone Bedell TB 24 G Bedell TB 18G Bedell TB 28 G 12 string Bedell Performance Plus JB-52-12-G Eastman AC 420 |
#33
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Although I had a Taylor 618e (2015, GO/Jumbo) and that thing was loud AND rich sounding.
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Taylor GA3 Furch 24CR Baritone Bedell TB 24 G Bedell TB 18G Bedell TB 28 G 12 string Bedell Performance Plus JB-52-12-G Eastman AC 420 |
#34
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Nice analogy.
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Taylor GA3 Furch 24CR Baritone Bedell TB 24 G Bedell TB 18G Bedell TB 28 G 12 string Bedell Performance Plus JB-52-12-G Eastman AC 420 |
#35
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Not really sure what else to say unless you want me to say "because James Goodall is out of his mind" or "people are purposely choosing a guitar which they believe to be inferior," which I don't think you are wanting/expecting people to say, right? Last edited by GraceMusik; 03-09-2016 at 09:55 AM. |
#36
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Respectfully, Mike Taylor 415 --- Epiphone Texan --- Collings D1A --- Martin 5-15 --- etc Take a sad song and make it better. |
#37
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Funny, but I actually went through this scenario once. I purchased a mahogany CJ cutaway online that was a fantastic guitar in it's own right, but it didn't have the volume and lush overtones that Goodalls are typically known for. I didn't condemn CJs or Goodall guitars in any sense of the word.....quite the contrary. Instead, I looked around and ended up finding a Honduran rosewood CJ that did indeed have all those lush overtones with volume to boot, and I couldn't be happier. My advice: get over it and move on, for there's plenty of great guitars out there that'll be much more to your liking. It might even be another Goodall jumbo! |
#38
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Jumbos or small jumbos can make great sounds. How a particular guitar sounds varies with all kinds of things too numerous to even list in a discussion like this. Some of my favorite sounds come from small jumbos, like my Olson SJ.
- Glenn
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#39
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But the answer remains the same... people want Jumbos. Financial considerations notwithstanding, some people prefer them. I used to love Jumbos - all I ever bought. Then I changed, and now I probably would never buy another. As far as "out-performing," that's your subjective take, and clearly lots of folks disagree. One last point; I would be willing to guess that jumbos are among the least popular model Goodall makes. But after all the years of development, why not continue to offer it? The business cost is already covered. There is no cost to make a guitar that someone wants. Your question seems to boil down to "the Goodall jumbo is awful, so why make it?" And that's just plain wrong. The Goodall Jumbo is not awful. You just don't like it. |
#40
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Guild CO-2 Guild JF30-12 Guild D55 Goodall Grand Concert Cutaway Walnut/Italian Spruce Santa Cruz Brazilian VJ Taylor 8 String Baritone Blueberry - Grand Concert Magnum Opus J450 Eastman AJ815 Parker PA-24 Babicz Jumbo Identity Walden G730 Silvercreek T170 Charvell 150 SC Takimine G406s |
#41
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My thought exactly. The Universal one size should fit all.
Dan |
#42
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TW (Personally I find Dreadnaughts fairly useless. Even the one's that I recognize as real good ones. Does that mean that anyone else should not want or like Dreads? Nope. Just not my personal cup of tea.) |
#43
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I went through several Goodalls and never found one that could match the Cocobolo Grand Concert that was my very first Goodall. I was fairly surprised but I never questioned why they continued making the other models. That seems very misguided to me.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#44
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problems
1) You are drawing conclusions from a sampling of one. Because that one doesn't do it for you doesn't necessarily mean another won't.
2) Others are doing the opposite: trying to force the conclusion they have drawn from other jumbos to an instrument they have not seen nor heard. This stuff happens all the time, and it's not good science. We are apparently all amateurs & enthusiasts, not scientists.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#45
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If the only Golden State Warrior game you saw was last weekend's game against the Lakers, you would ask why is Steph Curry in the NBA?
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Guild CO-2 Guild JF30-12 Guild D55 Goodall Grand Concert Cutaway Walnut/Italian Spruce Santa Cruz Brazilian VJ Taylor 8 String Baritone Blueberry - Grand Concert Magnum Opus J450 Eastman AJ815 Parker PA-24 Babicz Jumbo Identity Walden G730 Silvercreek T170 Charvell 150 SC Takimine G406s |