#16
|
|||
|
|||
Quote:
|
#17
|
|||
|
|||
For live performance with a rock band-
Any band I play in, first priority is to make sure the singers can deliver the best result possible. This means keeping stage volume under control, and having them properly mixed in the mains and monitors. All other instruments play a subservient/complimentary role to the vocals. Best-case scenario is a good quality PA system, and a sound man that knows how to use it and whom you can trust. Under these circumstances, best solution is to put all instruments through the main mix for the audience, and through the stage monitors for the performers. Ideally, separate monitor mixes for the vocals and the instruments. The drum volume on stage can be controlled with a plexiglas shield. Additional amps on stage just lead to unnecessary stage volume, and make it harder for everyone to hear and perform- which always leads to volume wars, where everyone is constantly turning their own amp up to hear themselves. At some point it's dangerous for everyone... read up about tinnitus, it's no joke. I'm a big believer in low stage volumes when practical; it leads to a better, safer performance. That said, best-case scenario is not typical. Many gigging bands are playing through inadequate PA systems, and many sound men don't know what they're doing... or don't want to put in the work with the band to get a satisfactory monitor mix. Many people mix their own shows, and it's impossible to do sound properly and perform at the same time. Under these situations, the players have no choice but to take matters into their own hands and use amps on stage. Under these circumstances, the suggestions above are all great. Get more power than you need, it's better than overworking a small amp. Just realize that the results using an amp on stage will never be as good as doing it properly with the PA.
__________________
1943 Gibson J-45 Martin Custom Shop 000-28 Authentic Aged 1937 Voyage Air VAOM-4 IBG Epiphone J-200 Aged Antique |
#18
|
|||
|
|||
Quote:
But never buy on faith ... nothing is universally for everybody ... regardless of price or value.
__________________
Jan |
#19
|
|||
|
|||
I would also recommend an Ultrasound amp. I have a DSX-50 that is 2 channel and 50W with a separate "X Driver" 50w amp that can be used to drive another passive speaker. I have used this as a p.a. system for smaller venues with very good success. While subjective, it also offers the best natural sound for an acoustic guitar as opposed to a "processed" sound I found in other acoustic amps. It also has onboard digital effects.
Of course you can always use a powered speaker but if you want reverb or other effects you will need a mixer or pedal of some sort. You also have the option of daisy chaining additional powered speakers as needed. Good luck and have fun and tell the other players to turn down so they can hear your sweet acoustic sounds!!
__________________
Moosedog 2004 Taylor 712 Baggs Anthem SL 2019 Taylor 717e Builders Edition ES2 2016 Huss & Dalton TOM-M w/Baggs M-1 2019 Martin Custom Shop OMCE Blaze Burst w/Fishman Matrix Enhance 2019 Martin OM28 Modern Deluxe |
|
Tags |
acs, amp, amplifier, godin, loud |
|