#61
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Re: vinyl. Yup, my local cd buy-sell shop has boxes of cds, still unsorted, dropped off by customers unloading unwanted bulk, and as for compressed mp3 type files, good for pop singles, but if you want to go deep into music listening, see the vinyl revival. Re: Steve Vai (reference above) I saw him not too long ago on stage, and he’s using boutique tube amplification (loud but softer on the ear). |
#62
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I have no idea. The modeling stuff has zero appeal to me.
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#63
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I'm new to this electric guitar stuff, and I mostly play "clean," with a little added reverb, through my Bugera V22.
One thing about a modeling amp, however, is that it lets you try out different sounds without having to buy a gazillion amps. Of course, another way to do that is with a multi-effects pedal. I just picked up an ancient, used Zoom 505 pedal just for this purpose. So far I've mostly used the tuner function.
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Patrick 2012 Martin HD-28V 1984 Martin Shenandoah D-2832 2018 Gretsch G5420TG Oscar Schmidt Autoharp, unknown vintage ToneDexter Bugera V22 Infinium |
#64
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My guess is the debate between real tubes and insilico will go on for the foreseeable future. |
#65
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Yes, until vacuum tubes are no longer made, then we'll be arguing about the relative merits of solid-state vs quantum amps!
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Patrick 2012 Martin HD-28V 1984 Martin Shenandoah D-2832 2018 Gretsch G5420TG Oscar Schmidt Autoharp, unknown vintage ToneDexter Bugera V22 Infinium |
#66
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Quantum amps ... if someone from Google is reading this thread then it may come sooner than we all realize.
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#67
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A third way to do that is to haul yourself down to the local big-box store and plug into anything that piques your curiosity - saved myself a lot of grief (and found myself a couple must-haves) that way...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#68
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I love standing in front of a hot, hard-working tube amp that’s overdriven and glassy. But if the recipe calls for quiet dinner jazz, the DR will sound great but it’s an extra trip at load in and load out and maybe more depending on whether or not there’s a pedalboard involved, versus a tiny SS amp that provides great clean tones for the archtop...and fits in the gig bag. So it’s situational.
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#69
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Haha. It'll be a while before it costs less than a Dumble.
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#70
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I've owned cars that cost less than a Dumble...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#71
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Most of you have seen this, but for those who have not...
...the reaction is GENUINE.
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________________________________ Carvin SH 575, AE185-12 Faith Eclipse 12 string Fender RK Tele Godin ACS SA, 5th Ave Gretsch G7593, G9240 Martin JC-16ME Aura, J12-16GT, 000C Nylon Ovation: Adamas U681T, Elite 5868, Elite DS778TX, Elite Collectors '98 Custom Legend, Legend LX 12 string, Balladeer, Classical Parker MIDIfly, P10E Steinberger Synapse Taylor 320, NS34 Yamaha SA503 |
#72
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Here's the thing.
My tube amp is 15 watts and sounds great screaming at the top of it's volume range. With solid state amps, the modeling circuits sound wonderful, but then that wonderful sound goes into a regular transister power amp that sounds horrible if it's overdriven even a little. This you need to have a way more powerful amp (100 watts plus) in order to very cleanly reproduce that modeled tube amp saturated sound. Even at a hundred watts, a rowdy crowd can push that power amp into terribles sounding solid state distortion. They tend to sound wonderful at home or when you are demoing them at a music store though where the power amp isn't being pushed.. I haven't heard these new Fender amps, and I would love it if they've overcome this, but that has been my experience this far. |
#73
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The other day I bought this little 14 Watt Fender 5E3 style amp made by Michael Clark called the "Beauford". Earlier I posted a picture of it in this thread, but I've never heard a modeler gives up the vintage guitar tones like this little tweed. So here's a little demo I made in about 10 minutes just so you guys can hear what I'm talking about...
And with it's pine cabinet it weighs next to nothing. Last edited by rockabilly69; 10-27-2019 at 03:27 PM. |
#74
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I mostly agree. Tube amps just sound better and probably always will. But, I mentioned it a few times in this thread already... the Yamaha THR amps with some pedals in front sound very, very good and can sound vintage sounding. I'm not saying it'll replace a tube rig, but it's great for just playing wherever... at a park, beach, any room of the house. It runs on batteries and weighs under 10 lbs. I sound like a total Yamaha THR fan boy, but I'm amazed every time I play it still. Here's the latest version which is about to be released next week. Just listen to the first few minutes:
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Guild CO-2 Guild JF30-12 Guild D55 Goodall Grand Concert Cutaway Walnut/Italian Spruce Santa Cruz Brazilian VJ Taylor 8 String Baritone Blueberry - Grand Concert Magnum Opus J450 Eastman AJ815 Parker PA-24 Babicz Jumbo Identity Walden G730 Silvercreek T170 Charvell 150 SC Takimine G406s Last edited by robj144; 10-27-2019 at 01:23 PM. |
#75
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To me, the only advantage is weight - a 30-pound Twin Reverb is an answered prayer for roadies, as well as older players doing large gigs - but when it comes to the Deluxe Reverb 40 pounds is not unmanageable, for 95% of us an amp in that power range is adequate for our needs, and of course there's that all-tube bloom-&-swirl of shifting harmonics/dynamics that I've yet to hear from any SS amp...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |