#16
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'94 Traugott R ‘03 Tippin DST 12 '05 Huss & Dalton 000-SP Custom Adi Sunburst '04 Martin D28 '13 Martin 0-15M Custom Mahogany Guild F112, Takamine EC132SC, National Delphi, Blueridge BR-371, Tacoma CB105CE, Peavey EVH Special, Hohner G11M, Loar Mandolin, Uke |
#17
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Twelve string, maybe? _RP
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#18
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A couch parlor would round it out.
PRS P20E or Martin 00 |
#19
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Players grade 00 12-fret Martin from the golden era, the ones that have been played to hell usually sound the best(I should know, I've got one)
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#20
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For something from a real one-man (well, two-man now) shop, I can't imagine a better build than a Goodall, in any body style. Maybe a 12-fret short scale 000? Elegant, beautiful, and sustain that lasts all day.
Here's my suggestion - go to the Cedar Rock studios YouTube channel and watch a bunch of the world-class demos of "high-end" instruments to form an initial opinion, then go out and play as many of your top picks as possible. Drive 100 miles if necessary. Okay, after that - call James Goodall! Last edited by Lkristians; 05-29-2022 at 09:51 PM. Reason: No need to go after other brands here. |
#21
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That's a great recommendation. My Yamaha 12 string was the only acoustic I earned during my first 10 years of playing.
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#22
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My last two "Diversifications" were a PRS Hollowbody SE II Piezo and an Eastman MD615 Mandolin.
As far as acoustics go, I'd say something like a Martin 00-17, small body all mahogany. Want to spend more? There is a very nice S35 all Mahogany Lowden in the classifieds. |
#23
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Get something hand made from Canada, in Saskatchewan to be specific. Peter Sawchyn makes some nice guitars, this one is a 0 sized 12 fret he just made that I'm drooling after.
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#24
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Maybe something in the Martin 15 all hog series, a Gibson J-45, an Avalon/Lowden? Furch or Pellerin (a sponsor here)? There's so much out there. I would spend hours on Dream Guitar and Brickhouse's websites drooling over guitars.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#25
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Quote:
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#26
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#27
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Martin 000-15SM gets my vote
madhat. |
#28
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It all depends on how much of a difference you are seeking.
A SCGC 000 would be a nice addition, and you might enjoy the short scale (especially if you are a fingerpicker). A Collings C10-35 is smaller, and “Gibson-ish”, while still offering the Collings consistency and playability…but some would urge you to buy a Gibson rather than exploring a Gibsonish sound made by another manufacturer. A twelve string is great, though I think it is important to recognize that developing a repertoire that truly suits a 12 is not entirely straightforward, and can take some time (though many are content to simply strum through most any song in a 12 string, and never give it much thought). While 00’s can be great, their “focused”, “balanced” sound is not for everyone. A jumbo can be great. I have a Webber small jumbo with walnut back and sides that I really enjoy, and which differs from the rosewood sound that I tend to prefer. Enjoy your search! |
#29
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Quote:
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I note that you’re new here - you might like to consider that brand-bashing is contrary to forum rules, and that you’re unlikely to make many friends if you go around bashing other members’ choices of instrument. I regard this conversation as closed. Have a nice day.
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John Brook ‘Lamorna’ OM (European Spruce/EIR) (2019) Lowden F-23 (Red Cedar/Claro Walnut) (2017) Martin D-18 (2012) Martin HD-28V (2010) Fender Standard Strat (2017-MIM) Last edited by JayBee1404; 05-30-2022 at 03:13 AM. |
#30
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Definitely something small - but I’m biased as most of mine are 000/OM. I would recommend looking at a small-body in a tonewood you’ve not considered yet - perhaps maple? My latest is a maple L-00 type and it offers something very different from my ebony and rosewood backed guitars.
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Atkin OM37 Custom (Macassar Ebony b&s) Atkin Dust Bowl 0014 Gibson Original 50s Les Paul (Monty’s PAFs) Fender Mary Kaye American Original Strat |