#46
|
||||
|
||||
Quote:
Hope healing is in your future. best, scott memmer |
#47
|
|||
|
|||
Hard to hold flatpick
Quote:
Hey, i thought i was the only one that did that. I have to lick the two that hold the pick, of course, for extra grip.
__________________
Next to the grave marked "Unknown" Martin 2018 OM-28 |
#48
|
||||
|
||||
Quote:
sm |
#49
|
|||
|
|||
I lick the dotted Primatones, but they still tend to rotate to the rear. Must be angle of attack on strings, but I have not figured out how to counteract it. However, I have been able to find opportunities in transitions etc to quickly reposition the pick while playing.
__________________
https://soundcloud.com/user-871798293/sets/sound-cloud-playlist/s-29kw5 Eastman E20-OM Yamaha CSF3M |
#50
|
|||
|
|||
Quote:
__________________
https://soundcloud.com/user-871798293/sets/sound-cloud-playlist/s-29kw5 Eastman E20-OM Yamaha CSF3M |
#51
|
|||
|
|||
I get this, because often times i want the sound that comes with a Dunlop Jazz III and the feel of that little bevel on it, but I want the grip surface of a Dunlop Vinyl pick or a Dunlop Max Grip pick.
(I say this when I'm comparing picks, but when I'm actually playing, I am sure I forget what pick I have in my hand) That all being said, some pros will just pick the pick (ha) that sounds the best to them and then tape it. Seems like a good solution. |
#52
|
|||
|
|||
Easiest way to stop pick rotation IME.....use a triangular pick.
|
#53
|
|||
|
|||
I had mentioned this earlier, but since then have begun doing this to most of my picks, even Primetones and Dunlop Flow picks. It take about 20-30 seconds if you have any kind of box knife handy. Just a few light diagonal scores improves the grip of most picks significantly, even better than many that come pre-textured. It's super easy to do. Try it on a cheap pick and see if you like it. I find it REALLY helps, especially when my hands get a big sweaty.
__________________
Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#54
|
|||
|
|||
I tried scoring with a box cutter and drilling holes. The only thing that works for me is medical adhesive tape. I use rounded triangle picks and put a small square in the middle on both sides. It felt weird at first, but I got used to it after about 5 minutes. Works great.
|
#55
|
|||
|
|||
Agree 100%.........I don't have a problem with my picks slipping, like SM says, don't squeeze too tight. I have never had to sand, put holes, cut etc, etc on my picks.
|
#56
|
|||
|
|||
Quote:
This! I couldn’t keep a pick in my hands until I started using Mojo grips. You just slide in the pick of your choice and you have a rubber grip!
__________________
Mike ======= A bunch of guitars. |
#57
|
|||
|
|||
The only pick I found that doesn’t move at all is the blue chip. Great for bluegrass’s with there firm wrist and cross-picking. If you use a combination of strumming and cross-picking, and a more flexible wrist, you actually need a little movement of the pick. With the blue chip you have to consciously adjust your pick position on some songs.
If your a beginner and using a thin pick it doesn’t matter. The pick has enough flex that you can grip it as hard as you want, and doesn’t move around. Once you start chasing better tone, and moving up to a thicker pick, that’s when most people start to struggle with pick movement. For me .75 and up, and it wants to move. One of the keys which has already been mentioned, is to use a very light grip, but even with a light grip the pick will usually gradually start to rotate. I had this problem for years. Eventually I got to the point where I could play with the side of my pick if I had too, until the song had a natural break. A while back I was talking to a guy. He ran a local open mic, and I would get there early and pick his brain. He had great tone, both plugged in and un-plugged. He was using Clayton picks, which I had found especially slippery. I asked him about it and he said “I just make sure the label is down, and my thumb is on the smooth part” What? Are you kidding me? There is no way it could be that simple! It was , though. It also explained why some days the control was better than others. About half the time you would accidentally get it right. You don’t even need the guitar to try it. The pick position to the thumb is what needs to be constant. If you hold it loosely with the label down you can move your forefinger and the thumb position stays fixed. Flip it over, and it’s the exact opposite. For me, It only works with smooth picks. Primetones seem to work the best. Something about the bevel helps, I think. Then Ultex, then Claytons. I haven’t tried any of the other premium picks. (but I want to) It has been a real game changer for me. Especially playing out. I can get the different tones I want, and not worry that my pick is going to go sailing across the room. Or, worse yet, shoot inside the sound hole. Let me know how it works for you. Dave
__________________
2008 Crafter DV200/NV 2010 Blueridge BR-140A w/Lyric & K&K 2012 Ibanez AC300-LVS 2012 Eastman HE322CE w/K&K 2013 Breedlove Atlas Stage C25/SRe 2015 Epiphone DR-500MCE/NA w/JJB 2016 Gibson J-15 w/K&K 2016 Recording King ROS G9M 2017 Epiphone Masterbilt AJ-45ME/VSS 2018 Yamaha FS-TA 2018 Taylor 110e w/ES2 2018 AMI JM-SG45 w/JJB |
#58
|
|||
|
|||
Quote:
Ive run the gambit in picks and have tried the expensive boutique picks that are out there. I have several Blue Chip picks that are in a drawer and seldom get used, They are indeed a nice pick but the cost prevents me from using them where i might lose them. Which is anywhere outside the house..So why own one. Ive settled on fender extra heavy picks i drill a few holes in them but not really necessary. they are white and and easiliy seen if dropped. But i cant remember the last time i dropped one. For me its been an evolution to thicker picks. As ive played over the last few decades ive gradually gone thicker and thicker. The fender extra heavys are not too thick (i think 1.14 not sure though) But 100 will cost you the same as one blue chip. Its really not the pick ..Its more the player. technique and repetition will do more for your tone then any exotic dinosaur protein boutique pick will do. I did a blind test once with all the different picks i own. The Blue chip won. to my ear it sounded the best. The fender was an extremely close second. not enough to discount the cost differential. The Bc are in a drawer.! I used those clear brown claytons for awhile, drop one on a hardwood floor and they all but disappear. really uncanny how they vanish. ha Last edited by varmonter; 07-07-2019 at 06:59 AM. |
#59
|
|||
|
|||
I've moved increasingly to the 346 "medium triangle" instead of the classic but smaller Fender 351 size. More surface to grip with the digits. The larger size and slightly larger mass is barely noticeable with doing fast flatpicking, and unnoticeable (in a good way) when strumming.
__________________
----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#60
|
||||
|
||||
Quote:
If you combine that with some drilled grip holes, you should notice an immediate improvement. scott memmer |